Disney+ Outage Map

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

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  Ensign Sugarbaker (@roybpreston) reported 4 minutes ago

  @GC50Art @theewinterwitch We've got enough evidence now to make pretty solid guesses about what Marvel/Disney will do based on these leaks and trailers. They've lost their way, and nearly a decade of flailing shows they have no idea how to fix it.

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  P Mike (@PMike04) reported 5 minutes ago

  @mark_scheig Be hard pressed to go with Amazon when they don’t align with Disney/espn not sure that would work well

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  Joseph Budnack 🇺🇸 (@JMBudnack) reported 7 minutes ago

  In 1938, following the massive success of Snow White and the Seven Dwarfs, Walt and Roy Disney bought a new home for their parents in North Hollywood. The Issue: Shortly after moving in, Flora complained of a strange odor and a malfunctioning gas furnace. The Tragedy: Walt sent studio repairmen to fix the furnace, but the repair was unsuccessful. On November 26, 1938, Flora passed away from the fumes, while Walt's father, Elias, survived but was severely sickened.

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  Solid State Sociaty (@SolStateSociaty) reported 8 minutes ago

  @Aurore_Chery @JackStr42679640 Nooo, they were weak and stupid people. They were not evil in the traditional Disney-villain way. They were simply not the right people for the task. They lacked the intelligence, wisdom, or will to be in the positions of power they held. And this led to errors, which eventually metastasized.

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  Dennis Collins (@Luscombepilot) reported 16 minutes ago

  @profstonge Anything difficult government tries they will fail at, including persuading people to procreate. Elon Musk wanted to go to Mars. He knew government would fail. So he figured out a way to monetize space as a way to pay to develop cheap space flight. You fix the population crash the same way. Start a company that profits from children (stay with me here, I’m talking ethical ways). Something in entertainment like Disney, or products like McDonalds, or cost effective non woke private schools. Use your imagination and keep the real agenda in mind, encouraging children. How they do that is open to ideas. Maybe encouraging parent events, finding ways to save money for parents, or just plain advertising their product in ways that make parenting look cool. More kids, more profits, so it’s a corporate mission to encourage more procreation. That’s how you fix the population crash and get rich at the same time. Like Elon and Mars.

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  just ted (@GltchLizard) reported 16 minutes ago

  I think the problem everyone is having a hard time expressing is that, at some point, this series has to end. There HAS to be an ending to this. And Disney, historically, does not make things that stretch a narrative as long as this has. It has to end.

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  Incognito75 (@iniciosurtwt) reported 18 minutes ago

  SVP @DisneyPlus c awful Rothen au commentaires. Non ?

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  A Guy With an Anime Girl pfp🤎💚🪖 (@GuyWithAGirlPFP) reported 20 minutes ago

  @GerdVonBarb Copyright was mutated into this horrible authoritarian monster by Walt Disney, now to where modern works will never become free until 70 years AFTER someone dies. So 150+ in some cases. We need to fix this.

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  carl peachey 🇺🇸 (@carlpeachey8) reported 24 minutes ago

  @thatstarwarsgrl Lanterns is nearly the worst show I’ve seen. Nearly. There are worst shows like rings of power,Doctor who the Disney plus ones Star Trek academy most of the mcu shows and watchmen.

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  Bogey Research (@Bogey_research) reported 26 minutes ago

  Don’t hate $DIS at 15x NTM EPS. Disney plus revenue up 15% and margins holding in double digits indicates churn is stabilizing. Content firehose can be turned off improving costs and quality of content. $PSKY and $WBD merger opens the door to a reasonably priced Disney Hulu hbo paramount bundle. $NFLX doesn’t like that their stock has gone down and is gonna get aggressive either on an acquisition or content spend and is gonna raise prices to fund it/create revenue growth. Creates headroom for other bundles to undercut. Expectations for Marvel seem pretty low. Spider-Man shows 1. They can still make a half decent movie and 2. The audience is not anti superheroes. If doomsday is passable it bridges to secret wars which sets up transition to X-Men who are better quality IP than even the original avengers and far better than the “new avengers.” Comic book fans love X-Men, millennials liked the fox movies, and the cast is stacked with Gen Z stars (and Gen Z likes going to the movies). Marvel TV homework is going away which is good for the brand. Don’t love the creative direction at animation and Star Wars. Parks should remain strong under new CEO and content hopefully improves under Dana. Free optionality in linear+sports spinoff offsets some risk IMO. Starting to get to the point where activists would push for it, creating some downside protection. Now that streaming is not a cash incinerator acquisitions are back on the table for when great IP comes up for sale, and parks and streaming make them best at capturing synergies here IMO relative to other bidders (think Bluey).

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  GIRI GIRI (@RaiohV) reported 27 minutes ago

  KH3 didn‘t have a German dub either and I feel like there was a direct correlation with me thinking it was the worst entry in the series. Straight up don‘t care about English / Japanese voices of Disney characters.

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  DancinRic (@DancinRic) reported 28 minutes ago

  @BringBackBanjoK The story is terrible. The charm of mixing Disney and FF charcters dies after KH2. And pretty much any side game is a huge waste...cept for Chain Of Memories

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  Bria_Dear (@Bria_Dear1992) reported 28 minutes ago

  @SirCensorLot Excellent work @SirCensorLot ! I was out in Hollywood when David Geffen, Katzenberg and Spielberg formed SKG company......then Katzenberg went to Disney and later ran it....before Ron Meyer, who had been a top agent at CAA beforehand. Anyway, I remember the power they yielded. Nobody messed with them. David Geffen had a reputation where you didn't cross him. It was creepy & very intimidating. If Dolly was wrapped in this network - I totally understand why - if she ever wanted out of it - she was completely trapped within it's structure & had no control over what they did in her name or with her affiliation. If she went against them, they would just make her the "fall guy" for that whole side of it. What a mess she was in....if she didn't willingly participate.

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  Peter von Kittenmask (@vonkittenmask) reported 34 minutes ago

  @PopcornPost_ Gonna go meta and nominate the studio responsible for the most worst movie sequels of all time: Disney. For every excellent animated feature, for a long time, they'd rush out an incredibly cheaply made, badly written sequel to video/DVD-only release.

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  Cinema Tweets (@CinemaTweets1) reported 35 minutes ago

  The Mandalorian and Grogu (🌟🌟🌟) is a perfectly adequate movie that became the pallbearer for all that is wrong with major Hollywood franchises right now, and I think that’s a bit unfair. No, this is not Jon Favreau’s best work and as I’ll touch on in further detail, this film is beneath him in many regards. And let’s be honest. The Mandalorian is over 7 years old at this point. Baby Yoda has been around for longer than COVID. The last episode of this television series aired over 3 years ago. There’s striking when the iron is hot, and then there’s striking when the iron is ice cold. But while Grogu is an easy target for criticism, I have to admit I’m a bit surprised by how much I enjoyed this viewing experience. Is this film a smash hit? No. But it’s also not a total disaster.  
The story here is simple, Din Djarin (Pedro Pascal) is the famous bounty hunter known as The Mandalorian, who carries out assignments with the help of his accomplice and surrogate child, Grogu. Through a series of covert missions on behalf of the New Republic, he finds himself dealing with the underbelly of crime lords and fighting rings, as he eventually comes to realize that the objectives he was given were not so easy to accomplish. It’s a fine story that absolutely feels like multiple episodes of a television series mashed together, but I’d be hard pressed to find a series that jumped from television to film that didn’t end up having some pacing issues. 

I love Jon Favreau. Those of you who’ve followed me long enough know that I have a personal relationship with his work. I think when Favreau is really passionate about something, he’s as talented of a director as there is in Hollywood, largely because his range is unlimited: he can do comedy, he can do drama, and he can do…whatever Grogu constitutes. However, my issue with Favreau, especially as of late, is that it doesn’t appear like his heart is in the projects he chooses to make, whether it be The Lion King live action or this film. Not since Chef has Favreau made a film that I think really came from his heart. All of which is to say that while this film isn’t as bad as some suggest, it’s beneath Favreau & it’s nowhere near his best work. 

With that said, I’m not here to trash Favreau either because this film is definitely salvageable. I know what the popular consensus was on this film. It was a box office flop. It was further proof that Disney doesn’t know what to do with the valuable franchise it purchased all those years ago. It was a lackluster return to the big screen for Star Wars after 7 years away in the aftermath of The Rise of Skywalker. In a summer that was dominated by indie box office success stories, it was fun to rag on the big franchise picture that clearly only existed to sell toys. And while I’m not here to shill for a corporation, I am here to mount a light defense of this film.  Because damn it, I enjoyed myself here. This felt like regular old enjoyable Star Wars. The story was small. The stakes were low. Not everything tied back to the same three families who control the entire galaxy. It wasn’t stuff to the brim with cameos designed to make you clap and cheer and point at the screen in recognition. The CGI was fine and the live action puppet work was great, watching Grogu and the Anzellans hop through their space adventure actually helped immerse me in this world for the first time in god knows how long. It was genuinely fun to revisit this world in a film where the fate of the galaxy wasn’t weighing on everyone’s shoulders.  
The Mandalorian and Grogu really ended up in the wrong place at the wrong time. It became a convenient punching bag for everything audiences had grown tired of about modern franchise filmmaking, when in reality, it was just a perfectly pleasant Star Wars adventure. I’m not saying it deserved the world, but I think it deserved better than that. 
 The Mandalorian and Grogu is a fine film - nothing more and nothing less.