Disney+ status: streaming issues and outage reports
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Full Outage Map
Disney+ is an American subscription video on-demand streaming service owned and operated by the Direct-to-Consumer & International division of The Walt Disney Company.
Problems in the last 24 hours
The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.
At the moment, we haven't detected any problems at Disney+. Are you experiencing issues or an outage? Leave a message in the comments section!
Most Reported Problems
The following are the most recent problems reported by Disney+ users through our website.
- Buffering (42%)
- Crashing (23%)
- Sign in (20%)
- Playback Issues (10%)
- Video Quality (5%)
Live Outage Map
The most recent Disney+ outage reports came from the following cities:
| City | Problem Type | Report Time |
|---|---|---|
 Paris
|
Crashing | 2 days ago |
 London
|
Sign in | 2 days ago |
|
Montrond-les-Bains
|
Buffering | 2 days ago |
|
Falkirk
|
Buffering | 2 days ago |
|
Blackwood
|
Crashing | 2 days ago |
|
Nottingham
|
Buffering | 2 days ago |
Full Outage Map
Community Discussion
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Disney+ Issues Reports
Latest outage, problems and issue reports in social media:
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Daniel Gump ☕️ (@DSiPaint) reported@StarWarsDaily_ Finn had so much potential by the end of TFA then was wasted in the other movies. If Boyega had blamed terrible writing at Disney, rather than the fans, I would’ve been interested in giving his character a chance with other writers. Now, I’m not interested.
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gugu in tay story era ☁️ (@ibetyougugu) reported@tayvishazetoo DISNEY MAKING TAYLOR WORK
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RichardBlue (@RichardBlue1963) reportedOnly Disney fans have extreme mental gymnastics to justify the worst shows or movies ever created. Which ofc they do. They don't understand SW and never cared about it until Disney bought it
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Fun Ahead 🇺🇸 (@heroesahead) reported@angelo_sibilio the only interesting thing they could have done here, and i wish they had, is she joined kylo on the darkside and i guess we'd have just have to have seen how disney wrote their way out of that problem in the third movie would at least have made it interesting
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Glass of Juice (@1488Juice) reported@Zentlen4 The first KH game had a very simple story with Final Fantasy and Disney characters and then immediately after that game, Chain of Memories should have been a port of the first game on GBA, and what we got was a terrible game with a terrible convoluted story.
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yohannbiimu (@yohannbiimu1) reported@Auburn84 @SirBylHolte I'm a bit of an animation buff, but I have a poor opinion of the Disney version. Much of the animation was reused, essentially traced from past shorts and features. I have no problem with the storytelling, apart from some very silly moments, but they cut corners on the animation.
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Dark Meld Depot-SW (@Catlover10000S) reportedYou just expose that arent truly nothing but a **** eater with a comment like that. I used to enjoy it all. Back when it was actually star wars. You know, before disney bought it and ruined everything? There's a discernible line of quality that if you choose not to acknowledge, exposes you as a shill. Your follower count won't help you here.
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Hunter! (@mchunt101_) reportedReleasing close to Toy Story and Minions isn’t the problem It’s that this movie doesn’t even need to exist. There’s zero reason for Moana to have been remade. Disney tried to go for a cash grab but it won’t even do that
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Erik Schrader (@Ace_of_Schrades) reported@Cavinumab In KH2 we did almost nothing but deal with Pete and him causing problems with the Disney villain. In 3, every member of the Organization was doing/manipulating something.
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KingHammerstein (@Craig60398339) reported@Sksj002 Damn that’s a wildly convincing theory and it could totally work but alas we know Disney execs are ******* idiots and this most likely won’t happen but **** yea!
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Backlog battler Carl (@backlogcarl) reported@DBrason @EthanVanSciver Why do you guys cry about Disney Star Wars and other things? Ethan spent years telling you JDA was a terrible person and a con man. So of course he’s back to taking money from him? Sorry, man, sometimes you don’t have to support a creator who clearly isn’t being fully honest. If Evs just says he needs the money, great. That still doesn’t satisfy the other part where I’m still waiting for more books he said would be done this year. If you want to keep supporting him, also great. I’m just on my last nerve and you’re here repeating your talking point.
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Hopeless Situation Warrior, Jr. (@JrHopeless) reportedI need to reiterate that I rewatched all of the Disney films a year or two back with a purely analytical eye. TLJ is objectively AWFUL. Nothing makes sense. Nothing matters. THE jokes don't land. Everything is an obnoxious fakeout. Pretentious, stupid, and bloated.
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BrookieloveXO is making ice cream!🍦 (@brookielove44) reportedAlso I might stream after work!!!! I'm off at 4PM CST, so I just need some rebound time. probably a couple/few hours after that! Thinking we might open some card packs!! Magic and Disney Lorcana!! and then showing the ones I have from before :)
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KyleSolmonson (@KyleSolmonson) reported@horrormuseum Tokyo Disney has a hotel for over 300 a night, same with Disney World's AoA, so that's a moot point. Parking's not really an issue if you stay onsite and use transportations. Food and park tix are cheaper at TDL, but compare flight costs, you're still spending more getting to tdl
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Sinisha (@Ghostrider1174) reported@StarWarsDaily_ Disney is sadly woke . That’s the problem .
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GOODYGOODGOOD789 (@justthenitpicks) reported@StarbuckasFRO7 @DiscussingFilm In what world do you live in where people haven't complained about Disney buying things for over a decade?! And I (and most people) take issue with both. Also you'd have to be dumber than a flat-earther to think that people wouldn't hate Disney buying Paramount and/or Warner Bros
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J. Sperling Reich (@sperling) reported@flankspeed_ @brianstelter Fair question. I was skeptical of the Netflix proposal too, though I think it raised a different set of concerns. Netflix buying a studio library/production operation is not the same as combining two legacy media companies with theatrical distribution, studio output, broadcast networks, cable news assets and major news divisions under one roof. My concern here is less “who is bigger in SVOD?” than the reduction in major buyers and distributors across the broader entertainment ecosystem. Fewer studios means fewer places for filmmakers, producers, writers and packages to go, and fewer companies competing for theatrical release slots, marketing spend and audience attention. YouTube, Netflix and Disney/Hulu may be larger in streaming, but that does not fully answer the competition question in theatrical, broadcast, news, licensing or production. As for AI, it may lower some barriers to creating content, but it does not solve the harder barriers: financing, distribution, marketing, talent relationships, union rules, copyright issues and getting audiences to pay attention.
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Fun Ahead 🇺🇸 (@heroesahead) reported@ATGcast That might actually be true And considering how much I hate it... Woof What a terrible legacy disney has had with Star Wars
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SilverKirby789🍉 (COMMS OPEN: 0/3) (@SilverKirby789) reported@JetFox75 @Darisucc EXACTLY Both were made by two different Disney substudios and there's continuity issues due to neither departments being on contact with eachother 😭
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Chandler Desrochers (@SunnylandProds) reported@Vell_3rd The inherent problem is that this looks identical to the exact kind of low-effort YouTube kids content farm slop that parents putting Disney Junior on are likely trying to avoid.
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Aldren Tate Daniels (@domoboy92) reported@McTipss @StarWarsDaily_ The issue is that Disney made him seem like he was going to be a prominent character when he wasn’t. Out of all the complaints about Finn not being used you’re probably the only one I’ve ever seen complain about skin color. Shut ******** up.
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Chris Smith (@cmsdrums) reported@timelesschild Disney didn’t renew because what they were served up was absolutely dreadful quality.
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butch maguffin 🇺🇸🇺🇸🇺🇸🇺🇸 (@robotnyc1) reported@mcmalzee @Variety the score is terrible. the cute disney/harry potter music in the invisible scene is terrible
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not1iam ☆ (@theluigiliam) reported@unholycyrusss him and sadness for the worst characters in disney films.
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Leigh respects NurseDoc & TimeRogue (@TardisFam1963) reportedMost of this is interesting but I still think some of his decisions were costly. If he played it safe & not want Billie, I don’t think he would be in this mess. Yes lose Disney but it’s the right thing for the show. Generating content is one the show biggest issues to overcome.
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Martini (@FanAngel01) reportedBTW they did this too in KH3 for the Pirates world…. It’s a deliberate choice for how realistic Quadratum looks like. We already have an idea how the Disney aspect will look and it’s still cartoony. The amount of terrible KH takes I’ve been seeing is insane
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Mackay Bell (@mackaybell) reportedThis is a very good thread explaining the difficulties staff TV writers are facing these days, and I sympathize with the terrible situation she and other established staff writers are in. However, this has been coming like a freight train toward Hollywood for many decades, and it is not just the fault of "tech bros" and billionaires outside the industry. The studios, the networks, and the unions ignored the issue for many, many years, even when anyone could see the writing on the wall. I knew writers screaming about this to the WGA long ago. The union had grown very comfortable with network pay rates and residual structures and did not prepare for a streaming future. Meanwhile, the studios and networks, while they put out some really great shows, also produced a ton of junk assuming they had a captive audience. No one forced people to buy cable to search for alternatives to the three or four networks. Much of the programming was simply boring. A comfortable economic model was built around stuff that was often marginal, a system that, for example, expected people to watch half a year of reruns rather than new programming. When cable came around, people were willing to pay extra to find alternatives. So did the studios and networks rush to make better product? No. Did they rush to create new networks with fresh content? Mostly not. They simply figured out ways to reposition their existing pipelines onto cable and demand that people pay for what they could already watch on network television. (With some exceptions like HBO and MTV, which were initially wildly successful.) Gradually the quality of cable offerings (five Disney channels, for instance) went down and down as prices went up. They created a model where people had to pay for channels (like CNN and sports) they did not want. When Netflix came around, the studios were not forced to sell their old shows to it. But they rushed to do so. Meanwhile, cable had become as hated as three-network TV, and people rushed to cord-cut. When the studios finally decided to jump into streaming themselves, they expected a quick payoff and generally handled it badly. Now they are embracing YouTube, hoping for a return to the cable model where people subscribe to multiple services, many of which they watch only occasionally. Meanwhile, network TV hasn't improved even to the extent of better competing against four hour talking head podcasts, and seems to have settled on an inevitable decline of new versions of Law and Order, recycled medical/law/cop procedurals and ultra woke late night hosts complaining about half the country. Along the way, the studios also tossed aside very lucrative opportunities like selling series on VHS, DVD, and Blu-ray to hardcore fans. They figured they would make more money with less work by dumping all those titles on Netflix, YouTube, and their own streaming services. It is not surprising that the people who made all these bad decisions are not going to take care of the writers who work for them. So, yeah, the comfortable middle-class writer-for-hire jobs are dying quickly. And there does not look like anything is coming to replace them. Hoping for a return probably will not help. A new model is emerging, and that is "create your own thing." It will not help all writers, and the competition will be more brutal than fighting for a more secure staffing job. But there will be a bigger payoff for a much smaller group of writers, because they will be able to own their own work and control their own destinies. I am not saying that will always be better, but it seems the only good path forward. As for all the new writers thinking about trying to break into Hollywood, be aware of the current realities. If you're just starting out, you might want to think about "creating your own" thing first.
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USA ❤️🇺🇸 ✝️🙏 (@StopCommieDems) reported@TMZ He could have just worked on Disney Cruise Line or Parks. Isn't that where these people work????
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kirstyeyre31 (@kirsty676) reported@Camila_TecZ Disney scammers need to **** off of this app I'll be banned nobody wants your ******* help to be paid for it you're such a little scamming ***** just get a ******* life we all know you're ******* fake!! DM and everyone to say I can fix it you can't fix ****
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Hanna ❤️🔥 (@zillenialblkgal) reportedbreaking this down for the creatives in the back: in 2019 disney swallowed fox. today the DOJ cleared paramount to swallow warner bros with ZERO conditions. we're now down to 4 major studios. fewer buyers for your work, fewer jobs, less leverage to negotiate. this isn't 'storytelling.' it's consolidation.