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Disney+

Disney+ Outage Map

The map below depicts the most recent cities worldwide where Disney+ users have reported problems and outages. If you are having an issue with Disney+, make sure to submit a report below

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The heatmap above shows where the most recent user-submitted and social media reports are geographically clustered. The density of these reports is depicted by the color scale as shown below.

Disney+ users affected:

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Disney+ is an American subscription video on-demand streaming service owned and operated by the Direct-to-Consumer & International division of The Walt Disney Company.

Most Affected Locations

Outage reports and issues in the past 15 days originated from:

Location Reports
Agen, Nouvelle-Aquitaine 1
Dunkerque, Hauts-de-France 1
Paris, Île-de-France 53
Beckenham, England 1
Bogotá, Bogota D.C. 2
Rochester, England 3
City of London, England 2
Adelaide, SA 2
Waltham Cross, England 1
Val-de-Reuil, Normandy 1
L’Isle-d’Abeau, Auvergne-Rhône-Alpes 1
Riobamba, Chimborazo 1
Leicester, England 2
Berlin, Berlin 2
Marseille, Provence-Alpes-Côte d'Azur 8
Edinburgh, Scotland 5
Sheffield, England 6
Pembroke, GA 1
London, England 23
Montrond-les-Bains, Auvergne-Rhône-Alpes 1
Falkirk, Scotland 2
Blackwood, Wales 2
Nottingham, England 9
Barcelona, Catalonia 3
Clarksville, TN 1
Fortaleza, CE 2
Bordeaux, Nouvelle-Aquitaine 6
Challans, Pays de la Loire 1
Colchester, England 1
Northallerton, England 1
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Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

Beware of "support numbers" or "recovery" accounts that might be posted below. Make sure to report and downvote those comments. Avoid posting your personal information.

Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

  • Jay_Walker0
    Rogue (@Jay_Walker0) reported

    @lukellios Nahh that's actually a perfect point, The owl house did it better, nothing about this movie even compares, Problem with Disney is they keep milking the same ideas over and over again, same girlboss trope, same animation style, same story trope all the same things

  • QueenPink300
    💖queenofthepink💖 (@QueenPink300) reported

    @LifeEnergyNinja Bc ninjago is a show which cant work in live action + disney live actions show how bad is when u turn animation which is more flexible medium to live action + a canon animated ninjago movie would be sm better

  • ryanwilson2015
    The Love King (@ryanwilson2015) reported

    Disney is worth more according to copilot broken up.

  • Squalotto_
    Squalo (@Squalotto_) reported

    @SleazyD87 @chandamuba @TheBestqueenx I mean you're right that Disney has done a lot of ****** **** but I think the point is you can't seem to connect the reasons why. The bad **** is a side effect but there isn't anything wrong with just making kids movies. That isn't the source of the issue here dawg

  • IterIntellectus
    vittorio (@IterIntellectus) reported

    this is the literal opposite of the hero’s journey but the hero’s journey is fascist now, it asks a kid to admit he isn’t good enough yet and then work to become someone who is, and a culture that considers every hierarchy as violence can’t let a child hear that. that’s why Disney sucks now and why kids are stunted beyond repair symptom of a rotten culture

  • AdamPippert
    Adam Pippert (@AdamPippert) reported

    I’m about to go on my first Disney cruise ship this weekend, but I already know before I even get on board the boat that Disney should just sell the Adventure and start over designing bespoke large ship ships, if that’s what they wanna do. Imagineering cannot fix that boat.

  • zootopia2fan789
    Alfredo (@zootopia2fan789) reported

    @Carl_Nwakakwa @Carl_Nwakakwa plus remember half of the community basically ignore some of the shady practices other company like dream work , Netflix , Sony Animation have done then just Disney canceling the owl house like Sony fired half of the spiderverse crew after the second film

  • ThierryBorgeat
    Thierry from arvy 🇨🇭 (@ThierryBorgeat) reported

    This isn't only about tech. And it isn't new. In 1972 the Nifty Fifty, the safest blue chips in America, traded at 42x earnings, the favorites above 80x. Coca-Cola. Disney. McDonald's. Then 1973 brought inflation, rising rates, recession. Disney fell 87%. Polaroid fell 91% and went bankrupt. Great companies. Ruinous prices. It repeats every generation. Railroads in the 1870s at 63% of the market. The Nifty Fifty at 40%. Japan in 1989. Dot-com in 2000. The AI Big 10 today, also near 40%. Every time, a handful of names swell to an extraordinary share of the whole market. "Buy quality and hold forever" is good advice. "Buy quality at any price and hold forever" has ruined more patient investors than any crash. It was never the decision. It was always the price.

  • JH44573039
    Belly (@JH44573039) reported

    @rayh8021 @awkwardgoogle You work for Disney?..... just make it gay huh.

  • PAWDrawsart
    Phillip A. Watson 🎨 🐾 (@PAWDrawsart) reported

    @xanon597443 @marlon_hoek It seems that way in context but when you go back the dark age had the same issue right now. Redundant. The acting, the designs, the story beats, it just keeps feeling the same. Disney obviously has a ‘feel’ to it but compare 70s Disney to late 90s Disney. Latter is more varied

  • Geeksterinuq
    Geekster (@Geeksterinuq) reported

    @CurttiMagurtti Golly but at sametime Disney acting brand new with AI tech I’m not too broken up

  • graffychi
    Graffitea (@graffychi) reported

    3. Failure of Verification by the Press and Entertainment Media (Mr. Kim Soo-hyun's Case) After KNL's exposure broadcast began on March 10th of last year, Kim Se-ee pressured actor Kim Soo-hyun, his agency, Disney Plus, and advertisers throughout the entire month of April, claiming he possessed thousands of photos. Remarks such as "If I turn on the broadcast, I will reveal something even bigger," and "Will you be able to handle it?" were repeated. By hosting live broadcasts day after day, he forced us to admit and apologize for the facts he claimed. We view these actions as constituting coercion and intimidation, and indeed, these charges are included in the arrest warrant request disclosed this time. At the time, Kim Se-ui continued his intimidation by saying things like, "I have thousands of photos, but I won't release them until Election Day (June 3rd)." This method has the effect of intimidating both the press and the public. It makes people think, "Surely he wouldn't talk like that if he had absolutely nothing," and in the meantime, the allegations solidify as established fact. Journalists also hesitate to raise issues out of fear that it might result in premature reporting if something actually comes out later. Consequently, within just a month or two, public opinion completely tilted. Subsequently, at a press conference on May 7th, the so-called recordings of the deceased were disclosed. At that time, Kim Se-ui brought up the story of an informant who claimed to have met the deceased in New Jersey, and made a nonsensical claim that the informant had been attacked at the instigation of actor Kim Soo-hyun's side. In that process, I also suddenly made an appearance. I had absolutely no connection to actor Kim Soo-hyun at the time; I was merely a person commenting on this case from the outside. Yet, people who were in conflict with or critical of Kim Se-ee—including myself, reporter Kang Kyung-yoon, Lee Jin-ho, and Kang Yong-seok—all appeared in the conspiracy theory. At that press conference, not only the recording of the deceased but several other recording files were presented together. Multiple files appeared, including the voices of Lee Jin-ho, Kang Yong-seok, reporter Kang Kyung-yoon, and a voice said to be a person connected to me. There was even an English recording of a person claiming to be the informant's "white wife" delivering a message to the Korean public, which sounded to anyone like an AI-generated, machine-like audio. There was also a claim that reporter Kang Kyung-yoon went to the United States to meet the informant, but reporter Kang immediately refuted this as false by disclosing her own immigration records. Regarding the claim that the informant was attacked, a point was immediately raised in the real-time chat window of KNL's live broadcast that the presented photo of the wound was a Halloween makeup photo easily searchable on the internet. In addition to that, hard-to-understand claims—such as allegations of an FBI investigation and stories about assassins from the Jeolla province or of Joseonj족 (ethnic Koreans from China) descent—continued throughout the press conference. All of this content was difficult to accept by common sense standards. Even at the press conference venue, journalists were initially just listening, but as time went on, an aura of absurdity became vivid, and later, the atmosphere felt closer to watching while sitting with arms crossed. In other words, on the very day of May 7th, the scene of the press conference conducted by KNL and lawyer Boo Ji-seok was like a piece of black comedy. Even the journalists present on-site were not in an atmosphere to take Kim Se-ee's absurd claims seriously, and perhaps because of that, almost no special questions were raised.

  • J3ff_K1ng
    the lazy fox (@J3ff_K1ng) reported

    @denimneverdies Pretty funny that this image is from another Disney movie Like they know the issue but they don't care

  • Marusame
    Marusame (@Marusame) reported

    @ToIkienverse Effort, you HAD to impress 20 years ago, hell 20+ and back all the way to the first animations. Disney can never make a beauty and the beast today, it cant be done, physically they do not want to put in the effort and time. Indie can given enough time but its hard work.

  • Icydrago4
    Icydrago (@Icydrago4) reported

    @Jsaking11 Didn't the Owl house fandom got on the creator for having on of her characters be Cis then spent the whole month bashing her work to the point she left twitter(or just wen inactive here for a bit)? Now they want to take her side just to bash Disney for stealing a common trope?

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