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Disney+ status: streaming issues and outage reports

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Full Outage Map

Disney+ is an American subscription video on-demand streaming service owned and operated by the Direct-to-Consumer & International division of The Walt Disney Company.

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

At the moment, we haven't detected any problems at Disney+. Are you experiencing issues or an outage? Leave a message in the comments section!

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

  • 52% Sign in (52%)
  • 18% Buffering (18%)
  • 18% Crashing (18%)
  • 10% Playback Issues (10%)
  • 2% Video Quality (2%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

CityProblem TypeReport Time
Flastroff Sign in 2 hours ago
Graz Sign in 11 hours ago
Ciudad Ayala Sign in 13 hours ago
Corsicana Crashing 1 day ago
Glasgow Buffering 2 days ago
Sydney Sign in 2 days ago
Full Outage Map

Community Discussion

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

  • holyknowlie
    Josh Thoughts (@holyknowlie) reported

    From is insanely dope. Spider Noir is saved by Nic Cage. Mando isn't terrible but I feel like Disney is trying to sell me something. The Boys was lackluster. I couldn't finish Send Help. Dutton Ranch is OK. The Audacity is not funny. Going to restart The League today 👍👍

  • chelidon23
    Richard Hoffman (@chelidon23) reported

    @MarcTheMan007 @TheJFreakinC Sorry, son. Disney still tells better fairy tales. Work on it.

  • DickWizardry
    DickWizardry (@DickWizardry) reported

    @echosgalaxyy This looks like an honest ranking. Disney needs to take some time to just fix their f ups and recannonize the legacy EU

  • IsaiahHolb96819
    the Anxious Cartoonist (@IsaiahHolb96819) reported

    @GamesCage_ Crash Team Racing Nitro Fueled 2 Spyro the Dragon 4 Nickelodeon All Star Brawl 3 (This next one is a bit of a reach but I’m going say it anyways) Disney Illusion Island 2

  • LauraDreaming
    LauraDreaming 🔜DBD Montreal (@LauraDreaming) reported

    I got hit on by a Disney adult at my pt job. Help.

  • PenPlays_
    PenPlays (@PenPlays_) reported

    @redbirdaholic @ltz_NEXX Disney has increased their licensing costs and has caused all Marvel & Star Wars product prices to increase However, instances like the MTT and Juggernaut are purely LEGO decisions to meet sales goals That’s LEGO’s only goal now. Product quality is not

  • tayflorencism
    alice (@tayflorencism) reported

    and not JUST stolen, handed by a person you trusted your entire life to someone who contributed to such damage to your life and work and reputation, sparkly red bow and all. like how do you pull a disney hero demolishing every evil force involved instead of going batshit insane

  • AgitpropMaster
    Tuor Eladar (@AgitpropMaster) reported

    We can fix Disney. After the ****** harpies currently perched atop its burning wreckage are all defenestrated, of course.

  • GabrielValles
    Gabriel Valles (@GabrielValles) reported

    @Misantropoide Yes, I meant that, he couldn’t be hired professionally to work on his own productions as an artist. Just like Disney couldn’t draw better than his worst artists.

  • radiiotowers
    erin (@radiiotowers) reported

    meanspo will never work on me bc it just sounds like a bunch of edgy teenagers in a disney chanel show

  • daylighthazes
    Mic⸆⸉ ARG N1✈️❤️‍🔥 (@daylighthazes) reported

    Disney and Pixar had no idea what they were getting themselves into when the possibility to work with Taylor presented itself

  • emperor_kane
    Emperor Karl Franz (@emperor_kane) reported

    @DraculTheDrag0n @LostHistory9 No. I do not trust Disney adapting anything from Legends. They could not control themselves, and they would 100% make awful changes. Do you really think Disney would faithfully adapt characters like Mara Jade, Jaina Solo, Jacen Solo, Darth Krayt? Could you imagine Disney adapting Darth Talon?

  • seafIwrs
    el thepenpalss 🌈 (@seafIwrs) reported

    my last roommate moved out last year then did the disney college program this year i think? and my current roommate is leaving in a little over a week to work on a disney cruise

  • Bedhead_Teddy
    Teddy Beddick (@Bedhead_Teddy) reported

    @HarrisHarrisev9 Playing it safe??? It doesn’t matter what they make at this point. SW is dead. The fickle woke crowd no showed. The actual fans were ran off years ago killing any chance to capture the next generation of boys to carry the franchise…. Nice work KK and Disney.

  • chrisf0njd
    Devils Hockey Enjoyer (@chrisf0njd) reported

    Also, like, I think a really underestimated part of what makes Disney Star Wars not work is the streaming model. Maybe people would care more if these live action shows were on ABC and FX. Weekly (even bi-weekly) releases followed by delayed streaming releases work better.

  • aytotea0
    INSTIGATOR 🥶 (@aytotea0) reported

    Disney terrible movie type of acting

  • SatireStation
    Jay Charles (@SatireStation) reported

    @FreedoniaM1994 @BallerToy1327 I would be interested in a source, but if it features the same Luke from Mando Season 2, that’s a Luke that’s contrary to TLJ Luke, which I’m interested in, but Disney has the problem of that Luke ending up as Luke in TLJ. But surface level I would watch this movie theatrically.

  • JovanHoward13
    Jovan Howard (@JovanHoward13) reported

    @Lizzie_K91 @AndrewJ626 Dwayne Johnson made it happen all because Black Adam bombed and trying to take over the DC universe didn't work out so he immediately went straight to Disney with this idea (along with rejoining the F&F franchise) and of course Disney saw dollar signs and gave him what he wanted.

  • Starkill
    David K (@Starkill) reported

    @_onthewayjay I think the bigger issue is disney corporate, they were the ones who rushed the sequel release schedule, they moved Solo off of Xmas, they forced Mando season 4 to be a film. And with Kathleen Kennedy gone, there won't be any big name at Lucasfilm who can even try to push back.

  • twil1ghtzones
    abigail .✦ ݁˖ (@twil1ghtzones) reported

    @qtkatiex @DiziS89417 her music isn’t my thing i highly doubt i’ll like that one either, she’s still got that disney channel thing about her it’s not working for me

  • muramasa99111
    shinobi (@muramasa99111) reported

    @Factsonfilm And his ego won't let him come back and fix it? Who's to say he's not exactly what star wars needs right now. Or do the Disney suits have their leash to tight around production?

  • TaleMasterTOV
    R.J.A. Gilbert (@TaleMasterTOV) reported

    @MichaelFKane I think Kylo and Rey have the best of this deal. If Disney were to spin-off an "alternate universe", Rey could be a crime lord and Kylo would still be Solo's kid. Finn and Rose got the worst of it; their characters and the reasons why we loved them were defined by the plot.

  • MarkBenjaminAI
    Mark Benjamin (@MarkBenjaminAI) reported

    Lesson of the day : "DO NOT LET PERFECTIONISM CONSUME YOU" and I will tell you why and please continue until the end so you don't get the wrong idea ! When I was just a normal viewer, who had 0 involvement with making Animation, I was so fascinated by every thing Pixar, Disney, and Anime studios , Hollywood produced, As a normal viewer I didn't have a critical eye, instead I cared about what made me happy, what made me enjoy what I'm watching and the reality is that most of your audience are also like that! I go on Tiktok and instagram and I find videos with millions of views of a girl riding her bike in the park with peaceful music or a funny looking creature singing or dancing to a song. Now, as someone with "some" experience in Animation, every time I watch something I try to learn from it! See what I like and what I don't like, and then I realized that EVEN those studios aren't making PERFECT animation! Sometimes there are fast cuts, morphing, weird camera angels that could have been better in some scenes! And those people are supposed to be professionals and it took them years to learn and get better unlike most of us who are just starting. So The question is : Why are you as an AI creator seeking absolute perfectionism with things that most likely people won't even notice? That slight morph for 0.000001 sec or that tiny misplaced object isn't worth generating over and over and over just to fix , and with each shot, there is a new problem, and then you look back and realize that you wasted so much credits, time and effort - resources that could have been put into another project- trying to create the PERFECT video and if for some weird reason people didn't like it, you will feel so disappointed and you will never get the resources you invested into that project! Also don't get me wrong, I'm not saying that you should produce absolute slop with hallucinations and glitches and weird cuts everywhere, what I'm saying is, once you get that 90 % to 95 % of polishing just release your work and move on to another project! Because in reality, more projects means more things to have in your portfolio, more chances to go viral, more chances to get clients that like your work! Editing is a CRUCIAL part of our craft, learning how to stitch parts of shots is so important for you as an AI creator as it saves you a lot of credits! TL:DR : People appreciate creativity, storytelling and visuals more than perfect technical execution, so just keep creating, do not get stuck into that one MASSIVE project trying to make it perfect, while leaving so many other ideas unexplored, and don't be so harsh on yourself trying to control every little tiny detail, because in reality most people won't even see it and even if they do they won't care as long as they enjoyed the overall work. If you got to this point, Thank you so much for reading!

  • terrysalt2
    Terry Diamantis (@terrysalt2) reported

    @Bran_Ridire It shouldn't be bad movies, if they remake anything, it should be something that had potential but didn't reach it. So I don't have a problem with John Carpenter doing a remake of The Thing but Disney remaking The Little Mermaid is stupid.

  • BrainRotSalad
    BrainRot Salad (@BrainRotSalad) reported

    @StarWarsDaily_ If it's a disney production she'd survive it no problem.

  • eesheedlo
    Erik Sheedlo (@eesheedlo) reported

    @TatooineSons TBF the worst Disney writers and Disney made that ****...

  • Racetrack1982
    Racetrack (@Racetrack1982) reported

    @LostHistory9 It's not a 7 year hiatus when you can watch new shows almost every week at home. It stopped being special, an event. Same problem with Marvel. Disney+ has been a disaster for both.

  • TheKennyMiles
    Kenny Miles (@TheKennyMiles) reported

    It's not a marketing problem. Disney spent a lot on marketing. The harder part is creating something audiences genuinely connect with over the weeks. As OBSESSION and BACKROOMS show, passion and sustained interest can't simply be bought with a bigger ad budget.

  • permatruck
    Dingbat: The Hater Arc (@permatruck) reported

    @MADComicArt The comics industry didn’t spawn a multi billion dollar franchise. Disney owns Marvel and WB owns DC in regards to their cinematic products. Comics as a product barely make a profit. It’s embarrassing. Some people were bringing up Far Sector, which won a Hugo, and at best for issue 1 it sold 40k. To put this in perspective, Hunter x Hunter sold 500-600k volumes late series at 38.

  • HiddenSignalsX
    ✨가론 (@HiddenSignalsX) reported

    What if the next great subscription platform isn’t Netflix, Spotify, or Disney+? $ASTS ✨ Many investors still view AST SpaceMobile as a satellite company. I see something potentially much bigger. AST is building a space-based cellular network designed to work directly with ordinary smartphones through existing mobile operators. Today, AST has not yet secured hundreds of millions of paying subscribers. But its telecom partners collectively serve billions of wireless subscribers worldwide. If the technology scales successfully and commercialization is executed as planned, AST could become one of the largest subscription-based communications platforms on Earth. The real opportunity is not the satellites. The real opportunity is recurring connectivity revenue generated across a global user base. That is why many investors are starting to view AST not as a space company, but as a next-generation telecommunications platform. Note: The chart reflects the combined subscriber base of AST’s telecom partners, not AST’s current subscribers #ASTS #ASTSpaceMobile