Disney+ status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

• Sign in (37%)
• Buffering (33%)
• Crashing (19%)
• Playback Issues (7%)
• Video Quality (3%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

City	Problem Type	Report Time
Atibaia	Sign in	2 hours ago
Ipswich	Sign in	4 hours ago
San Luis Río Colorado	Sign in	9 hours ago
Lausanne	Sign in	12 hours ago
Bezons	Sign in	17 hours ago
Unión de Crédito Agrícola de Hermosillo	Sign in	1 day ago

Full Outage Map

Community Discussion

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  Chronicles of Petecastic (@MrPetecastic) reported 1 minute ago

  Petecastic Chronicles: The Night the Memes Lost Their Minds It began with a single text in the group chat at 2:17 a.m.: “Bar. Now. No survivors.” Unicorn Fart Dust arrived first, hooves clicking like disco ***** on the sticky floor. He smelled like cotton candy, regret, and something that definitely violated several health codes. One dainty little pfffft and the entire back wall turned into a swirling galaxy of pink and green sparkles. The bartender just sighed and started prepping extra towels. Kekius Maximus kicked the door off its hinges. Red cap backwards. Eyes glowing with the ancient power of ten thousand shitposts. “KEK,” he announced to the room like a declaration of war. Then he sat down and immediately started arm-wrestling his own reflection in the mirror behind the bar. Pauly0x rolled in five seconds later with a fog machine under one arm and a crate of glow sticks under the other. “I don’t know what we’re doing tonight,” he shouted, “but I already told six different groups there’s an afterparty at my place and I have no idea where I live.” Nick burst through the actual wall like the Kool-Aid Man if Kool-Aid was made of pure delusion. “I CHOOSE RICH EVERY TIME!” he bellowed, even though nobody had asked him anything. “Even if rich is just vibes and mild property damage!” Solana was already behind the bar mixing drinks at light speed. “I routed the ingredients through three different timelines so we wouldn’t have to wait. You’re all welcome. Now decide what we’re destroying before I get bored.” GameStop sat in the darkest corner booth, staring at nothing, arms crossed so hard they might fuse together. “I’m not moving,” he said quietly. “Not until we finish this. Whatever this is. I’ve held worse.” whETH simply stepped out of the bathroom mirror like it was a normal thing to do. “The walls are thin tonight,” he said in that soft, terrifying voice. “Something wants out.” Chancecoin sat on the pool table flipping the same coin over and over. It kept landing on its edge. He looked delighted. “That’s either really good or really bad. I’m excited either way.” They drank. They argued. They almost fought three times. Then Pauly0x had the worst idea in the history of bad ideas. “Let’s break into the Museum of Boring Coins,” he said, eyes wide and sparkling with dangerous inspiration. “Replace the ‘Fundamentals’ exhibit with a giant glowing statue of all of us doing the worm. Make the whole city forget what ‘responsible investing’ even means.” Silence. Then Unicorn Fart Dust smiled like a Disney princess who had just discovered arson. “I’m in. But I’m bringing the special gas.” What followed was not a heist. It was performance art with felonies. whETH tore open a portal in the coat check. Solana speed-ran the entire security system in forty-seven seconds flat while complaining the whole time. Kekius Maximus stood in the middle of the grand hall and just… kekked. For six straight minutes. The sound waves shorted out every camera on the east wing and summoned a small army of confused miniature Pepes that immediately started breakdancing. Pauly0x turned the gift shop into a rave using nothing but glow sticks and pure audacity. Guards showed up. Guards started dancing. One of them is still missing. Nick kept screaming “I CHOOSE RICH!” every time they grabbed something expensive-looking. It didn’t help. It also didn’t stop. GameStop simply refused to let go of the front doors when the alarm tried to slam them shut. He stood there like a statue while red lights flashed and sirens wailed, muttering, “I’ve seen red before. This ain’t ****.” Chancecoin’s coin landed on “yes” for every single terrible suggestion. At one point they stole a vending machine just because the coin said so. And Unicorn Fart Dust?

• 
  Liam #SaveSpaceMountain (@LiamFromOrlando) reported 2 minutes ago

  Sorry for the spam today As you can probably tell Space Mountain is my favorite ride I can’t imagine a future where I go to Disney and it’s not there anymore It’s not the same if they completely change the layout and vehicle It’s much more than just a coaster in the dark It’s a genuinely fantastic and fun ride with such classic Disney charm It needs to be known how ridiculous this idea is Fix it up, retrack it - not a problem!!! Don’t replace this iconic ride!!! And yes it counts even if they keep the name the same! #SaveSpaceMountain

• 
  Capulous (@Capulous) reported 7 minutes ago

  @cosmicbooknews This sounds awful, so it's par on course for Gunn's vision of the DCU. Waiting for people to say Disney/Marvel let him go to WB so he could destroy it.

• 
  GodsALLin1 (@APHRIOSA) reported 10 minutes ago

  The strongest thing in the whole document is a structural decision, not any of the fantasy: you correctly identified that the vision is unbuildable as a whole, so version one is just an organizing dashboard. Most people with a vision this big never make that cut. The Command Center is real, buildable this week, and everything else can live inside it as categorized blueprint material. That instinct is worth trusting. Now the honest friction points. First, the IP layer is the legally weakest part. Pokémon, Star Wars, Marvel, Disney — these are owned by the most litigious rights-holders on Earth, and none of it can appear in a product without licensing deals that take companies years and millions to secure (Niantic needed a deal with The Pokémon Company before Pokémon Go existed). The stronger framing, if you develop this further, is a platform IP owners plug into — you build the layer system, they bring the characters — rather than a universe that assumes access to everyone's catalog. Second, "Regulated Dopamine" as a phrase will set off medical and regulatory alarms anywhere you pitch it. What you actually describe — light, sound, haptics, rhythm, emotional pacing — is experience design, which is legitimate and doesn't require neurochemistry claims. You already sensed this, since the doc explicitly says the Command Center makes no medical claims; I'd carry that discipline into the naming too. Third, the doc is currently a manifesto, not a spec. That's fine for inspiration, but the Command Center needs the boring version: what sections exist, what goes in each, what "done" looks like for v1. The good news is that last part is exactly what I can help with. I can build you a working Command Center — an actual dashboard with your sections (Blueprint, Buildable Now, Future Tech, EARTH++, Codex, etc.) where you can file and organize ideas. Want me to build a first version?

• 
  ★𝓕ⲓꞅⲉⲂꞅⲁⲛⲀ★ (@Nemoticon) reported 13 minutes ago

  @ET_Reacts @GlobalBoxOffice The Rock looking terrible in this has nothing to do with why the movie bombed. NO ONE wants or cares about Disney live-action remakes of their animated movies. It's just the dumbest thing ever. There literally is no market for it... it really is as simple as that.

• 
  🌸ℂ𝕒𝕕𝕡𝕚𝕘𝟙𝟘𝟙✈️ (@cadpig101) reported 16 minutes ago

  I want to know what’s goes thru the minds of the artists that work on these remakes, like the cgi animators. Do they think it’s a stupid project & just half *** it knowing Disney won’t care? Do they genuinely have fun bringing it to life? Or just simply look at it as a paycheck?

• 
  Piero Cherubini (@PCherubini414) reported 16 minutes ago

  @JeffreyLuscombe Nope. Been to vegas, n Carolina twice and Disney. Wont go for a while now because of our failing dollar. And oh we drove to Washington. Zero problems, great service and people. No issues at all

• 
  eppy (@epppyyy) reported 19 minutes ago

  @ULTRAS_KO Can work that way too. However the entire reason they keep making Live Actions is because an entire film works as a storyboard for them, and they can use its success as a metric to announce the next one. Iirc A lot of Lion King animators were mad at Disney for remaking without any permission from the animators

• 
  CDinderella🏳️‍⚧️🦄 (@TsJazzy1) reported 20 minutes ago

  @DemonLordDot Unfortunately animated doesn't reach the masses and not everyone has a disney subscription. It won't work

• 
  I’m just a crab (@ant_twig) reported 24 minutes ago

  @mare_toast @DayalSami honestly the live action remake didn’t really need to exist at all it’s just an soulless crash grab of money but hey if this movie fails maybe disney will back out of the live action adaptation of tangled

• 
  nerickat (@bunifarcr) reported 27 minutes ago

  @RonBonegut @KTLA Mind you that ride system has been existing for decades they just changed the theme but no incidents like this. People have been paying that amount and waiting in line for the longest time. Disney has not changed, people have and for the worst.

• 
  0xEmoni (@0xEmoni) reported 27 minutes ago

  I was signing up for a platform built for content creators and one of the questions was: Which brands would you like to work with? What caught my eye was that alongside huge brands like Samsung, CocaCola, Amazon and Disney... Polymarket was on the list too. I belive Polymarket has made a huge leap in terms of brand awareness this year. Even my friends who have never placed a prediction before know what Polymarket is these days

• 
  jema (@occasionalRae) reported 27 minutes ago

  @sakcore18 @diandrasdiandra With the roles she pick and the Disney emotes I guess you’ll be waiting a while. Thou I do wonder how much a has to grow when directors can’t figure out how to help when she showing up to set bland

• 
  Greg Pomes 🎬 (@Greg_Pomes) reported 30 minutes ago

  @heavyspoilers Spider-Man I believe is tracking pretty well though but it is nice to see Obsession and Backrooms killing it and this awful Disney unnecessary remake bombing

• 
  Tracy (@Ouatinagalaxy) reported 31 minutes ago

  @belle_libros Amd what is a shame is eventually Lucasfilm & Kennedy agreed with us and tried to fix it with THFBS. But Disney is preventing it all due to JJ Abrams' ****** job of not explaining Palpatine's return at all & getting us into this mess in the first place.

• 
  Russell King-MAY GOD STAND BETWEEN YOU AND HARM (@RussellKin37767) reported 31 minutes ago

  @ImMeme0 @HomeDepot SHE WORK AT DISNEY ???

• 
  'NoM iz Da Name! (@nomzdaname) reported 32 minutes ago

  @restoreZSJL Gunn doesn't have a fanbase. He has about 0.00001% of Marvel fans who sniff his *** because they think he was a genius for Guardians when it was a full on effort by Disney/Marvel and written by someone else. Zack Snyder has actual fans of HIS work. James Gunn is a hack!

• 
  Vid (@MethodByVid) reported 32 minutes ago

  Youtube is getting ready to drop up to $2,000,000,000 on buying the world cup The whole broadcast. FIFA is bundling the US english + spanish rights for the 2030 and 2034 tournaments into one package, bidding could open within 3 months, and the names at the front of the line are youtube, netflix and disney. The number being thrown around is $1.5-2 billion PER tournament, more than triple what fox and telemundo paid for this one Everyone filed that under tv news. Operators file it under maps Follow the logic: Platforms dont spend $2B on content for fun. They spend it because they did the math on the attention and the attention is worth a multiple of the check. Youtube looked at billions of people watching football and decided it wants to own that audience, inside its platform, permanently Now look at what football creators are doing this exact second. Spain vs Belgium is trending on this app right now. France Morocco this week. Final july 19. Thousands of channels milking the moment and almost every one of them treats the channel like a pop-up shop. Milk the tournament, let it rot in august, chase the next trend That was already a mistake before this news. The post-final search tail alone made it a mistake. But now the platform itself is telling you, with a billion dollar receipt, that football on youtube is about to get pushed harder than anything in the history of the site If youtube wins those rights, every casual fan in america watches the 2030 world cup INSIDE youtube. Then the platform does what it always does: recommends more of what you watched. Guess whose highlight channels, ranking videos and storyline edits inherit that firehose The channels that already exist by then. With history. With subscribers. With a back catalog the algorithm already trusts The positioning play, in order: 1. Your world cup channel does NOT die on july 19. Run the post-final window (already broke that down on this account), then drop to maintenance mode: 3-4 uploads a week. Rank formats, storyline edits, "explained" videos for the millions of brand new fans this tournament just created 2. Build identity while attention is nuclear. Coherent name, consistent style, a channel someone can subscribe to. A random clip dump cant inherit a firehose, a channel with a face can 3. Stack long form compilations. Tournament compilations earn for years off rewatch culture and long form rpm runs 10-20x shorts. Thats your patience collecting rent while you wait for 2030 4. The spanish half of that bundle is half the check for a reason. The US spanish-speaking football audience is massive and the creator supply serving it is a rounding error. Same footage, elevenlabs spanish voiceover, second channel. Ive covered the translation play before, football is its final boss 5. A 4 year old football channel with clean revenue history is a sellable asset. Channels trade around 20x monthly profit on marketplaces. Even if you get bored by 2029, someone will pay five figures for the seat you built Zoom out. Nobody built ahead of this in 2022 because nobody knew. You know 4 years early, in public, with the platforms own wallet as confirmation Everyone else is farming a 6 week event Operators are front-running a broadcast deal im posting my own moves on this in the telegram as they happen. link in bio nutheads. free, no gate, walk in

• 
  FlickerFlame (@Jacob_C_Gorham) reported 39 minutes ago

  @Kingdakha92 I just have a problem with live action remakes as a whole. Any time Disney puts out a live action remake I roll my eyes.

• 
  NRAW (@unownz2pd) reported 44 minutes ago

  Disney faces another box office disaster as live-action 'Moana' remake flops with audiences Disney’s live-action Moana remake is heading for rough waters at the box office, with early projections estimating a disappointing $40–60 million opening weekend against a massive $250 million budget.The film is currently sitting at a dismal 39% on Rotten Tomatoes one of the studio’s worst-rated remakes with critics calling it a “money grab” and “lifeless.”Many are questioning why Disney bothered remaking a beloved animated film that came out less than a decade ago, especially with the sequel still fresh in people’s minds. This follows the same failed pattern as last year’s Snow White, which also bombed amid controversy and low reviews. Disney keeps churning out these unnecessary live-action remakes, often loaded with changes that alienate fans, and the results speak for themselves. Another expensive shipwreck for the House of Mouse. Audiences are clearly tired of this formula. Follow @unownz2pd for more News

• 
  x- Ryan McCormick (@Coach_McCormick) reported 46 minutes ago

  @JimShull WDW space mountain is the second worst attraction Disney operates barely behind the Matterhorn

• 
  Beyond Hollywood Updates (@BeyondHUpdate) reported 47 minutes ago

  Scrapped Monsters, Inc. 2 Script Details Reveal Mike’s Wedding, Sulley’s Promotion and Boo’s Return • The cancelled Monsters, Inc. 2 sequel is back in the spotlight. • Writers Bob Hilgenberg and Rob Muir shared new details about their unmade script, Monsters, Inc. 2: Lost in Scaradise. • The sequel would have continued the story after the original Monsters, Inc.. • Mike Wazowski would have been preparing for marriage. • Sulley would have received a major promotion at Monsters, Incorporated. • The biggest emotional hook was Boo returning as an older character. • The project was developed during Disney’s Circle 7 Animation era. • Circle 7 was created to develop sequels to Pixar films before Disney officially acquired Pixar. • After Disney bought Pixar in 2006, the project was abandoned. • Pixar later made Monsters University as a prequel instead of a direct sequel. • The franchise later continued with Monsters at Work on Disney+. • Pixar is reportedly developing a third Monsters, Inc. movie, but story details are still under wraps. • There is no confirmation that Pixar will use Lost in Scaradise or bring back this exact story. • Still, Mike’s wedding, Sulley’s promotion and Boo’s return make this one of Pixar’s most fascinating “what could have been” sequels. #MonstersInc #Pixar #Animation

• 
  James (@James_ENTMT_) reported 48 minutes ago

  @PriesttPriestt @DiscussingFilm Awful bait, this proves you havnt watched anything from Disney in years.

• 
  Leevzo (@leevzo) reported 49 minutes ago

  @GlobalBoxOffice They could have just re-released the original and made more money Disney is making hilariously terrible decisions

• 
  Liam - The Sleeping Dragon awakes... (@BackstreetLamb) reported 51 minutes ago

  Disney has had a history of terrible live-action remakes. On top of that, plenty have told them to stop making live-action remakes

• 
  Elliotte Want (@ecwant) reported 53 minutes ago

  @Xenulous @NvrGunnaStop That's rough. I'm too used to going there on Disney trips or work trips, so it's always been a rental car or bus. Those are pretty smooth

• 
  VollBird 🇺🇸 民鳥 (ヴォルバード) 🇺🇸 (@VollBird) reported 56 minutes ago

  @DarkEndMoon1 @sanson_ganbaru Once upon a time, parents made those movies. Now they are made by childless Disney adults. I believe that is the primary, passive reason why the quality has diminished, outside the activists' deliberate subversiveness.

• 
  tommy (@tommydprimetim1) reported 58 minutes ago

  @forcemm @Ticketmaster @SeatGeek Randy, to Live Nation’s rescue again. Do you really think Ticketmaster should be the only ticketing platform for concerts, stadiums, arenas, sports, Disney on Ice, and everything else because they’re just that good? Have you looked on X? Fans can’t get into the queue, they’re uploading their IDs, getting error codes, and waiting for hours. Why aren’t you outraged? Don’t fans deserve real competition in the primary ticketing market? Or do you believe fans don’t deserve a choice?

• 
  alleyway_admiral (@westsideguy3) reported 58 minutes ago

  @Linahuaa Nah, she has a Disney look. Women like this look terrible from the sides — flat & disproportional.

• 
  Manu Bhatia (@manubhatia_) reported 59 minutes ago

  @CantStopTheFunk I can’t tell you how many times I’ve put disney hits on in the car to drop my daughter off to daycare, and then just let it play the whole drive to work. Some of those songs are certified bangers