Disney+ status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

• Sign in (39%)
• Buffering (31%)
• Crashing (20%)
• Playback Issues (6%)
• Video Quality (3%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

City	Problem Type	Report Time
Bagnols-sur-Cèze	Crashing	47 minutes ago
Bords	Crashing	51 minutes ago
Fort-de-France	Buffering	56 minutes ago
Manaus	Sign in	1 hour ago
Saint-Paul	Sign in	6 hours ago
Auray	Sign in	6 hours ago

Full Outage Map

Community Discussion

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  Billy (@BillyThePuffer) reported 3 minutes ago

  @WinterSociety32 @rtchewie @sw_holocron Born Again unfortunately very much underperformed, streaming data shows they lost half their viewers when season 2 rolled around, which sucks because it's a great season of television, WAY better than the first, I think Disney+ in general has a viewership problem for shows

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  Spiky (@SpikyMarlon) reported 3 minutes ago

  Can someone help me get the star wars disney skin?

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  becs 🩷 (@rebaeccalynn) reported 4 minutes ago

  @DisneyPlus there is absolutely no reason why i should have to keep “updating my household” when the only two tvs that are logged into my account are on the same ******* wifi network fix your ******* app

• 
  Sean Chandler (@kirkneverdied) reported 8 minutes ago

  @DarboJr3 @the_Bradster007 I wouldn't call every movie a cash grab. Your issue is that 4 extra minutes are being released in theaters where they can charge money and not on Disney Plus?

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  Papi Jordin😈 (@JxrdnOnly) reported 11 minutes ago

  Please stop with these remakes. @Disney I’m about to crash out on you guys, STOP IT!! 😤

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  TeeLow (@TeeLowTeeVee) reported 11 minutes ago

  The big glaring issue is they got Netflix and Disney to overpay which forces them to need to squeeze every advertising dollar they can out of every show. So, less wrestling and more dives or moonsaults out of the ring to create a commercial break. It’s the same every match

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  .✦ ݁˖ Tegan .✦ ݁˖ (@Tegan_Atkinson_) reported 13 minutes ago

  i’m this close 🤏🏼 to applying to go work for disney cruise line

• 
  BEFORE THE POP (@beforethepop) reported 13 minutes ago

  THE 90s ARE NEXT. The market has spent decades deciding what matters in vintage pop culture. Now it is paying serious money for the cards it has canonised. A 1966 Topps Batman #1 PSA 9 sold for US$131,250 in December. There is no PSA 10. A 1977 Topps Luke Skywalker #1 PSA 10 sold for US$687,500 in May. Seven months earlier, the record was $268,400. These aren't obscure cards being dragged upwards by a hot market. Batman and Star Wars are two of the largest entertainment properties ever created, and collectors have had decades to decide what their early cardboard means. The 50s, 60s and 70s have had their time to become vintage. I think the 90s are next. And the more time I spend digging through the decade, the more obvious the setup looks. The 1990s may have been the greatest decade for character IP ever. You had Mario and Zelda becoming global institutions. Sonic arrived. Pokémon arrived. Toy Story arrived. Resident Evil, Tomb Raider and South Park arrived. Final Fantasy VII changed what a videogame could look and feel like. Street Fighter became a cultural phenomenon. The Simpsons went from a new animated show to one of the defining franchises on television. Thirty years later, look at what survived. Mario is bigger than ever. Pokémon is Pokémon. Sonic is selling movie tickets. Zelda is still one of Nintendo's crown jewels. Resident Evil is still releasing major games. Final Fantasy VII is still important enough to support an entire blockbuster remake project. Toy Story is still being watched by children whose parents watched the original. The Simpsons and South Park apparently intend to outlive all of us. That's an extraordinary hit rate. And the cards were made at exactly the right time. The 90s landed just before collecting became industrialised. There was no mature grading economy. No population reports. No breakers opening cases for numbered parallels. No army of collectors immediately sleeving every card of a major character because it might be worth something in thirty years. A lot of this stuff was treated exactly as intended: as kids' stuff. Japanese vending cards came out of machines. Stickers got stuck to things. Magazine inserts were removed or thrown away with the magazine. Foils went into binders. Cards went into pockets, school bags and bedroom drawers. Nobody was carefully preserving a 1995 Toy Story foil because Woody might eventually need a rookie card. Nobody was thinking about the gem rate on a 1996 Bandai Final Fantasy VII prism. Nobody was buying Japanese Zelda cards and calculating future PSA populations. They were just cards. That gives the decade something modern collectibles can never manufacture after the fact: natural scarcity created before anyone thought scarcity mattered. Then there is the buyer. 1996 is thirty years ago, which feels rude but is useful. The kid who was ten when Pokémon arrived is 40. The teenager who played Final Fantasy VII in 1997 is now somewhere around 40, probably with a mortgage and the financial capacity to make significantly worse decisions on eBay. The generation that grew up with these characters is entering the same part of life where collectors before them started paying serious money to recover pieces of their childhood. Except the underlying franchises never really went away. That is what makes the 90s so interesting to me. The nostalgia is arriving at the same time as the IP is still commercially relevant. And Pokémon has already shown us how far this can go. Pokémon was born in 1996. Its earliest CoroCoro material now sits right at the beginning of one of the largest collectible franchises on earth. Then there is Pikachu Illustrator, created for CoroCoro contests in 1998. This year, the only PSA 10 sold for US$16.492 million. The most expensive trading card ever sold at auction. A 90s character card now sits above Mickey Mantle, Honus Wagner and every other piece of cardboard ever sold publicly at auction. So the idea that the 1990s are somehow too recent to produce serious grails is already dead. Pokémon got there first. I don't think it will be alone. We've spent the last few weeks digging through the rest of the decade and the depth is ridiculous. 1993 Sonic prisms. 1995 Toy Story. 1996 Final Fantasy VII Carddass. 1998 South Park. 1999 Ocarina of Time. Early Resident Evil. Tomb Raider. Street Fighter. The Simpsons. Different countries. Different formats. Different manufacturers. Vending cards, foils, prisms, stickers, lenticulars, magazine issues, cheap American wax. But the same broad setup keeps appearing: enormous IP, childhood-era cardboard and far less high-grade supply than you would expect from franchises this big. The Simpsons already feels like the market beginning to look backwards. Collectors are increasingly treating the 1990 Topps cards and stickers as first-year character material rather than some forgotten junk-wax non-sport set. Pokémon is already fully mature. The rest is earlier. That is why I keep coming back to the 90s. Earlier vintage has already had decades of attention. Batman collectors know the Batman card. Star Wars collectors know the Luke. Disney and comic collectors have spent generations establishing their important early pieces. Modern collectibles have the opposite problem. Everyone knows they're collectibles before the box is even opened. The good cards are identified immediately, sleeved immediately, graded immediately and often hoarded immediately. The 90s sit right between those two worlds. Old enough to have been genuinely used and lost. Recent enough to contain some of the largest IP still operating today. Thirty years of nostalgia. A huge generation of collectors moving into serious earning years. And cardboard produced before people realised they should be protecting it. You could almost design the perfect future vintage market around those conditions. Except we don't have to. It already happened. Batman had fifty-plus years for its cardboard to become canon. Star Wars has had nearly fifty. Pokémon has shown what can happen when a 90s property reaches the same level of collectible maturity. Now look at the class sitting behind it. Mario. Sonic. Link. Cloud. Tifa. Aerith. Resident Evil. Lara Croft. Woody and Buzz. The Simpsons. South Park. Street Fighter. Some of the most recognisable characters of the last thirty years, attached to cards produced before anyone had a reason to treat them like future financial assets. I think the market eventually does what it has always done with culturally important things. It looks backwards. It decides what mattered. Then it pays for the best surviving examples. The 50s had their turn. The 60s had their turn. The 70s are going absolutely ******* nuts right now. Pokémon has already broken the door down for the 90s. The rest of the decade is only a matter of time.

• 
  bookaib (@bookaib) reported 16 minutes ago

  when pirating bleach gives u better quality than streaming it from disney+

• 
  act1v_cad3t (@the_digiact1v) reported 20 minutes ago

  @Itssan17 People question it because of marvels lackluster box office performance lately and the lack of buildup (as they diverted from kang in favor of dr doom since disney didnt want to work with jonathan majors anymore), but now im hoping it makes a buttload of money

• 
  stroodle (@stroodledooble) reported 20 minutes ago

  @avoidalmond im a huge Disney lour and secret rarely used buildings gal and i genuinely cant tell what room or area this is where this would be, can someone help? i want to say tomorrow land because of the top lights and white buildings but it could js be a normal room somewhere

• 
  FigmentJedi (@Figment_Jedi) reported 21 minutes ago

  @ToTheWinchWench @Sakonata04 @OdysseyJurassic This is why the current version is Figment clowning on Eric Idle for seven minutes, that version was like the worst rated Disney attraction of all time.

• 
  Ponda (@BlasterBuilder) reported 21 minutes ago

  @IsaiahCTorre They were not working on the film, they were working for Disney, which commissions hundreds of concept images for promotional use and corporate communication. It was probably generative fill, which is AI.

• 
  ********* (@MrShithousery) reported 22 minutes ago

  @trades2g My problem with Disney is all the pandering to gays and blacks… It’s just a turn-off to a large segment of people.

• 
  Onyx Holocron 501st (@onyxholocron501) reported 23 minutes ago

  @retneysholocron Yeah. I feel it was meant to be a binge but Disney wanted it weekly. People I’ve spoken to said it’s a better watch on hinge. Also the Mae/Osha stuff would’ve been better if we had gotten answers for anything involving them lol I had a problem with Mae flip flopping sides every other episode lol

• 
  JR --- (@JRGhaddar) reported 23 minutes ago

  @FDJTALLDAMNDAY @TheElusiveEye1 Yeah it’s not a race thing. Disney would love to have a black lead hero and is still supporting that (see Black Panther and still another Wakanda film on the slate) The problem is it’s a bloody vampire violent film. That is what scares them, and I think people should understand that, and I think the solution is to revive the spinoff film label like Touchstone or Hollywood Films and put ALL the adult stuff under that and just keep it separate and even allowed to stream on other platforms like Netflix / Amazon and then return them to Hulu so it never touches Disney+ and is completely compartmentalized. They just don’t have the structure in place to do it yet, but I think that’s the solution.

• 
  Andrew Resendez (@KTVindicare) reported 23 minutes ago

  @sirdoom34 It didn't get cancelled because of what a few people said about it on the internet. It got cancelled because it had terrible ratings and it cost way too much. The latest Disney finance sheets said the show cost over 200 million dollars to make.

• 
  Trae "comfort destroyed" Wilson (@TraeWilson9) reported 26 minutes ago

  @ADonutHolesHole Oh man. Dhar Mann is like, one of the biggest producers of slop on YouTube. His whole thing is doing stories with actors designed to teach moral lessons, so I get why Disney is working with him on that logic. The trouble is Dhar is very very very bad at what he does.

• 
  Pop Culture Vulture (@popcultrvultr) reported 29 minutes ago

  @BarryOnHere Nearly of all their shoes have been awful and they are too scared to have even normies realize what a failure Disney Star Wars has become

• 
  Julia Kaye, prettiest girl in the world 🏳️‍⚧️ (@upandoutcomic) reported 31 minutes ago

  @kukulgraphics my years at disney tv animation showing in my work i guess haha

• 
  Mike Brown (@mikebrown924) reported 31 minutes ago

  @ToonHive @DEADLINE The downgrade in quality for Disney plus needs to be studied

• 
  axel🕸️ (@CFCaxe) reported 40 minutes ago

  disney+ doesnt think i live inside of my ******* house man they need to fix this ****

• 
  ꫝꪗρꫀ𝕣 (@X0Hyper_) reported 40 minutes ago

  @ColebowlMC @ixlys1 @ImTbonee I been wanting this skin. I'm just scared because I heard codes don't work in the USA? and I can't get my hands on a code or a trip to disney

• 
  Lone Beast (@Brucilian) reported 44 minutes ago

  @Set_To_Fail @IMDBorg Well my argument is that it’s not really the same cultural impact as the prequels, Star Wars today has fallen by the wayside in terms of how iconic. it’s fan base isn’t the same as now it’s the main consumer of Disney/marvel and they consume quantity and not necessarily quality

• 
  Lazarus (@Lazarus1619) reported 44 minutes ago

  @Aurondarklord Correct in a way. The problem for disney is that the audience leans what they call 'chud.'

• 
  ash🩺| lf filo carat moots! (@ashleyywix) reported 46 minutes ago

  badly needed po! help >___< 🙏 lf prime & disney plus ph 🐸— preferably stable 🐸— lf affordable asap 🐸— looking for 1 month shared or solo prem pro go client premium ph wtb lfs account bini showtime lowkey ticket pride anne enhypen txt bts arirang video

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  Ryan Borthwick 🥬🏴󠁧󠁢󠁳󠁣󠁴󠁿🪉 (@RB_1875) reported 47 minutes ago

  @HakarisupremaC @MRrex_Jn Love imu's first form, hate this one. I've always had an issue with certain one piece designs that look Disney as ****, imu's first one looked genuinely menacing and majestic, this one looks straight out of Aladdin or some shjt

• 
  Mika (@Mika24003) reported 55 minutes ago

  WE are working too get The Disney Way too Work Update soon

• 
  Rishi Patel (@RishiPatel41651) reported 55 minutes ago

  @chinosIim If you are at Disney right now, I can dm you my login information to MyDisney Account, and you can help me get the skin, could you pls help me. I have my login information to MyDisney account ready to give if you can help me.

• 
  Jason Jordan (@JasonJo77167964) reported 57 minutes ago

  Walt Disney knew about the robot the Pyramid, he wouldn't be able to work out its his life in 1 of those for thousands of years. He knew he was, as I know what side I go to when I'm there, Muhammad Ali that side, the Police I know who I am in there. This side Sugar Ray Robinson