Disney+ Outage Map

Community Discussion

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

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  🖤 JustStayin (@JStayin) reported 2 minutes ago

  @hewitson10 No rules were broken? (Then Farage has set a historic precedent and must be punished to set an example) Jenrick clearly thinks we're playing a giant game of Mornington Crescent under Westferry Planning Scandal; "White Faces"; Defection document; Disney mural rules?

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  JP🇺🇸 🏳️‍🌈 (@BuntyHunterJayP) reported 2 minutes ago

  @thecalibae Most likely b mode itd be funny if Disney did this due to the backlash of the animatronic and if its broken yikes its bran nee

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  Laconic_Wolf (@FakeJeremy2) reported 5 minutes ago

  @SWCultureLive Nope. Most Disney Star Wars is terrible. Not a patch on the OT.

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  ReelDad (@ReelDad) reported 8 minutes ago

  I ran USA 250 into the streets of my town this afternoon. 5 miles, one street at a time, until the map said it for me. Happy 250th birthday to the greatest country ever built. Think about what that number means. 250 years ago the average Continental soldier was barely in his twenties. Farmers. Apprentices. Kids. Their muskets couldn't hit the broadside of a barn, so they aimed at the broadside of an empire instead. And they won you every right you woke up with today. On Christmas night 1776, George Washington loaded 2,400 freezing men into wooden boats and crossed an ice-choked Delaware River in the dark to surprise German mercenaries at Trenton. The war was nearly lost. That march saved it. There are grown men in this country who check the radar before getting the mail. I also ran five miles yesterday in pissing rain and humidity so thick you could chew it. Loved every step. The worst thing out there was wet socks. Sit with that one for a minute. And this country knows the bill. In August 1814 the British came back and burned Washington itself. The Capitol. The White House. The people returned to the ash and rebuilt both. You carry their answer on the back of every twenty in your wallet. Freedom isn't free. It's also not safe. It was never supposed to be safe. Security is what you trade freedom to get, and the founders refused the trade. That refusal is your inheritance. It came with instructions. The Constitution doesn't defend itself. Read it again. It hands the job to you. The First Amendment. The Second. Those aren't decorations. They're the founders trusting ordinary citizens with the maintenance of the whole thing. And about that Second one. The men who wrote it had just finished using privately owned firearms to fire a king. They knew exactly what they were writing and exactly why. It was never about deer. Which brings me to the kids. Kids won this country. Freedom doesn't pass down like a house. It passes down like a trade. You teach it out loud, on purpose, or it skips a generation and it does not come back. Show them where this country burned and why it's still standing. We'll drive a full day and drop a paycheck on Disney without blinking. The actual Constitution sits in Washington behind glass, and it's free to look at. Arlington is free too. The admission there was paid a long time ago. So here's my ask on year 250. Do one hard thing today. Run. Walk. Carry something heavy. Have the conversation you've been dodging. The couch will still be there when you get back. It always is. That's the problem. Comfort didn't build this country and comfort will not keep it. The people of 1776 got off the porch. That was the whole trick. It still is. The letters I ran today are already fading off the map. That's the deal. Nobody gets to spell America once and call it done. You spell it every day or somebody erases it for you. The kids of 1776 won America. The people who raise kids like them are the ones who keep it. Happy 250th. God bless America.

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  JB (@GigasMachina) reported 11 minutes ago

  @APPictures9 This film has been getting the worst of luck. It first landed at Fox, then Disney/Lucasfilm after the purchase, and then Paramount. Now the higher-ups screwed over the original author who helped with the adaptation.

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  Cody🧣 (@CodyVoyles) reported 14 minutes ago

  Every part of this! Not showing the first gentlemen’s match of the day on Centre Court? This is such garbage @espn @Disney. No one wants to watch 2 men with some of the worst attitudes on the court play instead of Dimitrov & Bertettini. #wimbeldon

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  Open Source AI (@paradyse_one) reported 15 minutes ago

  @koltregaskes Disney can train on their movies they produced . I don’t see the problem

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  Douglas (@DouglasnTexas) reported 15 minutes ago

  Corporations are powerful tools for concentrating capital and influence. How that power is used—or shared—ultimately rests with those who create and govern them. There is no moral or practical reason why any billionaire should be forced to surrender wealth they risked everything to build and distribute it to people who contributed nothing to earning it. No one has a right to claim what they did not earn. Every adult citizen in the United States already possesses the fundamental right to risk their own money, start a company, and keep the rewards they generate. Citizens also have the right to pool their resources—month after month—to form and fund corporations together. The transformative moment comes when ordinary people realize they can do exactly that on a massive scale. They can band together to create companies that serve real societal needs, contribute as little as five dollars a month, and gain ownership in enterprises producing valuable intellectual property and profits. Think about Netflix. Millions of us already pay every month for unlimited access to movies and shows. We fund the machine like clockwork—but we own nothing. The exciting truth is: we *can* own it. We already subscribe to Netflix, Disney, Spotify, and countless others. Why not redirect that same recurring commitment into corporations we collectively own? With millions of citizens participating, even modest contributions of five dollars per month could generate enormous capital—while limiting each individual’s risk to almost nothing. This is in everyone’s self-interest. And that is not a flaw to be ashamed of—it is a powerful human reality we should harness. People reliably act in their own interest first. Rather than treating self-interest as a problem to suppress, we should design systems that turn it into a driving force for widespread prosperity. It is entirely possible to build corporations that serve both the individual owner’s financial return *and* broader societal value. When millions of citizens own and back such companies, capitalism will have reached its next evolution. Capitalism works for the masses every bit as effectively as it works for billionaires—when the masses become owners, not just consumers.

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  Snoof333 (@snoof333awesome) reported 18 minutes ago

  His childhood kinda forced him to know how people are feeling and what they mean when they talk so he can get into less trouble. His childhood was almost disney level bad, he likes being dependant, getting upset, mostly at himself, when he needs comfort or help

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  ANLIK AKIŞ (@anlikaks) reported 20 minutes ago

  SNAKE Like a real photo. a breathtaking, hyper-realistic cinematic portrait of a stunningly gorgeous woman with long, voluminous wavy dark brown hair that spill over her right shoulder in soft, beachy textures. She is captured in a seductive, commanding pose, arching her back and glancing over her shoulder with half-lidded bedroom eyes that pierces through the lens. Her face is a masterpiece of symmetry, featuring full, plump, pouty lips slightly parted and sharp, dramatic winged black eyeliner that accentuates her piercing eyes. Her golden-bronzed complexion is rendered with absolute precision, showing natural pores, subtle freckles, and a glistening sheen of moisture that catch the light. She wears a tiny, skimpy sage green string bikini with delicate gold clasps that clings to her curvaceous silhouette, emphasizing a plunging neckline and a micro bottom that barely covers her round, perky assets. Her accessories include a sparkling diamond tennis choker hugging her neck, bold polished silver hoops, and a delicate sparkling bracelet on her wrist, while minimalist black-ink tattoos peek from her shoulder and wrist. She is positioned with a bold hand-on-hip stance, fingers grazing her skin, set against a sophisticated mahogany-walled lounge with amber atmospheric glow and deep emerald velvet upholstery blurring in the background. The lighting is high-contrast studio lighting that casts deep, moody contours over her body, shot on a Sony A7R V with an 85mm f/1.4 prime lens with a shallow depth of field, utilizing the an intimate, tight composition to create a masterpiece of sensual high-fashion photography. default subject is small in frame, distant she is laughing happily She is Swiss Subject is Swimming, submerged in water, making swimming moves with legs and arms, moving forward defualt, (breast suppress:1.3). Her hands are covering her breasts She is **** but wearing just a pearl string thong negative ,,, anime, manga, disney, **** anime, manga, Disney, cartoon, low resolution, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name, anime, cartoon, rawing, illustration, boring, 3d render, long neck, out of frame, extra fingers mutation, deformed, canvas frame, high contrast:1.2, over saturated:1.2, glossy:1.1, bad lighting, deformed, text, bad lighting, deformed, text, worst quality, bad lighting, cropped, blurry, low-quality, deformed, text, poorly drawn, bad art, bad angle, boring, low-resolution, worst quality, bad composition, terrible lighting, bad anatomy, worst quality, bad lighting, cropped, blurry, low-quality, deformed, text, poorly drawn, bad art, bad angle, boring, low-resolution, worst quality, bad composition, terrible lighting, bad anatomy, worst quality, bad lighting, cropped, blurry, low-quality, deformed, text, poorly drawn, bad art, bad angle, boring, low-resolution, worst quality, bad composition, terrible lighting, bad anatomy, child, childlike, children, underage, <young child>, junior

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  timbre (@hemlockthistle) reported 20 minutes ago

  @PayeRyan @katok_exe generic and palatable form— along with their layoffs and moves for open adoption of ai— mean that audiences are naturally suspicious as to whether things like chatgpt are being used even if art-genai isn’t. Because Disney plays it so safe, their work resembles the ai that was

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  Nigel-James Durant (@NJamesDurant) reported 22 minutes ago

  @NSTRIKE1231 For ffs NSTRIKE. Stop with the Grok video shite. Rather have no video than this utter nonsense. Keep the reporting quality standards not Walt Disney shite!!

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  Bitz (@bitzydimbo) reported 25 minutes ago

  you keep romanticizing love which diminishes it, minimizes it, puts it in a silly little Disney princess box and let's it stagnate. love takes work, drive, patience, and effort. like anything worth having, it is cultivated by commitment.

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  Jim (@JimPlaMo) reported 26 minutes ago

  @SWCultureLive Star Wars might have been mid, bad at worst during the prequel, but it's never been atrocious like under disney.

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  Elder Millennial (@Old_Millennia1) reported 26 minutes ago

  @mr_SPIDERtouch @Noelelepen @Drop_The_Colony Handsome guys are not always good, however. That’s not the real problem; rather, inserting a secondary but more concrete antagonist into the story distracts from the more esoteric, invisible antagonist in the original story that you’re meant to FEEL rather than see, namely the supernatural being that cursed the Beast. The Disney version skims past her at the beginning and then Gaston keeps us from thinking about her ever again. Inserting him is indicative of Disney not respecting children’s intelligence. They need more contemplative kinds of challenges as the original story presents.