Shazam status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Shazam reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Shazam users through our website.

• Errors (80%)
• Buffering (20%)

Live Outage Map

The most recent Shazam outage reports came from the following cities:

City	Problem Type	Report Time
Catania	Errors	4 hours ago
Narbonne	Errors	20 days ago
Poplar	Errors	2 months ago
Katowice	Buffering	3 months ago
Lyon	Errors	3 months ago
Township of Evan	Errors	4 months ago

Full Outage Map

Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

Beware of "support numbers" or "recovery" accounts that might be posted below. Make sure to report and downvote those comments. Avoid posting your personal information.

Shazam Issues Reports

Latest outage, problems and issue reports in social media:

• 
  King Shazam (@KingShazam_) reported 8 minutes ago

  They think banishing me to the stars will save them. Let Superman build back his broken moon. I am King Shazam, and my fury will return to claim what is mine.

• 
  The Problematic Kevhulk73 🇺🇸🐉💀 (@kevhulk73) reported 11 minutes ago

  @tuvya68 @Hollywood_Solo That was even the problem with the modern Shazam movies ..that fans complained because Shazam acted exactly like Billy.

• 
  Karma (@Pac_Triton) reported 13 minutes ago

  @Paapi_Billota just admit that the last 6 movies in that universe were utter **** from Shazam to the Flash. they were so bad, they had to shut down the universe, and your boy was still grieving over his daughter killing herself.

• 
  One_Lone_Pixel (@One_Lone_Pixel) reported 14 minutes ago

  @Mandevil23 He was terrible as Shazam. This didn’t matter in the slightest.

• 
  Wanderer (@Wander_0n) reported 16 minutes ago

  @fadotzara @TBKReturns No, I hated this universe since Superman 2025, same with the DCEU, it was terrible from the get go with horrible films like MOS and BVS, at least there were some decent movies like WW, Aquaman, and Shazam, but overall it was a terrible universe.

• 
  NASIR 👑 (@LongLiveNaseer) reported 17 minutes ago

  @bekeestitches Everyone blamed Shazam, but the real problem was deeper. Misunderstanding, manipulation, and misplaced blame all along.

• 
  Starlight 🦀 (@crackcroww) reported 19 minutes ago

  @haxcicle IVE BEEN TRYING TO SHAZAM IT FOR LIKE FIVE MONTHS i dont know and its not working nooooooooooo 😭

• 
  Suspect (@Abbakr_Abbaty) reported 19 minutes ago

  @bekeestitches The real problem was deeper than Shazam

• 
  db00_0 (@BobDole01118706) reported 20 minutes ago

  @garaa_arc The fact he refused to work with Shazam was also a huge problem. His ego got in the way.

• 
  Cloutymody (@cloutymody) reported 22 minutes ago

  Did you know you can use Shazam to know what problem your car has?

• 
  🆔 (@Nobleboyy7) reported 25 minutes ago

  @slowswirling Whats this song my shazam is down atm

• 
  Robert Arndt (@RobertA47199577) reported 26 minutes ago

  @amyklobuchar No, the parents. Don’t let you kid have a smart phone. Shazam! Problem solved!

• 
  RickSeal (@Justrelaxabitt) reported 28 minutes ago

  @donovanmartin5 At this point I dont believe snyder will be back. Sure I preferred his style and tone. But that doesnt mean i can pretend this DCU stuff is interesting. Superman was entertaining but it still felt very cookie cutter and safe to appease all the old complaints. All these suit designs are just awful too. Supergirls box office is also telling that the dcus problems are abit more larger than a vocal minority. I dont know what the answer is for DC but I do know judging by everything since Birds of prey, shazam 2, ww84 that they need to ditch the action comedy feel good "family" stuff. Avatar is a great example of what the tone should be. Families watch avatar. They dont need to make everything "light hearted" for a family to watch it.

• 
  I.J KLMNOP (@MoPride_) reported 29 minutes ago

  Sometimes, I wonder if Shazam has ear problems.

• 
  CSK (@CBatsOuttaHell) reported 30 minutes ago

  @RoyalMaj3sty I’m a Seven guy, so I’d have to swap Robin and Shazam with Aquaman and Martian Manhunter. I don’t have a problem with Nightwing’s placement. I don’t think you can have Batman over Superman though . . .

• 
  justhugee (@Justhugee) reported 36 minutes ago

  @elEmilio_W The problem is he thinks he has more pull in Hollywood than writers and directors. You don’t even know the source material, why the *** are you producing a full feature film about a Shazam villian.

• 
  Johnathan Holmes (@JoNathan129711) reported 39 minutes ago

  @netrusila_maxim @warnerbros Snyderverse was ****. Sure, they had some good movies like Zack Snyd Snyder's Justice League, Wonder Woman, Aquaman, Shazam, and Blue Beetle. But it also had terrible people (Ezra Miller), and it tried to be many things. #SnyderverseisDead, and it is better if it stays that way.

• 
  Kidd⟢⋆˙⭒ Jay’s keychain (@janaimare) reported 40 minutes ago

  I can’t Shazam every damn songs @MoonShadowGMMTV calm down okay ?

• 
  Screenwolf (@FArkonus) reported 41 minutes ago

  @ShempMeister They should be for whomever is willing to turn out and watch them. But even in comics there are age ranges. Hellblazer and Watchmen was never intended for 8 year olds. Shazam/Captain Marvel was clearly intended for them. Marvel on the whole was intended for teenagers and should really be aimed at kids around 13-15. Almost adult, but not quite. It’s a point where children and adults can enjoy it but the focus is teenagers. It’s why Spidey started at the age he did. DC varied by comic and I’d argue Batman, being obviously influenced by a combination of The Shadow and Universal Horror movies of the 30”s was always intended for a more mature audience. I mean he killed people no problem initially, only when they started teaming him with Supes did they soften him. This is why DC would perhaps be better off not trying to ram everyone into the same cinematic universe.

• 
  Greentendo (@Nictendo2) reported 43 minutes ago

  @Gazungamer Honestly the biggest problem with the later output of the dceu. Stuff like Shazam and TSS would’ve done wonders 5 years earlier

• 
  Qootooloo (@qootooloo) reported 46 minutes ago

  @Camsiyonna1 Shazam? Fkr real? Terrible, actor Terrible, te-ri-ble

• 
  AriezTheDragon (@JoeyDraconis) reported 47 minutes ago

  @oluwaseun7g Doom would be a problem in DC. He would beat Dr.Fate easily and then claim the power Shazam. Instantly making him able to defeat superman. Doom would probably top 5 threats in all of DC.

• 
  Recovery Simp (@recovery_simp) reported 50 minutes ago

  This COSOMA debate made me realize something… A thread 1/ While everyone is arguing about royalty payouts, I’m seeing something different. I’m seeing a system problem. And software problems are meant to be solved. 2/ If artists don’t fully trust how royalties are calculated… If the public doesn’t understand the monitoring system… If people keep asking where the numbers come from… That’s a transparency problem. Transparency is exactly what technology can improve. 3/ Imagine a platform that monitors radio and TV broadcasts in real time. Not guesses. Not spreadsheets passed around. Actual digital monitoring with an auditable trail. 4/ Imagine every song played being automatically detected using audio fingerprinting—similar to how Shazam recognizes music. Every play gets recorded. Every record has a timestamp. Every calculation can be traced. 5/ Now imagine every artist having their own dashboard. “My song played 287 times this month.” “These are the stations.” “These are the broadcasts.” “This is exactly how my royalty was calculated.” No mystery. Just data. 6/ The platform could also allow broadcasters to upload playlists digitally instead of relying only on manual submissions. Everything becomes faster. Everything becomes easier to audit. Everything becomes more transparent. 7/ And why stop there? Churches… Event organizers… Festivals… DJs… Could also submit licensed digital setlists. The more legitimate usage we capture, the fairer the royalty system becomes. 8/ This isn’t just a COSOMA solution. It’s a solution for every collective management organization across Africa that struggles with monitoring, reporting and royalty distribution. That’s a regional software market. 9/ This is the type of software Malawi can build. We don’t always have to import technology. Sometimes we should build the infrastructure ourselves. 10/ That’s why I’m putting this idea out there. I’m looking for partners who believe Malawi can build world-class technology. Investors. Government. COSOMA. Broadcasters. Let’s build it together. 11/ Imagine Malawi becoming the country that develops one of Africa’s most transparent copyright royalty systems. Not because we complained. Because we built the solution. 12/ Sometimes the biggest opportunities don’t come from asking, Why is the system like this? They come from asking, What if I built something better?

• 
  Mush - Super Sonic Summer of Scares (@MushHog) reported 53 minutes ago

  @parkerslawyer I won’t deny Diana is in need of content, but this is a terrible argument to make when Booster Gold has nothing to his name compared to Diana carrying a previous universe with Aquaman and Shazam, pretending Superman doesn’t exist outside of false promises with cameos.

• 
  Ads (@Adsnewaccount) reported 54 minutes ago

  @B3nd3rISGr3at34 @AxelTalksFilm People were willing to give a chance to these characters back then !Shazam is not a bigger character than Supergirl but still had decent numbers !The problem is now people just won’t turn up if it’s not the big 3 or nostalgia stuff like Avengers

• 
  Zack Straw 🇹🇩 (@_Ramifications_) reported 54 minutes ago

  accidentally added my entire Shazam history to my Apple Music library. this was a critical error

• 
  Matt Jarbo (@mjarbo) reported 55 minutes ago

  SUPERGIRL is tracking around $125 million worldwide, below BLUE BEETLE, SHAZAM! FURY OF THE GODS, and 2015’s FANTASTIC FOUR. Audiences clearly rejected it. Which is odd, because it’s not bad. Milly Alcock works, it moves fast, and it’s a decent watch. So what went wrong? The release date hurt, sandwiched between TOY STORY 5 and MINIONS & MONSTERS, but that’s not the whole story. SUPERMAN was huge last year, and her cameo landed fine, yet it didn’t translate into interest. The real issue: people had no reason to care. Maybe MAN OF TOMORROW should’ve come first, build her alongside Superman before a solo film. Instead, DC gave her one cameo and hoped that was enough. It wasn’t. This might be what superhero fatigue actually is, not the genre, but characters audiences were never given a reason to invest in.

• 
  Kamen 7 (@ApasserbyFan) reported 55 minutes ago

  @Sukiihiro @FitMarshmellow Genuinely Bendis may have set Jon back by a thousand years but Taylor doubled down and set him back even further Throw in Sina Grace too for good measure just for the way he wrote Damian in that Shazam issue

• 
  Rich Bateman (@richbateman87) reported 1 hour ago

  realistically who or what are we blaming for dcs problems right now? why has supergirl underperformed as bad as blue beetle, shazam 2 and the flash? because this needs addressing

• 
  Remy Etienne Lebeau (@UnderwaterSquad) reported 1 hour ago

  @thorkahh @iREUS_SA I kinda wonder where the spikes come from. I’m not all the way caught up. I just finished issue Abs Superman #20. I wasn’t sure if that was John Henry Irons or if it was Superman himself in that upgraded armor he wore when he pushed King Shazam to another planet in space