Disney+ Outage Map

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

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  John Stark (@macthemovieguy) reported 38 seconds ago

  @Disney @DisneyPlusHelp @Hulu We’re here again. I know it must be really hard to pay attention to your own programming, but the person responsible for delivering the deliverables for Ready Or Not 2 to the streaming opus of Disney Plus/Hulu, has failed. It’s pretty telling when a company has someone in a job that cannot transfer the audio description track for a Buena Vista/20th Century release within the corporate structure of Disney. This is all internal, and you had advance knowledge, of a simple task of bringing audio description already paid for due to the theatrical release home to your own platforms. Somewhere at Disney, someone is on salary, probably a nice one, and they get insurance, retirement, time off, and they tell people how rewarding it is to be involved in providing accessibility. This is not the first time this has occurred, and it is exclusively a Disney problem. Universal, WB, Paramount, MGM, all have it figured out. So, as Disney boldly explores replacing humans with AI, I sincerely hope the individual who cannot be bothered, is replaced by Gemini or Claude.

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  ANLIK AKIŞ (@anlikaks) reported 2 minutes ago

  PERFECT WOMAN Prompt Like a real photo. a cute brunette haired girl wearing a silk bikini. Sitting in a swing. City Park She is a cute woman The subject is expressing flirtation, with a coy smile and a tilted head. sitting with legs spread wide open Her age is 18 years old. she is wearing a micro bikini She has a lollipop body shape with a small frame and large bust. She has large, round breasts that sit wide apart with smooth curves and soft skin. She has youthful, bouncy buttocks with a firm surface and a lively, energetic appearance. negative anime, manga, disney, **** anime, manga, Disney, cartoon, low resolution, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name, anime, cartoon, rawing, illustration, boring, 3d render, long neck, out of frame, extra fingers mutation, deformed, canvas frame, high contrast:1.2, over saturated:1.2, glossy:1.1, bad lighting, deformed, text, bad lighting, deformed, text, worst quality, bad lighting, cropped, blurry, low-quality, deformed, text, poorly drawn, bad art, bad angle, boring, low-resolution, worst quality, bad composition, terrible lighting, bad anatomy, worst quality, bad lighting, cropped, blurry, low-quality, deformed, text, poorly drawn, bad art, bad angle, boring, low-resolution, worst quality, bad composition, terrible lighting, bad anatomy, worst quality, bad lighting, cropped, blurry, low-quality, deformed, text, poorly drawn, bad art, bad angle, boring, low-resolution, worst quality, bad composition, terrible lighting, bad anatomy, child, childlike, children, underage, <young child>, junior

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  Warren Gunnels (@GunnelsWarren) reported 6 minutes ago

  They want you to blame the single Mom getting $6.20 a day in food stamps, not the 88 corporations like Disney, CVS, Citigroup & Ticketmaster that paid $0 in federal income taxes last year while making $105 billion in profits ripping you off. The problem is corporate greed, boss.

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  JestersWar (@JestersWar) reported 8 minutes ago

  @SWCultureLive Yes, this is how the new modern audience 'fans' that Disney craves really do think about Star Wars- even as they fanatically defend the sequel and terrible shows, they look back on the most popular sci fi franchise of all time and say 'it was never that good tbh'

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  Ritan Man (@ManRitan) reported 9 minutes ago

  @Fenrirtheicewo1 Honestly id go as far as say Hentais look far more interesting and have a much better animation quality than many of the western animations coming in recent years whether be from Disney, Marvel, Netflx or especially DC/WB animation which just feel lifeless and static as hell now

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  DaPog Man (@DaPogMan73) reported 11 minutes ago

  @rubberhoseroach this clip is so high quality compared to every post of the whole movie online I can find, left me a bit of a bitter feeling seeing it had vhs quality instead of like disney film from the era quality but it's not THAT bad anyways, the movie is probably worth it either way

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  twelve inch virgin (@12inchvirgin) reported 12 minutes ago

  @MagusSerling The technical skill, knowledge, and work ethic required to produce animations like this are only possessed by the people Disney no longer hires.

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  jpwhoa (@jpdubs79) reported 13 minutes ago

  @choeshow Issues like this attracted Disney to buy the magazine two years later.

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  AATM_Media (@AATM_Media) reported 15 minutes ago

  @LEGO_Group Disney Pixar, Luxo Jr: Set 21357 bought today, missing pieces straight out the box. Not ideal, rebuilt twice to make sure & nope - not enough pieces. Missing 3x 6395635 Please help, avid Lego builder, UK

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  gungus (@dumdumgalumba) reported 16 minutes ago

  @Starlink64 @Yeenie_Mcbeenie "costly and time consuming" it's ******* Disney. neither of those things are an issue

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  V.I.N.CENT returns from the Black Hole (@msobczak) reported 24 minutes ago

  @spetersaunders @AKlay19 Hoppers, Elio and other originals are non-events has more to do with Disney training families to view them as D+ fodder than critical reception.TS5 is the weakest of the franchise but will easily make a bil because audiences see it as an event. Quality isn’t a determining factor.

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  aphex (@0xaphex) reported 27 minutes ago

  @beaniemaxi Reap what you sow though, they went corporate years ago bringing in terrible CEOs externally who weren’t in the space mainly to protect IP and Disney-fy the brand and founders bought into it ($$). This is just one realistic outcome to those decisions. A shame nonetheless.

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  Jim (@JimPlaMo) reported 29 minutes ago

  @SWCultureLive Star Wars might have been mid, bad at worst during the prequel, but it's never been atrocious like under disney.

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  Joey Kresl (@JJ_Kresl) reported 31 minutes ago

  @InanimateSum @FungusCarl82090 @GlobalBoxOffice You think a Nolan movie and a random Disney+ movie are the same in excitement and quality? L o l

• 
  Raunak (@stratwright) reported 31 minutes ago

  Tron: Legacy came out in 2010. The movie made $400 million worldwide, got mixed reviews, and most people have largely forgotten the plot. Nobody has forgotten the soundtrack. Here is how it got made. Director Joseph Kosinski first tried to reach Daft Punk in 2007, before the film had a script, before production had started, before he had anything to show them except an idea. Daft Punk were on a world tour and couldn't respond for almost a year. When they finally sat down together, the duo spent another year deciding whether they even wanted to do it. They had never scored a film before. Disney did not fully want them either. The studio's internal plan was to pair Daft Punk with an established film composer, either Hans Zimmer or Alexandre Desplat, who would supervise the work and make sure it sounded like a proper Hollywood score. Daft Punk declined that arrangement. They agreed to do it only if they could write everything themselves. Disney said yes. What followed was 19 months of work. Daft Punk went silent. They put off every other project, turned down everything else, and disappeared into the music. They worked alongside an arranger named Joseph Trapanese, who spent nearly two years in a room with them working out how to blend electronic production with orchestral arrangements. The final score was recorded with an 85 piece orchestra at AIR Lyndhurst Studios in London, the same room where scores by John Williams and Hans Zimmer had been recorded. But the most unusual part of the process was this. Standard film scoring works like this: the director cuts the film with temporary music, the composer watches the cut film and writes music to match it, and the score arrives late in production. Kosinski describes this as how every other movie he's made has worked. Tron: Legacy was different. Because Daft Punk had never scored a film before, they didn't know the convention. They just started sending tracks. While Kosinski was still shooting the film on set, Daft Punk were emailing him 10 to 20 tracks at a time. He would play them on set while the cameras were rolling to set the mood. The film was then cut to the music, not the other way around. In Kosinski's words: "That movie was Daft Punk from beginning to end." Guy-Manuel de Homem-Christo said later: "We knew from the start that there was no way we were going to do this film score with two synthesizers and a drum machine." They cited as influences the composers of the original 1982 Tron, Wendy Carlos, and also Bernard Herrmann, John Carpenter, and Vangelis, people who spent careers thinking about how music and sound design blur into each other. The album sold two million copies. The soundtrack was released 10 days before the film came out and had its own commercial life completely separate from the movie. Parts of it appeared in the opening ceremony of the 2014 Winter Olympics in Sochi. It was used in trailers for Resident Evil, Mass Effect, and a dozen other properties over the following years. The skills Daft Punk developed making it fed directly into Random Access Memories, which came out in 2013 and won Album of the Year at the Grammy Awards. The film that the soundtrack belongs to has been largely forgotten. The soundtrack itself has outlived it by 15 years and counting, which is one of those things that almost never happens in film music. Kosinski still listens to the unused demos Daft Punk made during the 19 months of production. He described them recently as "still fantastic." Two guys who had never scored a film before spent 19 months making something for a sequel to a 28-year-old cult movie that Disney wasn't even sure would work. Nobody remembers the plot. Everyone remembers the music.