Disney+ Outage Map

Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

Beware of "support numbers" or "recovery" accounts that might be posted below. Make sure to report and downvote those comments. Avoid posting your personal information.

Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  Diego (Kiwi) 🥝 (@Kiwiinthebasket) reported 39 seconds ago

  @sheluvsjeezy he knows that the main problem is that the show was on Disney+

• 
  FantasiaProject (@ProjectFantasia) reported 5 minutes ago

  In other words, it is nothing but a cash-grab. A ploy to take any animated movie without any quality, but to make bucks. Talk about Disney is going quantity over quality.

• 
  Rhumple (@DRK_Rhumple) reported 6 minutes ago

  @MatthewACherry Blade was removed from the release slate because no one could agree on a good script. Marvel wants Blade to be right, not rushed. Avengers was scrapped after Marvel parted ways with Jonathan Majors after his legal conviction. Okoye was shelved, not scrapped, to focus on quality and not quantity of its shows. Armor Wars is shelved and being re-evaluated similar to Okoye. Wonder Man is completed. It's going to release on Disney + Secret Invasion was also released and premiered on Disney +. Had poor critical recpeption even though they spent over 200 million on it. But by all means, educate me on what all of these shows have in common that further explains everything I mentioned above. I am sure the info you are about to bestow on me has been thought out and will absolutely provide more context past what I already provided.

• 
  White Stain Analyst 🇷🇸 🇲🇽 🇲🇲 🇪🇺 (@OrignalMrCool) reported 7 minutes ago

  @notforredlights They just need to admit failure and make the EU canon and the Disney stuff “legends.” It’s what the people want. It would probably be easier to salvage the tiny handful of new canon things that work and fit them into the EU rather than the other way around.

• 
  Kristina Stancil (@kstancil13) reported 13 minutes ago

  @80s_channel Praise the Lord I don't have to be at work and look for my VHS cartoon tape of classic Disney movies that wrap up with Robin Hood

• 
  Ahmezinoo (@ahmezinoo) reported 14 minutes ago

  @soydeboquitaJRR Disney era marvel is the worst thing to exist. Ruined the idea of superheroes to help 2 year olds

• 
  Gatorfan15 (@gatortebowfan15) reported 19 minutes ago

  @MundoMan4 @SirBrayden @JimShull I’d assume zero. The permit issue Disney had in regards to water issues was with the SWFWMD not CFTOD.

• 
  Anime Industry Today / 今日のアニメビジネス (@anime_attention) reported 22 minutes ago

  AI is pouring investment into Hollywood. But investors may not be betting on films—they’re betting on AI companies. Major studios like Disney and Sony Pictures invest in films. For anime industry, in many cases, the lead company within a production committee develops a project and makes the investment decision before commissioning an anime studio to produce the work. The investors funding AI-powered filmmaking are not traditional movie studios. So who are they? And what exactly are these companies producing AI-generated films—which I’ll refer to here as AI studios? Take Darren Aronofsky’s Primordial Soup, for example. The company has partnered with Google DeepMind and produced the AI-assisted historical documentary On This Day… 1776, while multiple other film projects are reportedly in development. Promise, co-founded by former YouTube executives and a film director, has developed proprietary AI technology to streamline production and create films, series, and entirely new forms of storytelling. Asteria, founded by filmmaker Bryn Mooser, has partnered with leading AI video generation company Moonvalley to combine live-action filmmaking with cutting-edge, ethically trained AI technology in pursuit of new forms of visual expression. What these AI studios have in common is that they are not simply making movies. They are developing AI-powered filmmaking technology. In other words, they present themselves less as production companies and more as AI infrastructure companies. Naturally, their investors are not traditional movie studios. Promise has raised funding from tech VCs including Andreessen Horowitz as well as Google. Moonvalley has attracted investment from VCs, GPU companies, Y Combinator, and Comcast. What these investors evaluate is not individual films, but the startup itself: its technology, production pipeline, long-term growth potential, and scalability. If we think of an AI studio as a startup, then a single film can also function as a proof of concept (PoC) and even as a sales pitch for the studio’s technology. Imagine presenting a Hollywood-quality AI-generated film to investors. There may be no more convincing way for an AI studio to demonstrate its technological capabilities and long-term potential. For AI studios, a film is not merely a product to sell. Before that, it is a prototype that showcases their own technology. But if that is the case, can we still call it a movie? This is where AI studios may be making a critical miscalculation. A polished AI-generated film that impresses investors is not necessarily a film that succeeds with audiences. Is it a movie that people genuinely want to leave home to see in a theater? Is it worth paying for a ticket and spending two hours of their free time? Will audiences want to watch it more than once? Will they eagerly anticipate the sequel? Even if investors are willing to finance it, there is no guarantee that the public will embrace it. Ultimately, the hardest investor to convince is still the audience. The point here is not to fall back on the familiar argument that “AI isn’t good enough, so we should just keep making films the traditional way.” Rather, the real shift is this: Movie studios sell movies. AI studios sell the future. That distinction may already be transforming the capital structure of the film industry itself. If traditional studios are investing in individual films while AI startups are raising capital by selling the promise of future technology, then AI isn’t simply changing how movies are made—it may be changing how the movie business is financed.

• 
  DijoSaul (@DijoSaul) reported 22 minutes ago

  Feel free to not like kh3 for anything other than the Disney and no middle cuz even the beloved kh2 has the Disney problem. If you could’ve gone back in the mansion at the start the game could’ve ended in kh2.

• 
  well, even louis vuitton makes mistakes… (@diewearingdior) reported 23 minutes ago

  Disney+ is an awful app.

• 
  Serah Rose (@SerahRoseArt) reported 24 minutes ago

  @MistrGhost Disney pulled a DC. I mean, I’m more than excited for Doomsday because I love these characters and want more time with them. But I can’t help but agree. I blame Disney and Jonathan Majors. That said, Doomsday looks like a fun time.

• 
  Cajun Sweetheart on the Run (@cjnswthrt) reported 24 minutes ago

  @OliLondonTV That poor girl was so ruined by Disney, Hollywood, and the music scene. She was in the spotlight since 11. She has no idea how to live a life without that attention and when she needs a fix… she post a dance video. It’s just sad.

• 
  Leo Balmant (@LeoBalmantt) reported 24 minutes ago

  @maliabeauregard You are mad because he is Christian... I can help you. So, just keep crying. (Disney IS for Kids)

• 
  JP Invests (@JP_Invests) reported 25 minutes ago

  $DIS is up 3% pre-market on adjusted EPS of $2.06 against $1.86 expected. Parks did the heavy lifting again. Three segments, three completely different stories. Experiences operating income $3.02B, up 20%. Entertainment $1.68B, up 64%. Sports $858M, down 17%. Total segment operating income $5.56B, up 21%, on revenue of $25.25B that actually came in light against the $25.40B expected. Direct-to-consumer revenue grew 11% to $5.53B on subscriber growth, higher pricing and stronger advertising. Streaming is no longer the problem it was two years ago. Disney also sold its 50% A+E Global Media stake to Hearst for roughly $1.2B and raised the buyback target to at least $9B from $8B. The catch is the guide. Full-year adjusted EPS of about $6.64 sits below the $6.81 the street wanted, and a chunk of that growth comes from a 53rd week rather than from operations. Fiscal 2027 is guided to double-digit adjusted EPS growth. Parks and streaming are working. Sports is shrinking 17% a year and nobody wants to talk about it. $DIS

• 
  turnado (@turdnado33) reported 26 minutes ago

  @KinuraXIV @DTVANews Ngl they could just animate the entire comic run and be okay. However, knowing Disney some of thier creatives can be something else. They tried to reboot Goof Troop and the designs were so awful.