Disney+ Outage Map

Community Discussion

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

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  jbiwer32 (@jbiwer32) reported 1 minute ago

  @WallStreetMav @Fxhedgers Please fix Disney. Our children depend on it

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  astor (@grandpabbychuck) reported 7 minutes ago

  @Navistarkadiri Honestly, I hope this becomes the exception. It looks awful and cheap and I don’t want the general public rewarding it so Disney doesn’t think they should keep making more

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  Ⓘⓛⓛⓤⓢⓘⓞⓝⓔⓔⓡ (@scottxavier) reported 15 minutes ago

  @ImmaFinna But…. As I said. Universal does it better than Disney both quality and price. Of course off property wins though

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  Grand Magus XXXTentacion, High Council First Augur (@makehilloutXXX) reported 16 minutes ago

  Complacency kills. You want to have popcorn at the movies? You're dead. On your phone at work? Dead. Window down with the radio on? You're ******* dead. Carrying your kids and walking with your wife at Disney World? Your entire family is DEAD.

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  HICOOKin the Horse 🐎 meat 🍖 (@HI_Darius) reported 17 minutes ago

  @TizzyEnt He looks like if the worst parts of Hitler & Walt Disney were fused together

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  Max🇨🇱 (@ilikedolphins05) reported 17 minutes ago

  @20thdigital @MvsMarty @calmdown_robby I said not bad by any other company like Disney or glitch I should ************* kill myself but alright

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  Louisiana Gurl (@gurl_louisiana) reported 18 minutes ago

  @jdfromthe504 @LiveFree_n_Loud The movie tax credit collapse has not helped one bit. Thousands of great paying jobs, and their off shoots, no pun intended that supported New Orleans, BR, Slidell are gone. Productions in NYC are out of New Orleans, with hero shots, like Disney as well, in Vancouver, subbing for Bourbon Street. Another shipped their entire set out of new Orleans to Massachusetts, due to tax credits. This was a great business here for creatives. It was not a DATA center, or a carbon capture sequestartion tax boondoggle. Straight forward credit that beneifited local restaurants, hotels, etc. So, IMO, and I am not in that business, the movie industry collapse is a huge part of the issue. Meanwhile, Sinners was shot here. We have great creatives. Louisiana was in the forefront of this, now, Louisiana is in the back of the bus.

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  Hammer Home Foods (@HHomeFoods) reported 20 minutes ago

  @BaronDestructo I've been a life long Trek, Wars, and Gate fan. I've been disgusted with Trek and Wars, because the networks couldn't keep their noses out of the work of the creatives that made the Shows/Movies. With Rick Berman leaving because of UPNs interference in Enterprise, and ultimately never returning to Trek. I see these networks as the ultimate enemy of the very properties they own. Paramount/CBS and Trek, Disney and Star Wars, and now unfortunately @AmazonMGMStudio in relation to Stargate. I want authentic Stargate, not mind slop that destroys years of universe building. It upsets me that @martingero has lost that opportunity, and I find it further frustrating that all of your hard work seems to be for naught.

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  Cakecow (@Patrick_jane32) reported 21 minutes ago

  @MJediB03 Honestly they cant decide what they want vader to be in Disney cannon, hes either horror movie villain unstoppable and op or a broken warrior miles away from his prime that loses (or is close) every single duel he is in due to internal conflict.

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  Joni (@LuckyFindsJoni) reported 21 minutes ago

  @BrucioMcCulloch You would work with pedos at disney

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  CrimsonLight73 (@NuclearTheology) reported 22 minutes ago

  While the “hostess at Applebees” joke is funny, the reality is that how Abrams set up Rey in Force Awakens only further highlights just how badly Disney bungled the sequel trilogy. JJ did a great job setting her up as a scrappy scavenger who could hold her own in a brawl in a rough environment. Nothing really unbelievable there. However, even those good in a scrap wouldn’t be able to suddenly take on a highly skilled magic samurai or a contingent of elite guardsman. “Last Jedi’s” throne room scene only works because of sloppy editing (see the clip below) and expecting the viewer to forget that Rey’s only had force powers less than a week and no formal training whatsoever. That’s not even going into the other major issues with the scene as OP pointed out - Disney wanted a cool Rey/Kylo Ren team up fight with no thought put into the fight or world building other than “make it look exciting.” Sequel fans hate the “Mary Sue” accusation but Disney didn’t help the situation by having an untrained scavenger take on elite warriors and move mountains at will

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  necrokuma (@necrokuma3) reported 22 minutes ago

  @ThirstyyTiger The fact is that Disney used parts of its Terms of Service as a legal barrier, which didn't work for them, and again, it doesn't work with AI companies when dealing with non-exclusive licenses

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  borz m swiftie (@uwuborz1978) reported 23 minutes ago

  @Panagiotis92693 @renewedro Gurl both of them was supported by their Family and handed their career in silver platter 😭 your excuses are so predictable. Disney made stars are always awful (except for Selena because she WORKED hard)

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  Richard Gold (@postmdernsleaze) reported 29 minutes ago

  @AJYeend @DisneyPlus I think I heard they’d pushed it back due to a technical error.

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  Ryzm (@Goeun_6121) reported 29 minutes ago

  20.6 billion won. About $13.6M. That is the bill JTBC could not pay on Thursday, and it was enough to flip one of Korea's big-three media groups to junk. The number is the strange part. JoongAng Group carries around 2.8 trillion won of debt across its holdings. The miss was 20.6 billion. Under one percent of the stack. A rounding error pulled the rating. NICE cut JTBC from BBB to CCC in a day, the short-term grade from A3 straight to C. Korea Ratings took it to BB. Then it spread. JoongAng Ilbo, the newspaper, dropped to BB-. SLL, the drama studio, went with it. One broadcaster missed one payment and four entities got marked down the same day. Here is why one miss moved the whole group. The JoongAng companies fund themselves by guaranteeing each other's debt. The newspaper backs the securitized borrowing of JTBC and the content arm. The content arm backs the cinema unit's. Cross-guarantees all the way down. Build it that way and a single default does not stay local. It re-prices everyone's rollover at once. The part that lands hardest. They watched linear TV dying years ago and bet on content to get out. SLL made dramas that ran worldwide on Netflix. Megabox ran the cinemas. Contentree was supposed to be the exit from a shrinking ad market. The exit was financed with debt, and SLL was even securitizing future Netflix receivables to raise cash today. They borrowed against tomorrow's streaming money to survive today's TV decline. Tomorrow showed up as a maturity wall. At 6:30 Thursday evening the JTBC newsroom went on air as usual. The company signing the checks had defaulted that day. The broadcast did not mention it. Korea just printed a clean early version of a condition every legacy media balance sheet carries. Linear ad money leaves for streaming. The company borrows to chase the streaming side. The debt matures before the transition pays off. Warner Bros Discovery, which holds a slice of JTBC, is splitting itself in two over the same math, with a balance sheet big enough to hide it longer. Disney and Paramount carry it too. Korea's was just small enough to crack in public first. A flagship media group, knocked over by less than one percent of its own debt. The streaming transition was always going to cost something. Nobody marked it down on this line.