Disney+ status: streaming issues and outage reports
Problems detected
Users are reporting problems related to: sign in, crashing and buffering.
Disney+ is an American subscription video on-demand streaming service owned and operated by the Direct-to-Consumer & International division of The Walt Disney Company.
Problems in the last 24 hours
The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.
April 22: Problems at Disney+
Disney+ is having issues since 05:00 AM EST. Are you also affected? Leave a message in the comments section!
Most Reported Problems
The following are the most recent problems reported by Disney+ users through our website.
- Sign in (51%)
- Crashing (19%)
- Buffering (15%)
- Playback Issues (13%)
- Video Quality (2%)
Live Outage Map
The most recent Disney+ outage reports came from the following cities:
| City | Problem Type | Report Time |
|---|---|---|
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Sign in | 18 hours ago |
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Crashing | 1 day ago |
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Crashing | 2 days ago |
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Sign in | 2 days ago |
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Buffering | 3 days ago |
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Buffering | 3 days ago |
Community Discussion
Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.
Beware of "support numbers" or "recovery" accounts that might be posted below. Make sure to report and downvote those comments. Avoid posting your personal information.
Disney+ Issues Reports
Latest outage, problems and issue reports in social media:
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Ed McCray (@Real_Ed_McCray) reported@ThyWordIsTruth1 Bluth hijacked it & a lot of the staff who was at Disney at the time were angry about it. Eric Larson was one of the 9 Old Man & had developed it to train the new hires.He came in one day & all their work was gone & in Bluth's area of the studio.Eric was treated VERY poorly.
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Joshua Smith (@JoshuaMyth) reported@Strangeland_Elf The worst part of the Han and Leia showcases is just that: they are showcases. Disney either felt these were the BEST cast members they had in the BEST makeup, or could not be asked to ensure such for their marketing. Neither option speaks well of them.
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Todd Kat (@toddlerkat) reported@mitchellvii Duh. Why are fat people chefs? Why do pedos work @Disney
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Elmer (@Skyward_Link) reported@GraceRandolph Why didn’t they keep him and use him to help with the disney+ shows?
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Steve Bromann (@SteveWps) reportedIf you type in $dis looking for information on Disney stock you'll see hundreds of profiles that say the exact same thing. They are all based in the US as well surprisingly, My block button I think is broken from adding so many people. @nikitabier needs to pull out a ban hammer for these type of accounts.
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stella🦕🐦⬛ (@queenie_eye64) reported@peterlanee prob a copyright issue. that's why there are no disney films as well
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Dutch Butters Gaming (@DutchButters) reported@jondelarroz I would love to be able to be entertained by Disney without feeling gross about it. They definitley have a long road ahead to fix things. Apathy doesn’t go away after a couple I’m sorrys and a mediocre movie or whatever.
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The Nemo Θf Night (@Nemo19089) reported@timAcatsoftpaws What kind of TV is it? Could also be a Connection issue with Disney+ during high watch hours
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craftofreak (@craftofreak) reportedone of the many reasons I hate AI is that this video is SO COOL but I had to double take and look at the comments bc I thought this for sure was gen slop made to gain money off of a good cause instead of a work of love made by the effort of multiple people.. anyways rare Disney W
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larissa ☄️ (@filmllnd) reportedIt's a shame he no longer works for Disney, his work was very good.
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Carioca72 (@carioca_72) reported@jsimon45 @ABC @DisneyPlus How did that work in the last election? Carney now has a majority government dip💩.
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Jaynit (@jaynitx) reportedDisney released Snow White in 1937. 60 years later, they re-released it on video. 28 million copies sold. $250 million in profit. Steve Jobs watched his young son watch it 30, 40 times. “These stories renew themselves with each generation.” In 1996, one year after Toy Story, he spent 20 minutes explaining why he bought Pixar: On buying the dream: "I met Ed Catmull who was running the computer division of Lucasfilm in 1985." "He shared with me his dream about making the first computer animated feature film." "I bought into that dream both financially and spiritually." "It took us ten years to do that, but we did it." The result: Toy Story. Third most successful animated film ever made. On content vs technology: "You can hardly find an Apple II around anymore." "It's not clear whether you'll be able to boot up a Macintosh five years from now." "All these technology boxes and software, if it has a life of a year or two, you're very lucky. Five years is extraordinary." "Sooner or later, they all become part of the sedimentary layer." But stories? "I think people are going to be watching Toy Story in 60 years. Not because of the computer graphics, but because of the story about friendship." On work-for-hire: Pixar made commercials for years. Won every award in the book. Then Jobs did the math. "If Listerine sold more Listerine because of our commercials, we didn't make any more money for producing the commercials." "The margin in that business has been under pressure. More people coming in. Going down, and down, and down." "You work harder and harder to make the same amount of money." He pulled 25 people out of commercials. "We had 25 incredibly talented people doing work-for-hire when we have all these other opportunities where we own a piece of what we create." "Great people are hard to find. We couldn't afford to have 25 of them making commercials anymore." On blending two cultures: "The very best creative people will only go to work in a few places. Disney, Pixar, possibly DreamWorks." "The very best computer scientists in computer graphics will only go to work in a few places. Pixar is one of those." "Pixar is the only place in the world that can hire the best from both of these areas." "We worked for ten years to figure out a way to have them all work together. The Hollywood culture and the Silicon Valley culture are really different." On the hierarchy of power: "When you've got incredibly talented people that are rare and in-demand, if you don't treat them right, they can go get another job in 10 minutes." "So this strange thing happens. The hierarchy of power inverts." "The CEO is actually at the bottom." "I feel like I work for most of these people because they're the ones doing all the brilliant work." "It's management's job to support them because they're on the front lines doing the work." On contracts vs stock options: "Hollywood uses the stick, which is the contract. Silicon Valley uses the carrot, which is the stock option." "When you sign a contract with somebody, you can say, 'I don't have to worry about that person for five years.'" "If you're sophisticated, you'll have a little database that tickles you six months before their contract is up so you can start paying more attention to them." "They're the most important person in the world for six months. Then after they sign up again, you put them in the drawer." Pixar chose stock options. "Every single day, we worry about how to make Pixar a better company so that nobody will ever want to leave." "We don't take anybody for granted." On what Disney taught them: "When you make a live-action film, a director shoots ten to twenty-five times as much footage as will end up on the screen." "Walt Disney realized many decades ago that animation was so expensive that you couldn't afford to animate ten times more than what you need." "The only conclusion: you have to edit your film before you make it." "Working with Disney gave us access to that wisdom. You can't buy it for love or money." On the constant: "Ten years ago, when we made Luxo Jr., it took about three hours to render each frame." "Toy Story. Computers are hundreds of times faster. It still took three hours to render each frame." "The frames were a hundred times more complex." "Our ambitions, visually, are growing as fast as the technology can feed them." On story vs technology: "The art of storytelling is very old." "No amount of technology can turn a bad story into a good story." "That's our mantra at Pixar. It's the story, stupid." "I don't think storytelling has changed in a long time. And I'm not sure it will. I don't think it's something that technology has anything to do with."
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Stags & Deer (@StagsFilm) reported@RealJohnGrace Was probably a whole season initially The Fantastic Four movie felt that way. Disney is probably having trouble figuring out what they want to be tv and what a movie
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Viet Luu (@VietLuu6) reportedSo, today at work my stalker stayed clear from me The way he speaks english I'm guessing he's from kenya because I known other people from kenya that speaks English the same way There's like disney characters that talk like that he'll back off and become friendly but distant?
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John Marone (@tbbolts) reported@NickChaps96 I have stayed at every Disney dvc including those outside of WDW. Saratoga is better than OKW and HHI. Pool area is decent, and rooms are usually available. If doing Disney springs it’s close. Not the worst but good for a last minute need to use points stay.
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Jade🔮 (@antiijade) reported@dairiakymber @sheezy_t okay but euphoria has always been known and got popular for how raw and realistic it is. its just not for you and thats okay. and seeing how terrible people are in the show is supposed to make you uncomfortable and it does just that. go watch disney channel
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YG *** (@YouGayHoe420) reportedHow can talent like this be wasted on a mobile jump rope game? whoever made this needs to work at Disney/Pixar asap.
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Corey Knubley (@FeydHarkonnen81) reported@bestofstarwar Im going to reserve my judgment until I see it...although everything Disney has done to SW has been terrible....except Rogue One
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NobodysFool41 (@nobodys_fool41) reported@AreOhEssEyeEe Pinocchio is also a terrible story - all Disney stories involve a child lost, orphaned, abandoned, imprisoned or enslaved. Gepetto pats the boy a lot on his bottom. He runs away, gets imprisoned, enslaved, genetically altered, then returns home to his original captor/creator.
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idk (@regular_skykid) reported@An0MaHous3 i respect the animators for doing something pretty cool (and they deserve way better than that terrible company) but once again, **** disney and all that they stand for too
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fang (@littlef4ng) reported@BrerOswald The problem is you can only get Tokyo Disney tickets IN Japan through a travel agent. So I WILL TRY but idk if I'll have time 😬
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Politically Homeless (@homelesspolster) reported@bestofstarwar It looks so clearly made for Disney+. It's terrible.
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ꌗꉣꍟꉓ꓄ꂦꋪ1 (@Specter1g) reported@wmssuper87 @Paladinoffyr @Rinartts No it isn’t glitch not using it. Disney barely uses it and if it does they get backlashed and they had to replace some of the **** that was made with ai in Disneyland
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Saul Powell✝️🇻🇦🏴 (@SaulGPowell) reported@Huff4Congress They have to pay these actors this much because of how much they hate working for Marvel/ Disney. Scarlet Johansson recently was in a movie where she was paid no more than $100,000 because she actually wanted to work with the director. These movies have gruelling schedules, constant reshoots and chaos on set with constant re-writes. The process is nearly unbearable for most actors.
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LT🌐 (@LT__Media) reported@DiscussingFilm Are they lowering the saturating and contrast on purpose or what’s going on here? Why tf does Disney make their movies look like this no one likes it it’s awful.
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Kitoko (@Fokof__) reportedOkay I want to watch Grey’s Anatomy or Reasonable Doubt. Kgopela di login details tja Disney + 🥺
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JC Denton (@Yush64) reported@Strider1265371 @taskmasterfan in short, there were already problems before Disney took over Star Wars.
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idiot (@LoverGoogl84612) reported@_sorrengailll are you guys stupid? AI alone doesn’t pollute the environment, netflix, Disney, Google, literally everything with huge servers also did the same for decades
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OneofManyAlex's (@OneofMany_Alexs) reported@guruaskew @ItzJustSebaa Lets be fair, they were never gonna get more unless it made Disney live action remake money. ZSJL came about when HBOmax needed content during a time when they couldent film anything. It was a project that could be dont relatively fast and affordable. Fan demand help tho.
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Incognito_Mode (@Into_the_Void9) reported@JackMac Payton’s issue with Oona is equivalent of those 500 lb whales who explore Disney getting mad at the Sydney Sweeney jeans ad. Even if she stumbled into a point, she is not in the same galaxy as Oona and has no use outside of being clapped offstage after karma comes around for her.