Disney+ status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

• Sign in (36%)
• Buffering (33%)
• Crashing (20%)
• Playback Issues (7%)
• Video Quality (3%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

City	Problem Type	Report Time
Paris	Playback Issues	6 hours ago
Saint-Julien	Playback Issues	6 hours ago
Attleborough	Sign in	7 hours ago
San José Iturbide	Sign in	8 hours ago
Milwaukee	Playback Issues	9 hours ago
Harlow	Sign in	15 hours ago

Full Outage Map

Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  Rendy Jones (@rendy_jones) reported 2 minutes ago

  @Lulamaybelle its not the work colleagues thing at all — I do think disney top brass is pretty funny. its the encompassing throwing it in MSG and being responsible for a ton of New York's commutes over it that's cringe is all.

• 
  Margo (@MargoinWNC) reported 4 minutes ago

  The LATA system encompassed all federal areas as well. Did you know Disney has their own phone company, complete with their own technicians that work with other phone companies?

• 
  Fool in the Rain (@FoolintheRain72) reported 6 minutes ago

  Never happen. I won’t work for Disney.

• 
  Joovain 🇫🇮 | FORTNITE FIX THE SBMM! (@Joovainn) reported 6 minutes ago

  @sstttitsmenow @MCUFilmNews He probably has lot of stress, because the next 2 Avengers films gotta work and there is probably pressure from Disney as well.

• 
  Ruff Ruffman 🇺🇸🇵🇷🏴‍☠️ ✝️ 🎗️#MENTOO. (@King__Julian7) reported 7 minutes ago

  @GeeksGamersCom Disney won’t admit what men like nowadays, they know it, but they won’t admit it! They know they messed up and I’m not sure if this is reversible unlesss they put in a **** ton of work!

• 
  🎙🧬Kris🔬🎙 (@DunNeuro) reported 10 minutes ago

  For about 5 seconds I was sad that I missed the Disney open auditions... then I remembered I have no desire to work for Disney. Quite the opposite, really.

• 
  Gofra (@Gofralo) reported 12 minutes ago

  A woman beat stage 4 cancer. One sentence. Hero story. Moving on. Except the story was not done. Her name is Stephanie Nixdorf. She was 51. She was at Disney World in December 2021 when her phone rang and a doctor told her that a bump on her elbow was melanoma. Stage 4. Spots on her lung. Two tumors in her brain. She spent the next two years in treatment. By January 2024, the cancer was abating. And then her insurance company told her no. The immunotherapy that had saved her life had caused crippling arthritis as a side effect. Her doctors prescribed infliximab, a drug to treat it. Not a luxury. Not a lifestyle medication. A drug her doctors said she needed because of treatment that had kept her alive. Premera Blue Cross denied it. Then denied it again. For nine months, every time her doctors requested the prescription, the insurance company said no. And here is the part that matters. Premera Blue Cross was not reviewing her case by hand. No human read her file nine times and nine times decided she did not qualify. The denials were automated. An algorithm evaluated her claim against a criteria set, found a reason to say no, and moved on to the next file. Stephanie Nixdorf had beaten cancer. She was losing to a software system. Her husband read about a company called Claimable. It built an AI that did one thing: write insurance appeals. It read the policy. It cross-referenced clinical research on the drug. It found every prior successful appeal for the same medication and used the patterns that had worked. And then it wrote a letter. Not a paragraph. Twenty-three pages. The letter went to Premera's chief executive. Their chief legal counsel. The governor of North Carolina. The state attorney general. The Department of Health and Human Services. The Consumer Financial Protection Bureau. The Department of Labor. All at once. Two days later, Premera approved the drug. Their explanation: a processing error involving a misapplication of policy. Nine months of no. Two days after the AI sent a letter to every person with legal authority over the insurer. Processing error. And now the main thing. The insurance company used an automated system to deny her claim at scale. The AI did not read her file. It found a reason to say no in milliseconds and moved on. That is not a coincidence. It is a strategy. Every denial saves money. Most people give up. Most people give up because they do not know the policy language. They do not know which arguments work and which do not. They do not know who has legal authority over the insurer. They do not know that you can send the letter to seven institutions simultaneously. The insurer knew all of that. You did not. That asymmetry is gone. In my opinion this is the most important shift in American healthcare that almost nobody is talking about. Not drug discovery and not AI diagnostics. A woman who fought cancer for two years, then fought her insurance company for nine months, sat down at a computer. And nine months of automated denials reversed in two days. The algorithm that was denying her did not see the other algorithm coming. What has your insurance company denied that you never fought back on?

• 
  Jarrod Christman (@jarrodchristman) reported 13 minutes ago

  @Disney: Let's buy up a bunch of brands so we can own their IP & make money from the built-in fanbases. Disney again: Yeah, those fanbases aren't the kind of people we want to watch our movies & shows, so we're going to actively desecrate those brands. Also Disney: We've lost billions of $'s in the last 12 years, but we have a plan to fix it: we're gonna buy more stuff. It'll work this time...TM.

• 
  Garland Pollard (@GarlandPollard) reported 16 minutes ago

  @GeneralJoeM17 @nypost I would say that he is not all wrong. Back in the 1970s gators were so rare that there was a beach at Disney World where you could swim on the lake at the Contemporary hotel. I never even saw an alligator as a kid here as they were so rare. They do need to be controlled in tourist areas and not just relocated. Not sure what the balance is but it’s a terrible situation to have lost a daughter this way. An elderly lady was killed a few years ago in Englewood at Boca Royale while walking her dog. I don’t think she was doing something explicitly dangerous. Below some old google images They are part of nature and they take down invasive snakes etc. so we need them.

• 
  What you say? (@Sardious) reported 17 minutes ago

  @AuronMacintyre We literally want something that competes with Warner Brothers or Netflix or Disney but we don't want to pay a dime for it or help make it. We are the problem. We need to change.

• 
  Dale (@Dale14896397) reported 21 minutes ago

  @matoaka23 Umm, there's no algae. If there was, the stench would be awful as it would die with no sunlight. There may be trace materials, because... water. But mildew and molds are likely more common given the environment. But too, Disney is well known to utilize bromine.

• 
  Tom Varner (@tomvarner) reported 23 minutes ago

  @GeeksGamersCom So Disney thinks purchasing another company is going to fix their problems? I guess they learned NOTHING from the disaster Bob Iger brought them to.

• 
  DeadeyeJediBob (@BobServo1) reported 23 minutes ago

  Can someone please specify whether the, "robots," refered to in @DisneyPlus 's audio description track for X-Men97 s2 are Sentinels or run of the mill robots who work for Apocalypse. They sound like Sentinels. Another reason why I think AI wrote these S2 tracks.

• 
  Parker (@ParkerWebHead26) reported 30 minutes ago

  @SAMTH33STALLION Because I know you support these characters and I love that. But I don’t like Fieges work or what Disney has done for Marvel being taken out of context. They have five times as more diversity in terms of character catalog in their universe compared to DC and other studios.

• 
  tigerbean🐾 (@pawstompers) reported 30 minutes ago

  There are at least ten booths like this at every major convention I have gone to for the last 5yrs or so .. even before they were a problem anyway. American hobby events and conventions are basically scams now for Disney adult tier impulse purchases lol. It is really bad!

• 
  Darin Bracy (@BasicBaptistGuy) reported 35 minutes ago

  @TravelbytheCoin @Lets_Talk_HC As to your question, What if, is a show on Disney+, there are no What If in theology. Either you accept God for who He is and submit to His will or you rebel against Him. You have clearly chosen rebellion. You want God to conform to what you want, you want Him to work for you.

• 
  Impy (@impiousimp) reported 37 minutes ago

  @0ldmanGlen @the_Bradster007 Yeah as a legion fan I was fairly disappointed by Brainy. I have a cat named after him but hes not terrible smart. Look at this dumbass right after getting stuck between the dresser drawers and the back of the dresser. I mean it was still better than like, disney star wars maybe? It is what it was. The musical episodes were so disappointing I was expecting something like brave and the bold or the buffy musical.

• 
  Fragmented Figment (@FraggedFigment) reported 37 minutes ago

  @softtail65 Ask diehard Disney fans about "Black Sunday," the day that Disneyland first opened to the public. Hot weather and (among other things) drinking fountains didn't work. But the Park stayed open.

• 
  me (@illholdyoustill) reported 40 minutes ago

  @injeramuncher disney movies didnt help me

• 
  Raunak (@stratwright) reported 41 minutes ago

  Tron: Legacy came out in 2010. The movie made $400 million worldwide, got mixed reviews, and most people have largely forgotten the plot. Nobody has forgotten the soundtrack. Here is how it got made. Director Joseph Kosinski first tried to reach Daft Punk in 2007, before the film had a script, before production had started, before he had anything to show them except an idea. Daft Punk were on a world tour and couldn't respond for almost a year. When they finally sat down together, the duo spent another year deciding whether they even wanted to do it. They had never scored a film before. Disney did not fully want them either. The studio's internal plan was to pair Daft Punk with an established film composer, either Hans Zimmer or Alexandre Desplat, who would supervise the work and make sure it sounded like a proper Hollywood score. Daft Punk declined that arrangement. They agreed to do it only if they could write everything themselves. Disney said yes. What followed was 19 months of work. Daft Punk went silent. They put off every other project, turned down everything else, and disappeared into the music. They worked alongside an arranger named Joseph Trapanese, who spent nearly two years in a room with them working out how to blend electronic production with orchestral arrangements. The final score was recorded with an 85 piece orchestra at AIR Lyndhurst Studios in London, the same room where scores by John Williams and Hans Zimmer had been recorded. But the most unusual part of the process was this. Standard film scoring works like this: the director cuts the film with temporary music, the composer watches the cut film and writes music to match it, and the score arrives late in production. Kosinski describes this as how every other movie he's made has worked. Tron: Legacy was different. Because Daft Punk had never scored a film before, they didn't know the convention. They just started sending tracks. While Kosinski was still shooting the film on set, Daft Punk were emailing him 10 to 20 tracks at a time. He would play them on set while the cameras were rolling to set the mood. The film was then cut to the music, not the other way around. In Kosinski's words: "That movie was Daft Punk from beginning to end." Guy-Manuel de Homem-Christo said later: "We knew from the start that there was no way we were going to do this film score with two synthesizers and a drum machine." They cited as influences the composers of the original 1982 Tron, Wendy Carlos, and also Bernard Herrmann, John Carpenter, and Vangelis, people who spent careers thinking about how music and sound design blur into each other. The album sold two million copies. The soundtrack was released 10 days before the film came out and had its own commercial life completely separate from the movie. Parts of it appeared in the opening ceremony of the 2014 Winter Olympics in Sochi. It was used in trailers for Resident Evil, Mass Effect, and a dozen other properties over the following years. The skills Daft Punk developed making it fed directly into Random Access Memories, which came out in 2013 and won Album of the Year at the Grammy Awards. The film that the soundtrack belongs to has been largely forgotten. The soundtrack itself has outlived it by 15 years and counting, which is one of those things that almost never happens in film music. Kosinski still listens to the unused demos Daft Punk made during the 19 months of production. He described them recently as "still fantastic." Two guys who had never scored a film before spent 19 months making something for a sequel to a 28-year-old cult movie that Disney wasn't even sure would work. Nobody remembers the plot. Everyone remembers the music.

• 
  ☺︎ (@shelleddiva) reported 41 minutes ago

  @lesbolorax in hindsight i realize how dangerous that was. but also surprising that at a disney resort there wasn’t a single employee who saw a crying kid with bloody knees and thought “i should help her”

• 
  Orlando Basulto (@OrlandoBGood) reported 43 minutes ago

  I mean it I’m standing right here next to the Boss of @Disney here in California is waiting to see you, Cece Basulto, you’re in biggest trouble, then I must be spoken and told to the Boss, Mickey Mouse, here at my sister Cece’s office filled with lots of family entertainment. Hey Mickey, will you help us do the dialogue against Cece please? I know that I worked at Disney Animation, Pixar, Marvel, Star Wars, and National Geographic here in this streaming platform on @DisneyPlus? I think so. Can you all and Mr. Bob Iger, agree to finish the Abu Dhali’s Disneyland theme park and resort? I guess so!

• 
  TruthWillWin (@EvilHatesTruth) reported 47 minutes ago

  @KeenanPeachy 🎯🎯 Disney does. But you can opt out. They don’t advertise it but tell them no picture or scan and it’s not a problem.

• 
  ☆⭒ Beverly ⭒☆ (@DizzyCallie) reported 49 minutes ago

  @klainepilled Firefox Web version of disney plus sometimes lets me control w snipping tool on windows laptop, if it doesnt work sometimes putting it in picture in pixture bypasses it for some reason

• 
  Leonardo Faria (@leofcpm) reported 52 minutes ago

  @LucasSWGirl No, he's not. The main issue is not quantity (after all, before Disney, Star Wars used to have a huge variety of books, games, comics etc). The main issue is QUALITY, but since he's an actor, he won't say it out loud.

• 
  Disappointed Fred Gwynne (@NotFredGwynne) reported 53 minutes ago

  @WarsLover66976 @GeeksGamersCom Their films are upstream from those other revenue sources Film IP's drive their parks and streaming service If Disney films crash, the rest rolls up with it

• 
  Bacon (@baconhero) reported 54 minutes ago

  @mickeyfromtheuk You were arguing saying the change was the cost of fuel and new buses. Those were maintenance items that were baked into the ticket prices and hotel rates. Park tickets do give you the right to use Disney transportation. Which will also go to the hotels. I’m just bringing up the point that the timing of this permanent restriction is weird since it’s been a problem for over 2 decades and they decided to do something about it when attandence is much lower.

• 
  SukunaFN (@SukunaONFN2) reported 54 minutes ago

  @itsELessar Wrong, this video was confirmed legitimate weeks ago as when the HD version came out Disney began to issue copy right take downs.

• 
  Feliz Catus (@feliz_catus) reported 55 minutes ago

  @KashPrime My husband is a huge animal lover. He makes friends with any wild animal kind of like a Disney princess. I have to have this talk with him every few months just in case. You see a bat you don’t touch it! Him: but what if it needs help? Me: YOU SEE A BAT YOU DONT TOUCH IT!!!!

• 
  Senator John Connor (@JohnConnor_US) reported 59 minutes ago

  @SicSemperDeez @DBOtherP Returns was basically the first 20 minutes of a good movie stretched out to 2 hours. MoS didn’t feel like a Superman movie at all. The most recent one was basically an acid trip brought to you by Disney. I can’t pick a ‘best,’ but BvS is the worst Batman or Superman movie ever.