Disney+ status: streaming issues and outage reports
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Disney+ is an American subscription video on-demand streaming service owned and operated by the Direct-to-Consumer & International division of The Walt Disney Company.
Problems in the last 24 hours
The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.
At the moment, we haven't detected any problems at Disney+. Are you experiencing issues or an outage? Leave a message in the comments section!
Most Reported Problems
The following are the most recent problems reported by Disney+ users through our website.
- Sign in (49%)
- Crashing (18%)
- Buffering (17%)
- Playback Issues (13%)
- Video Quality (3%)
Live Outage Map
The most recent Disney+ outage reports came from the following cities:
| City | Problem Type | Report Time |
|---|---|---|
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Sign in | 15 hours ago |
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Buffering | 16 hours ago |
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Video Quality | 1 day ago |
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Sign in | 2 days ago |
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Buffering | 2 days ago |
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Sign in | 3 days ago |
Community Discussion
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Disney+ Issues Reports
Latest outage, problems and issue reports in social media:
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Brain Mutant (@BrainMutant) reported@CodyFandom_ That’s how I felt prior to the Disney era. The lack of direction, over saturation of content, decrease in production quality, and general storytelling has put me off. And it’s a shame, I used to really love that galaxy far, far away.
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ST-v-SW.Net: Trek. Wars. Pew-pew. (@STvSW) reported... that I use for Star Wars dates based on RotS, putting ANH in 1020 RE and avoiding the BBY/ABY fiasco. It might work. Interestingly, the Disney Canon does give the "Lothal Year" system, but that pegs TPM as 3245, so it isn't a good match, but was annoyingly close.
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Marvin Montanaro (@MarvinMontanaro) reportedContent creators everywhere who made infinitely more money than Disney did off this terrible show agree.
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Ape Hands Holder 🇧🇾 (@sheevposter) reported@KEMOgroyper I'm in the same boat - if I like it it's canon. Problem is every Star Wars story (99% of Disney canon, 90% of OG EU) takes place during time of the films and creates the problem their portrayal or why they're not involved in a story if there's a good reason they should be there
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Casey Ryback (@CaseyRyback00) reported@retneysholocron Fair point, and yeah, the “Disney shill” thing gets thrown around way too fast. But I’d push back a tad here. A chunk of those fans aren’t just looking to hate. They’re burned. Years of investing emotionally in something, then feeling like the storytelling stopped respecting what made it matter to them in the first place. That breeds a kind of defensive exhaustion that looks like bad faith from the outside. The problem now is the opposite side of that coin has also gotten loud. You’ve got a wave of influencers and accounts whose whole brand is positivity, hyping every announcement, every trailer, every piece of content as the greatest thing since the original trilogy. Fans who’ve been around long enough can smell that. And when every critical voice gets lumped in with the bad faith haters, it actually makes the problem worse. Some of those “haters” just want someone to say “yeah, this didn’t land, here’s why” without being told they’re doing fandom wrong. That’s not unreasonable. That’s just wanting authenticity.
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𝙲𝚑𝚞𝚔𝚠𝚞𝚎𝚖𝚎𝚔𝚊 💅🏽 (@DFoundingTitan) reported@slimernator @inflickerlov It's as simple as that Why fix what's not broken, the animation was perfect, Disney started this bs trend Not everything needs to get adapted
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boston (@0nlyBoston) reportedif you refer to omega as a "******** character" when she's very likely to be modeled after young boba fett's appearance in tcw, which would include his portrayal in aotc as well (where he's played by an actual child)—you're the issue, not disney. no normal person thinks like this
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Ryan Nickol (@NickolRyan) reported@CoasterK24 Disney doesn’t do anything to maintain the quality of their parks. And this is in addition to the constant ride closures.
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Ben Dunaway (@bdunaway67) reported@TiffanyFong Yes, exactly. Nothing was forced, no messaging, just great enduring characters. It’s like Disney has employed every bitter, blue haired ******* out there. Broken people create broken content.
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Kieran Haynes (@KHAFC20) reported@UTDTOMMY7 Mac allister awful this season and szoboszlai is hella overrated van Disney best prem defender ever my *** Wirtz being a flop just seems to be a non conversation idk why 120M and he’s been outperformed by eze gyokeres cunha sesko and more yet they all get called flops not him
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JIMI KEATING (@JUSTJAMESKkgdv) reportedAs for Disney I feel terrible for the public toilets there are only huge people going to Disney now a days have you been good lawd the size of the people . @ESPNPlus NOW we go to universal and don’t eat and do so much walking you should lose weight there avoid all the eating pitfalls
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Enzio Salemi (@1818_NZO_1818) reported@DoctorWhoforDBD I just don't see how he would fit as a killer just because his proportions are weird. Not to mention they would need to do a bloody prestige which idk if Disney likes His proportions are so weird. They made Chucky work but Chucky as basically just Victor in third person.
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SebastiánJR / Zip Mileista (@SebastinJR827) reportedGameoverse 3/? and I feel like Glitch could surprise me more with their new series. Now, 40,000 channels will be kissing Glitch's feet, saying, "It's the new competition for Disney," while I feel like TADC's success won't be repeated for a long time.
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Philip (@ScratchCatering) reported@mariannwolfebe1 @imderekbell I really hate that dragon! That is by far the worst Disney ride I’ve ever been on- and that’s saying something, because somehow I was able to survive- Mission: SPACE(Orange Team)
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LG for life (@LG4LIFE13) reported@asubparusername The new Disney stuff is contradicting itself a lot now, it won’t be long until it’s just as bad the EU. The difference is the EU was mad at a time when passion, creativity, and quality were more important
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※ MysticLegacyNexus ※ (@SkylarCat4) reported@JackysCornField No, it’s good. Give it a chance. People are just broken perverts they grew up with nothing but bad Cartoon Network reboot, Family Guy, and Disney live action remake so their taste is broken and can never be repaired
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Mister Origin (@OriginComics98) reportedThere were plenty of problems with the Disney+ show. One of the biggest for me was giving Marc straight up divine powers. I know in the comics he does have some powers, but he’s mainly meant to be a crazier and more violent version of Batman.
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Finance Wisdom (@bsngln38133) reported@iluminatibot Wow, Disney really sails into trouble now!
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Danny (@DanielVoUSA) reported@EckhartsLadder They should just soft reboot the franchise. Do a KOTOR/SWTOR-like trilogy. Ten thousands of years in the past or future. Still distinctively Star Wars, but no Disney lore problems. The sequels make such little sense that it’s pointless to constantly make things right before it.
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ToastyZelda (@ToastyZelda) reported@QuincyGaming28 @ehyeahwhatever The movie exists because it’s a cool premise and Disney wanted to make money. The movie didn’t fix a plot hole and it didn’t create a plot hole.
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Legionnaire Combat Sports (@Legionnairecsn) reported@grok has become unusable, imagine paying $35 a month and not being able to use it, don’t waste your time. I got netfix, disney plus, amazon prime and apple tv with almost the same amount of money
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Unkn0wn (@Unkn0wn326839) reportedSpending 4 grand to go to orlando just to go to disney twice and universal three times with my choir is crazy work (still gonna do it)
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Ikami Igami (@ikamigamichan) reportedThe worst thing is that people don't see the bigger picture here. The only ones happy if Glitch won't succeed and fell off would be big corpos like Disney and Warner Bros. Yes indie stuff won't disappear but they won't ever reach level of corpo if things will continue like that.
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Mackay Bell (@mackaybell) reported@MarioNawfal There were six major film studios in 2000, when digital cameras started to make an impact. Fox has been sold to Disney since. Meanwhile, Amazon sucked up mini-major MGM/UA. And Warner Bros. was just sucked up by Paramount, leaving only four remaining. So at least two and a half long established major studios have effectively been lost in two decades after the digital revolution. But the disappearance of major studios is only part of the issue. Their relevance in the entertainment world is shrinking too. Apple is a completely new feature and television competitor started from the ground up only seven years ago. Virtually all (effectively 99%+) of Apple TV+ shows and movies are shot digitally. It has received 30-35 Oscar nominations in this short period and numerous Emmys and Golden Globes. Apple has the financial resources to buy up a major studio any time it likes, but it’s probably cheaper, thanks to digital cameras and post, to do what it is doing and create one from scratch. Netflix offers another prime example: it has dominated global streaming with well over 300 million subscribers, far ahead of any traditional studio’s streaming efforts, while racking up major awards (including dozens of Oscars and Emmys) and increasingly moving into theatrical releases for its biggest titles. Like Apple, the vast majority of Netflix originals are shot digitally to meet its 4K production standards. Meanwhile, the podcast industry, a format that barely existed at scale two decades ago, is already pulling in roughly $30–40 billion globally in 2026, closing in on or rivaling the entire worldwide theatrical box office (currently hovering around $34–35 billion). This low-overhead, creator-driven medium is generating serious revenue with tiny teams and is only economically feasible thanks to digital cameras. Who knows what they will be able to do now with AI. Add in YouTube, started in 2005, which now pulls in over $60 billion in annual revenue, dwarfing the entire global theatrical box office. It is powered almost entirely by independent creators shooting on consumer cameras and phones, with far greater cultural impact than the traditional studios which chase tentpoles and theatrical windows. And it is quickly becoming a distributor that the major studios are rushing to provide content for, and depend on for marketing. Meanwhile, Disney had to pay billions for Pixar and Lucasfilm because it couldn’t come up with sufficient four-quadrant films on its own. It has arguably destroyed both of those companies, or at least seen less than a full return on those investments. Prominent early digital filmmakers/advocates like Robert Rodriguez, Gareth Edwards, Neill Blomkamp, David Fincher, Steven Soderbergh, Danny Boyle and Sean Baker continue to have great success and have been co-opted into the studio distribution system while retaining independent power. The notion that giant established companies come up with the great original ideas and AI can’t compete with their “forward looking” creative insights is absurd. They have tons of money to throw spaghetti against the wall, but their track record of making it stick isn’t much better than random (which is why the major studios have to keep consolidating or buying up outside IP or talent). But he misses the bigger point. AI is not going to be asked to make decisions on what projects to throw money at. Mostly because clueless executives like him want that power for themselves, even if their track record isn’t spectacular. Which is why it is self-serving to argue AI couldn't do his job better than him. What will happen is AI, like digital cameras, will further empower independent creators, like it did with digital cameras, who will have more opportunities to compete on an increasingly competitive creative field. And those people are likely to have better ideas for “forward looking” entertainment than clustered executives. (Maybe by bouncing ideas off of AI.) If the majority of those breakthroughs are bought up by bigger companies with big budgets, that doesn’t prove big companies are more “forward looking” but proves they can’t come up with enough good ideas on their own.
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Abetus (@TheAbetus) reported@RealJamesWoods budget issues? Disney? Excuse me? xdd
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Randal Eckert 🇺🇸 (@EckertRandal) reportedI can’t understand for the life of me why the @espn app is so bad. It’s just awful, it never works.. Do better @Disney
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Jeebbers (@Thtomb) reported@OliverJia1014 Actually, we all can agree on what Star Wars should be, it is Disney that can't seem to figure it out. The reason why people say that Andor wasn't great Star Wars is the same reason people say that Breath of the Wild was a terrible Zelda game, but a great game.
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JL¹ (@jyamae) reportedbruh im in korea so i can't watch the latest ep cause what do you mean my Disney plus can't work because i am traveling 😩
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Alex Hilbish (@Silverknight911) reported@DiomedesAauRa @Jeremiah_3oh2 @CultureCrave I did hate force unleashed two. That was a terrible sequel. Still better than the disney rehash they called a sequel trilogy, though.
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mr whopper (@Corbin4455) reported@LFC_Ekitikitaka @AFC_Monty_ He didn’t go back because he had to go back 5 years for a W HE WENT BACK TO OUR WORST DEFENCE IN HISTORY And it’s still better than van Disney and co