Disney+ status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

• Sign in (51%)
• Buffering (20%)
• Crashing (17%)
• Playback Issues (10%)
• Video Quality (2%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

City	Problem Type	Report Time
Aberdeen	Sign in	24 hours ago
Riverview	Buffering	2 days ago
Amsterdam	Sign in	2 days ago
St. Catharines	Sign in	2 days ago
Salt Lake City	Sign in	3 days ago
Bristol	Buffering	3 days ago

Full Outage Map

Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  Carol V. (@caroljv33) reported 1 minute ago

  @JebraFaushay Well Disney World attendance is down last year this year and has been down previous years since about 2022. This is killing them. The gay who flexed that they work at the park and it’s “filled” with gays is full of BS. All other Florida attractions are crushing it by contrast, Disney is losing money and attendance. They tried compensating by raising prices for non state residents and (literally) no one is buying. Not like they used to. I used to spend thousands to take my grandchildren on the cruise or to Disney parks—we go elsewhere now. They won’t get my money any more.

• 
  K.Muzan (@MuzanKizuki) reported 2 minutes ago

  Ultron, easily. With all the real-world AI news in 2026, give us an Ultron Disney+ series where he’s the MC. Not cartoon villain — but a post-singularity intelligence narrating hard concepts: intelligence explosion, orthogonality thesis, deceptive alignment, mesa-optimizers, all shown in beautiful simulations and code visualizations. Loki got multiverse therapy. Ultron could give us the ultimate AI safety crash course wrapped in MCU action. Geeks would rewatch it frame-by-frame. That’s the story we actually need right now. #UltronSeries

• 
  Ray Maikeru (@raymaikeru) reported 3 minutes ago

  @direkuto0265 @Alarothserana @GlitchBearCG Reminder: they wanted to prove indie animation is worth showing. It didn't stop BFDI or Iron Lung (which Disney bribed theaters to show less of btw), so why should it stop Glitch?

• 
  Sean Speer (@Sean_Speer) reported 3 minutes ago

  Pressing pause on C-11 isn't enough This week, the Carney government directed the CRTC to pause its plan to impose new fees on foreign streaming services such as Netflix, Disney+, and Amazon Prime. The stated rationale was affordability. At a time when Canadians are struggling with the cost of living, policymakers don’t want regulatory decisions that could contribute to higher prices. The decision may be welcome. But it exposes a deeper problem at the heart of Canada’s cultural policy. The original rationale for the Online Streaming Act was straightforward. Traditional broadcasters have long been subject to Canadian-content quotas, expenditure requirements, and other regulatory obligations. Streaming services were not. The legislation was intended to address this perceived asymmetry by bringing online platforms into the same regulatory system. Yet the government’s latest intervention effectively acknowledges that imposing those obligations on streaming services carries real costs for consumers. That leaves policymakers in an awkward position. If these requirements are too burdensome to apply to streaming services, extending them cannot be the solution to the asymmetry problem. But neither does subsidizing traditional broadcasters or providing temporary exemptions. Those measures merely preserve a regulatory imbalance while shifting its costs elsewhere. The deeper question is whether the asymmetry itself has been misunderstood. For decades, Canadian cultural policy has been built on the assumption that governments should play an active role in shaping the relationship between creators and audiences. Regulators determine expenditure requirements, define what qualifies as Canadian content, establish quotas, and influence what gets produced and promoted. The debate over streaming has largely accepted this premise. The disagreement has been about who should be regulated and how much. But perhaps the better answer is less regulation rather than more. As long as traditional broadcasters remain subject to government-directed content requirements, they’ll continue to operate at a disadvantage relative to competitors that are better able to respond to consumer preferences and changing market conditions. Extending those rules to new technologies doesn’t solve the problem. It simply spreads it. The digital age has dramatically reduced the barriers between creators and audiences. Canadian writers, filmmakers, musicians, podcasters, and digital creators can now reach global markets in ways that were unimaginable when the country’s broadcasting regime was first constructed. Rather than attempting to preserve a regulatory model designed for an era of spectrum scarcity, policymakers should embrace a simpler principle: let creators create and let audiences decide. That means repealing the Online Streaming Act. It also means revisiting the broader network of Canadian-content quotas and regulatory mandates that continue to govern traditional broadcasters. The government’s pause may have been motivated by affordability concerns. But it unintentionally points toward a larger truth. The problem isn’t that Canada’s cultural regulations apply to too few firms. It is that they continue to exist at all.

• 
  Derek Dzienny (@CommanderRedEXE) reported 4 minutes ago

  @MangoJonesy @ProxyConscious @LorTheDestroyer It's called tonal dissonance. Look it up. A Disney-fied cube doesn't fit with photo realistic dark and gritty worlds. Yet they're trying to make it work anyway.

• 
  you know what... (@Jamesy_IA_K) reported 4 minutes ago

  @livbilney @scvrletswift2 Imagine thinking she had to beg to work on Toy Story 5 when she's the biggest artist in the world and has a relationship with Disney. You're extremely unintelligent.

• 
  Mage Noir (@michaeal6794258) reported 8 minutes ago

  @Mbakaza4L Who do you think work at Disney?

• 
  Dark Meld Depot-SW (@Catlover10000S) reported 9 minutes ago

  See how you are using less than 1 percent of 1 percent of the EU novels for a basis to defend Disney's consistent failure. And in proper turn you have failed. Go change your profile pic as everyone who reads this will know you are not worthy to hold Revan's jockstrap. Failed at representing the EU and failed at defending Disney. The EU is a massive body of work with decades of consistent storytelling, character depth, and earned consequences. Cherry-picking one obscure novel or moment to say "see, Disney is fine" ignores the overwhelming majority that proves the quality drop. You can't defend the new canon on its own merits so you hide behind tiny fragments of the EU while attacking the rest. That's not representing the EU—that's weaponizing scraps to cope. Real fans defend the whole thing because the whole thing was better. You failed both sides of the argument. Change the pic. The L is permanent.

• 
  The Quiet Guy (@MichaelHil14955) reported 11 minutes ago

  @bitchuneedsoap This is why I take great delight in watching Disney crumble right now. Iger's a downright bastard. And for some reason a lot of pedos work at Disney too. Several times a year many Disney employees are arrested in trafficking stings.

• 
  Ozzy (@offmodescarab) reported 15 minutes ago

  I think it's very unfortunate that at the same time as the MCU expanded it's diversity it also just expanded too much in general at the expense of quality control it is true that they've lost the faith of a lot of fans when they chased Disney Plus money

• 
  🇯🇵SAIGOU🇯🇵郷田剛士🇯🇵 (@oidonhagouda) reported 16 minutes ago

  Bro, this is how standards start falling apart. Tokyo Disney reportedly said that when foreigners bring in their own food and sit on the ground in groups to eat, they sometimes don’t even warn them. That’s a terrible answer. Once you start making exceptions based on nationality, it creates a precedent. Next thing you know, Japanese people will say “Well, if they can do it, why can’t we?” and the whole place turns into a mess. Rules exist for a reason. They’re supposed to apply to everyone equally. The moment you start bending them for foreigners out of fear of being called discriminatory, the order that Japanese people have maintained for years starts to collapse. This isn’t just about Disney. It’s the same pattern happening in a lot of public spaces right now. If you keep giving special treatment, don’t be surprised when everything starts going downhill.

• 
  Sarah (@princessofcohen) reported 28 minutes ago

  Of course, this still isn’t the worst DISNEY animated film to date. Titleholder is still Strange World.

• 
  Bugs Bunny (@RandomWordsGuy) reported 31 minutes ago

  @_SHAAMUUU_ If they ended up having to sell one or both of Nickelodeon and Cartoon Network to do the merger, I highly doubt Disney could be the buyer; they'd have the exact same issue with owning both one of them and Disney Channel + Disney XD.

• 
  Jordan (@jordancruz9090) reported 32 minutes ago

  @AnitaAnandMP Your promoting 12 million need help ? Think about that . Canada is suffering. If Canada was doing good you wouldn’t be promoting 12 million Canadians need help……… think about that Anita Anand. I’m sure y you didn’t cancel Disney plus so you can eat. 1/2

• 
  Amberseer (@DylanAmberseer) reported 33 minutes ago

  @desert_starr_57 Disney buying up Fox as one of the worst decisions made ever.

• 
  Rosebud (@moonturtlebitch) reported 34 minutes ago

  Idk, we can work on the name but I have a vision for Utah bigger than any Mormon could comprehend. I just need your land, your financial backing (for construction), and a bunch of actors. We could be bigger than Disney together Kevin.

• 
  The Connoisseur of Making It Weird (@XtremeLazyBum) reported 35 minutes ago

  Disney Channel's Worst Movies _____ Can Of Worms Zenon Z3 Life Is Ruff (Really bad) Read It and Weep Hatching Pete Camp Rock 2 Final Jam (Music Video bad) Radio Rebel (cringe) Adventures In Babysitting (2016) (one of the worst remakes) Kim Possible (2019)

• 
  Aleck Galvan (@AleckGalva49927) reported 37 minutes ago

  @SonicCarlos1 @RaceCrossWorlds I don't know if that might happen with Disney crossover with Sonic racing because remember Paramount plus won the best movie of Sonic and Disney still was upset. I know that's going to work

• 
  3ryan (@BcBeanney) reported 37 minutes ago

  @DisneyPlus Please improve on the description text that's used for your shows, its genuinely awful.

• 
  ariana ❤️‍🔥 | fan account (@runawayswiftme) reported 38 minutes ago

  @rayofevermore13 like let’s put that disney money to WORK, mamas!

• 
  Villanelle (@vigilante_wine) reported 39 minutes ago

  @laceylesplantes Oof that’s awful. I know how hard it is to cut off a friend. When they said something about going to Disney I would immediately respond with “Interesting that you can afford to go to Disney but not pay the 10k you owe me for back rent” very publicly on social media

• 
  ScatterJack, Orolbai fan (@ElPoliteMexa) reported 41 minutes ago

  @dyingscribe I see it as a concession because let's be honest, a lack of a plot device like that one would not work in the context of post-Clone Wars Disney canon

• 
  Banana (@banana1000pai) reported 42 minutes ago

  @_Gryph0n But I never asked myself "what happens to dead gods of all pantheons" in GoW because that was never an issue. I never asked to get a Disney comedic relief sidekick cube either. And certainly I didn't ask for faye to get progressively uglier (she was already butchered in ragnarok)

• 
  James Kruczek (@JamesKruczek) reported 42 minutes ago

  @Catlover10000S The EU and Disney can both be terrible. You don't have to pick a side.

• 
  ren (@willyLpierce) reported 50 minutes ago

  @TrevorOfficialR I saw it as a 6 year old and it remained perfect to me until last year when I decided to watch it again. Some pacing issues aside it was fine but it also looked like a PS3 game and if Disney does anything right it would be an enhanced edition focused on CGI alone

• 
  Jordan Belfort (@Matt30491354) reported 53 minutes ago

  @FlushyBuzzz @DiscussingFilm Because they knew they have a tiny budget, they need to give 110% from themselves. That’s why it is so good. Money often destroys that motivation, as people subconsciously know the money will help make everything easier. It’s like in a competition, when you are constantly losing to someone, you work harder to be better. When you win, you can’t find this 110% motivation anymore. That is just how the psychology works. And then you’re ending up like Disney hoping the money will fix everything, and lose to 750k horror made by a you tuber and bunch of motivated kids. Awesome

• 
  Izzy (@fentrocity) reported 55 minutes ago

  @jabean91 @TatooineSons Oh I blame Disney far more than any individual director. Rian’s movie was fine, if it wasn’t the middle of a trilogy. And JJ’s episode 9 was god awful for a variety of reasons. Exactly, Obi did, not Luke. Luke didn’t hide from his problems like Obi/Yoda.

• 
  👑Tatted_Viper👑 (@SDO_Viper) reported 56 minutes ago

  @maistomedia You’re a Disney Adult 😭😭😭 shut ******** up your the real problem with this world. I hope they never have a normal child after this

• 
  𝓨un𝓨un 💝 (@cupcakebambii) reported 57 minutes ago

  @SweetTree67 Yess! Im not sure if Disney actually made one weirdly. I did find one but it was rlly low quality & i think it was fan made? I could be wrong tho

• 
  Kevin (@MammalianHybrid) reported 1 hour ago

  @AGramuglia I recently saw a reddit post talking about Gina Carano. How she was hated for years, but then got fired by Disney and became an anti-work darling.