Shazam status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Shazam reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Shazam users through our website.

• Errors (100%)

Live Outage Map

The most recent Shazam outage reports came from the following cities:

City	Problem Type	Report Time
Guayaquil	Errors	10 days ago
Catania	Errors	20 days ago
Narbonne	Errors	1 month ago
Poplar	Errors	2 months ago
Katowice	Buffering	3 months ago
Lyon	Errors	3 months ago

Full Outage Map

Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

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Shazam Issues Reports

Latest outage, problems and issue reports in social media:

• 
  Jabbar 4PF (@crazybroda) reported 4 minutes ago

  Governor Shazam will be worse than Mr Jeans. No plans to fix housing issues in Lagos.

• 
  Terios (@Terios_FSE) reported 7 minutes ago

  @powcampsurvivor I remember in the movie they specifically mentioned watching Godzilla too. I don't know if that was real or just a fun line cause it was around that time. He DID base a lot of his persona on Shazam though so he'd be down with the cinematic universes too.

• 
  chavis (@Untamed_Boi) reported 8 minutes ago

  Chasing a car down to Shazam the name of a Chris brown song the car is playing is insane

• 
  Will Jenkins (@ImWillJenkins) reported 11 minutes ago

  Have @SHAQ appear as Shazam. Avengers wish Doom to turn into Iron Man. Boom. Two problems solved.

• 
  Why You Yelling (@Whyyouyelling1) reported 12 minutes ago

  @WongUpdates That was cool as ****. I'll never forgive the internet for gaslighting us into thinking Black Adam was a terrible movie cause the Rock didn't want to interact with those mid *** Shazam movies

• 
  Quadpen (@Quadpen) reported 14 minutes ago

  @rdhoodsgf as a homeless ten year old billy batson was deemed worthy by the wizard shazam to wield his power (wisdom of solomon, strength of hercules, stamina of atlas, power of zeus, courage of achilles, speed of mercury) by saying the wizards name he would call down a bolt of lightning-

• 
  Greentendo (@Nictendo2) reported 14 minutes ago

  @Gazungamer Honestly the biggest problem with the later output of the dceu. Stuff like Shazam and TSS would’ve done wonders 5 years earlier

• 
  Neo (@Neo_tech_AI) reported 20 minutes ago

  4. Visual Intelligence point at anything, know everything. Press and hold the Camera Control button. Point your camera at anything. A plant: species identification and care instructions. A restaurant: reviews, hours, and menu. A sign in another language: instant translation. A product: price comparison and purchase links. A dog: breed identification. A building: historical information and architecture details. A math equation: solved. A business card: contact saved automatically. A food dish: calorie and nutrition estimate. This is Google Lens + ChatGPT + Shazam in one gesture. Built into the camera. No app needed. No typing. It also works on photos already in your Camera Roll. Open a screenshot. Activate Visual Intelligence. It reads and responds to whatever's in the image. Most owners have never held the Camera Control button for 2 seconds. The entire AI visual engine sits behind a long press nobody tries.

• 
  Suspect (@Abbakr_Abbaty) reported 22 minutes ago

  @bekeestitches The real problem was deeper than Shazam

• 
  Nitrix (@Nitrix79) reported 22 minutes ago

  My bff said we should watch Logan together. That would be really fun. I would down to watch it together with him when we’re able to. First we’re gonna watch Shazam 2 together then Logan, then the Spider-verse movies when it’s closer to the third movie’s release date.

• 
  Red Ranger Chris (@RedRangerChris) reported 23 minutes ago

  I'll always stand by the fact that Blue Beetle was the best DC movie of that year. Shazam and Aquaman were totally forgettable at best, and The Flash had too many issues that ultimately held it back.

• 
  King Emmanuel (@Obanuell) reported 23 minutes ago

  @bekeestitches Shazam was never the problem. The real issue was everyone underestimating what he could become and how much power he actually carried. They judged the kid instead of understanding the hero.

• 
  EMC👾 (@_elitemedi6gs) reported 25 minutes ago

  @bekeestitches Shazam can never be the problem

• 
  Remy Etienne Lebeau (@UnderwaterSquad) reported 26 minutes ago

  @thorkahh @iREUS_SA I kinda wonder where the spikes come from. I’m not all the way caught up. I just finished issue Abs Superman #20. I wasn’t sure if that was John Henry Irons or if it was Superman himself in that upgraded armor he wore when he pushed King Shazam to another planet in space

• 
  Mimicinabox (@Mimicinabox) reported 27 minutes ago

  @Black_D_Gamer1 If we applied their logic, shouldn’t Shueisha or the respective authors of the earlier titles (Dragon Ball, JJK, Chainsaw Man, MHA) have issues with the later ones (Toriko, SBtMWY, Call of the Night) because of their very similar designs? But as far as I know, they’re not doing that, right? From what I’ve learned through Googling and from Grok, companies tend to go after designs that clearly infringe their trademarks rather than ones that are merely inspired by them. This applies to both U.S. and Japanese companies. The only case with enough evidence to successfully sue and win was DC v. Fawcett, regarding the similarity between Superman and Captain Marvel (later renamed Shazam after DC acquired the character). It wasn’t just the design; Fawcett’s team had deliberately studied other aspects of Superman (personality, characterization, etc.) to create their own version of “Superman,” only under a different name.

• 
  Jimmy (@Jommy8311980158) reported 28 minutes ago

  @ReemAmirIbrahim @reason Wow. Grocery prices in RI about to increase Soooo stupid. Kinda like rent control, units available go down and Shazam it gets worse. ****** clowns

• 
  Primm_Slim (@Primm_Slim6969) reported 29 minutes ago

  @Starseaman71 @FernKalm @JamesPrescott77 And yeah Aquaman and Shazam worked, that's been my point, BvS was bad, and fully because of Zack, but JL was worst, that became because of the studio interference, regardless of John's, the studio still did, and yet after 2 bad movies, those 2 were able to be received well and perform well. So clearly the issue wasn't Zack made a bad movie,he didn't make half a dozen worst **** that droped after JL

• 
  Blackboy (@blackboyrizzy) reported 30 minutes ago

  @bekeestitches Shazam catching strays when he wasn’t even the problem 😭 Somebody owes bro an apology.

• 
  Recovery Simp (@recovery_simp) reported 30 minutes ago

  COSOMA’s Blank Media Levy A THREAD 1/ Everybody is arguing about COSOMA payouts, but most people don’t even know what the Blank Media Levy actually is. Some think it’s government tax. Some think it’s Spotify money. Some think COSOMA just wakes up and chooses who to pay. None of that is true. So let’s break it down. 2/ Imagine you make a song. Thousands of people save it on their phones, laptops, memory cards and flash drives. Even if they don’t sell your music, they’re still making copies of it. Now imagine trying to ask every single person to pay you. Impossible, right? 3/ That’s why copyright law created the Blank Media Levy. Instead of chasing millions of people who copy music for personal use, a small levy is collected whenever devices that can store copyrighted content are imported into Malawi. That money goes into one big pool for creators. 4/ The devices include: • Phones • Laptops • Tablets • Flash drives • Hard drives • Memory cards • CDs & DVDs Basically, anything people use to store music, movies or books. 5/ So who collects this money? MRA. Think of MRA as the cashier. When importers bring these products into Malawi, MRA collects the Blank Media Levy together with other applicable charges. It then remits the money to COSOMA. MRA doesn’t decide who gets paid. 6/ Now COSOMA has one big pot of money. Thousands of musicians, filmmakers, writers and other creators are waiting for a share. So… How does COSOMA decide who gets what? 7/ Most people think it’s based on popularity. It isn’t. COSOMA isn’t supposed to ask: “Who’s the biggest artist?” It’s supposed to ask: “Whose copyrighted work was used the most according to the data available?” 8/ Think of two students. One is the most popular kid in school. The other has perfect attendance. Those aren’t always the same person. Royalties work the same way. Popularity and measured usage are not always the same thing. 9/ So how does COSOMA measure usage? Through a monitoring system. Think of it like a football referee. The referee doesn’t guess who scored. He keeps score throughout the game. 10/ Radio stations and TV stations keep playlists and broadcast logs showing every song they play. COSOMA collects that information and uses it to estimate how often songs were broadcast. The more qualifying plays your music gets, the bigger your potential share. 11/ Many copyright societies around the world also use music recognition technology (similar to Shazam) to automatically identify songs played on radio and TV. COSOMA has said it uses monitoring and broadcast data, although it hasn’t publicly explained every technical detail of its system. 12/ Imagine the monitoring results look like this: Artist A — 1,000 plays Artist B — 700 plays Artist C — 300 plays If royalties are shared using that data, Artist A gets a bigger slice than Artist C. Simple. 13/ Now here’s where the debate begins. People ask: “What about churches?” “What about weddings?” “What about crusades?” “What about minibuses blasting gospel all day?” If those uses aren’t captured in the monitoring data, they may not significantly affect the payout. 14/ People ask the same questions about: • YouTube • Spotify • TikTok • Facebook Those don’t automatically count towards Blank Media Levy distributions because they involve different rights and different royalty systems. 15/ This is why an artist can have millions of views… Fill stadiums… Trend every week… …and still receive a royalty payment that surprises everyone. Because popularity isn’t automatically the same as documented copyright use. 16/ So why do some artists receive millions while others receive much less? Generally because of: • More qualifying radio & TV airplay • More licensed public performances • Proper registration of their works • Their ownership share of the copyright Not simply because they’re more famous.

• 
  𝓓𝓸𝓼𝓴𝓲𝓯𝓾𝓷𝓭𝓼💰 (@Iamdoskifunds) reported 32 minutes ago

  @bekeestitches Shazam was never the problem. The real issue was that DC never figured out how to properly position him in the bigger universe. The character had the potential—execution and consistency were the problem. ⚡

• 
  Marco Almeida (@MarcoAlmeidaPT) reported 34 minutes ago

  Car stereo playing a song on the radio. iPhone connected via CarPlay. Opening Shazam or Apple’s own “recognize music” tool immediately shuts down the radio. I know taking over the car stereo audio when the microphone is activated is the standard behavior, but it’s kind of stupid in this scenario, right?

• 
  Julie Hill (@hill_julie75450) reported 34 minutes ago

  @wakeupusa Oh Geez, not another new word. Besides a cheek swab, just pull your pants down and see what you were born with. Shazam you are a female and or shazam you are a male. No one's taking their rights to identify how they want, but you can't negate biological reality.

• 
  X PestControl (@pestcontro87766) reported 38 minutes ago

  @DrNeilStone Lololo, more federal bs trying to get more money, give them more money and Shazam these problems disappear…

• 
  🆔 (@Nobleboyy7) reported 42 minutes ago

  @slowswirling Whats this song my shazam is down atm

• 
  justhugee (@Justhugee) reported 43 minutes ago

  @elEmilio_W The problem is he thinks he has more pull in Hollywood than writers and directors. You don’t even know the source material, why the *** are you producing a full feature film about a Shazam villian.

• 
  𝓻𝓲𝓻𝓲 ✧🦋 (@jnkcullt) reported 43 minutes ago

  Guys Shazam is not working for me like it doesn't even recognise any songs.. it's keep saying try again but it's not working

• 
  Matt Jarbo (@mjarbo) reported 49 minutes ago

  SUPERGIRL is tracking around $125 million worldwide, below BLUE BEETLE, SHAZAM! FURY OF THE GODS, and 2015’s FANTASTIC FOUR. Audiences clearly rejected it. Which is odd, because it’s not bad. Milly Alcock works, it moves fast, and it’s a decent watch. So what went wrong? The release date hurt, sandwiched between TOY STORY 5 and MINIONS & MONSTERS, but that’s not the whole story. SUPERMAN was huge last year, and her cameo landed fine, yet it didn’t translate into interest. The real issue: people had no reason to care. Maybe MAN OF TOMORROW should’ve come first, build her alongside Superman before a solo film. Instead, DC gave her one cameo and hoped that was enough. It wasn’t. This might be what superhero fatigue actually is, not the genre, but characters audiences were never given a reason to invest in.

• 
  JosMe💯 (@Keepee16) reported 50 minutes ago

  @wrld_of_Grace Shazam is not working, I did it 3 times...

• 
  Outlaw Linc (@OutlawLinc) reported 59 minutes ago

  @Itssan17 DC biggest issue is that they have never had a real plan for their superheros. They tried to copy and paste what Marvel did but Marvel evolved and found ways to appeal to the comic book fan and the casual fan and also make a good movie. DC hasn't been able to do that since The Dark Knight. The had a few hits like, Wonder Woman, Aquaman and Shazam but allt hose films blew it with their audience by the sequel.

• 
  Karma (@Pac_Triton) reported 59 minutes ago

  @damiebi10 JLA flopped, Shazam flopped both of them, Blue beetle flopped, wonder woman '84 flopped, flash definitely flopped despite cameos from JLA members, and Aquaman 2, flopped, yeah you guys never talk about the terrible second half you had.