Disney+ status: streaming issues and outage reports
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Full Outage Map
Disney+ is an American subscription video on-demand streaming service owned and operated by the Direct-to-Consumer & International division of The Walt Disney Company.
Problems in the last 24 hours
The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.
At the moment, we haven't detected any problems at Disney+. Are you experiencing issues or an outage? Leave a message in the comments section!
Most Reported Problems
The following are the most recent problems reported by Disney+ users through our website.
- Sign in (35%)
- Buffering (34%)
- Crashing (20%)
- Playback Issues (7%)
- Video Quality (4%)
Live Outage Map
The most recent Disney+ outage reports came from the following cities:
| City | Problem Type | Report Time |
|---|---|---|
 Valence
|
Sign in | 9 hours ago |
|
Villefranche-sur-Saône
|
Video Quality | 1 day ago |
 Omaha
|
Sign in | 2 days ago |
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Ocala
|
Playback Issues | 2 days ago |
 London
|
Sign in | 2 days ago |
|
Renfrew
|
Sign in | 2 days ago |
Full Outage Map
Community Discussion
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Disney+ Issues Reports
Latest outage, problems and issue reports in social media:
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໊ (@seventhings) reportedThe absolute biggest issue was the removal of the final fantasy characters.. KH was always marketed as FF meets disney. Also the cutscenes were obnoxiously long and some of the worlds were just terribly done.. aka Frozen.
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Pristine (@Pristine1281) reported@Maziodyne_ This world is fine, but what left a bad taste in my mouth was Disney's interference. Nomura and Square had ideas one what to do with this world, but Disney got involved and changed things. So that's my issue, not the game itself, but the behind the scenes issue.
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Verity Bites Back 🇺🇸 🇮🇱 🪔 (@VerityAnneBrown) reported"The hero’s journey is fascist now. It asks a kid to admit he isn’t good enough yet and then work to become someone who is. A culture that considers every hierarchy as violence can’t let a child hear that. That’s why Disney sucks now and why kids are stunted beyond repair."
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Captain Crooked | 🇨🇦 | ReDebut Soon™ | 🏴☠️🥛 (@CaptainCrooked1) reported@CapnKrakenOg It's not a budget issue I am concerned about. It's Sanitation. This series adapted properly would be like Watershipdown 1978. But because its disney we're probably gonna get Watershipdwon 2018. Romance, betrayal, war, murder, starvation, death, these are things that this series is about, but because its cats they're gonna make it toddler friendly.
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Kcin. (@Kcin_Point) reportedTOY STORY 5 2026 film directed by Andrew Stanton REVIEW: 🌕🌕🌕🌑🌑 HOPPERS is still the best Pixar movie of 2026. But all the heart, humor, and playful chaos you'd expect in an entry of the studio's living toys franchise Disney won't let sunset is here in TOY STORY 5. That said, this entry is knocked down a number of notches by grievances with that from which all else originates and branches from: the story. It's disjointed, lacking a clear thematic drive that feels building into a cohesive vision; cheapened by a lot of random nonsense and forced twists to make it all come together as something in the end. (The many contrivances to get Jessie to her old home, for instance.) It kinda, sorta does all come together as SOMEthing in the end, and that something has a good chance to make you teary-eyed, but it's extremely well-worn territory: kid trying to fit in gets bullied and needs better friends. And, in regards to the toys, their purpose to those kids... yet again. An example of the lack of cohesion: thematically, why are there 50 Buzz Lightyears running around? Movie already has enough main plots going on--the aforementioned kid's, Jesse dealing with her past, AND Woody's forced return to help take on Lilypad, the villain tablet. Too much even before getting to subplots, like Buzz's. Given the topicality of toys vs tech in the age of the "AI" grift (in quotation marks because the term AI is just a marketing lie to trick less astute consumers who'll buy into anything if they hear it enough), the story is also a missed opportunity. Production of such animated projects take a long time, so I can SOMEwhat forgive not directly addressing "AI," but production on TOY STORY 5 did begin in 2023 as the grift was just ramping up. This felt purposeful avoidance. But even outside of "AI," this is "the one about tech," except it says very little therein, essentially only that devices can be negatively addictive but also positively connect and be useful. Instead, as stated before, the story settles on the oldest plot in the e-book. You could conceivably also get a message from this movie of "put down the device, go outside, and play," but the reasons that happens has nothing to do with tech itself. As I clocked from the first trailer in 2024, Disney has too much to sell digitally to let Pixar tell kids and parents their iPads are bad in any meaningful way. There was a lot more to plumb in regards to the tech angle, even just for fun scenarios. Imagine if the villain tablet had smart home integration, and right when it has the good-guy toys absolutely cooked, humans put it on Kids Mode. OK, I digress from having a bit of fun. It's just easy to brainstorm a lot of tech-oriented things Pixar COULD'VE done that would've been a lot more amusing and interesting than what TOY STORY 5 offers. But, I suppose there was just too much going on already from all the scattered plots to bother with imagination. This isn't a serious criticism, but does no one else feel the toys have too much agency to affect the human world now? Sending fabricated digital messages to people, pretending to be people they're close to, is well beyond the point of too silly and risky. Also, in the reign of tech, proliferation of security cameras around every neighborhood should certainly become a new danger for the toys to have to work around. These are small gripes, but they interrupted my watch experience more than once. Despite all my misgivings on the core of what TOY STORY 5 is, if you turn your critical brain off and chill for the emotional ride, you'll laugh and cry a little bit and most likely have a decent to great time. But see HOPPERS first.
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mbappe es socialista (@DAlvaro0) reported@ArsonRaboot @mail1010101010 @subtoconnorpls This is only true because there are two characters and Sullivan is way to big for this format. The lack of talent and quality is the real problem at Disney, there's no way they're doing this on purpose, present people at Disney aren't even smart enough for that
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Noxy, Born From Slumber (@DatBoiNoxy) reportedI personally enjoy KH3 more than KH1, but a lot of that is from Re;Minds additions. There is a LOT of issues with base game KH3 thay hold it back despite a lot of great improvements! For me, it's definitely a number of the Disney Worlds being really lackluster 80% of the time.
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Jaydog307 (@Jaydog307) reported@Ale29863961Yuri @zweiwalker89607 I mean yeah. They already have the script basically because it’s in the book, (assuming they’re adapting the books that already could fit into canon with only a couple tweaks) and Disney has great cinematographers/animators (depending on the route they wanna go) that work on SW
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Steve Rudzinski (@SteveRudzinski) reported@MarvelExrth616 1: I don't believe this at all, given it prints money for Sony. 2: I hope not, Disney/Marvel completely owning the character would be the worst thing for Spider-Man
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Mat (@MusicMat) reported@chunkyboyjames @DisneyPlus Usually means device compatibility or connection issue. 🤔
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Ankit Jain (@lyfeafterall) reported@VerizonSupport Thanks @VerizonSupport for the quick response and the quick account check. Unfortunately, the source of the problem, @DisneyPlus, is still in hibernation, waiting for summer in the digital world.
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C Roberts(tweets from a colonised Scotland) (@CRobertsonUK) reportedBut I digress, the ultimate problem is the reliance on as I mentioned already the likes of Marvell, thus Disney, becoming monopolies especially in buying up minor competitors and their back catalog - only to shelve them and the rights unable to be transferred to others. /end
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AveSmaxxVR (@AveSmaxxVr) reportedI just noticed the Disney Adult guy's baloon had to hit the roof but instead it noclipped, absolutely terrible animation 0/10, will never watch Family Guy again it is spiritually Adolf Kirk's son named Netanyahu
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Stephanie Green (@stephymarie) reported@magicnextdoor_ This might be the worst Disney account I’ve been fed on Twitter. Complaining about ableism while calling people poor because they’re using your precious boats and QSRs on-site. Oh no! Don’t like it? Stay somewhere else! See how that feels? You sound like a narcissist.
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Benedict the Mad (@benedictthemad) reported@slanoue2016 @JohnBarrowman The bigots definitely had their screeching times, but RTD made an incredible mess in the Disney years. I loved Ncuti’s work. I loved Mrs. Flood. I loved a lot of it. But suddenly she was The Rani, trying to bring back Omega for no apparent reason. Omega was a weird monster
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cozziejoe (@cozziejoe1) reported@StarWarsMeg1 Daisy is not the problem The stupid premise and origin of her character. Disney non original thought And just poor writing
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Head Goalie Guy (@HeadGoalieGuy) reported@MouseInfo Yea and they just hate rides that aren’t Disney or Universal quality. Thats why you never see anyone at Sesame Place or Dutch Wonderland, etc. They just hate it.
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MatthewP (@pri61684) reported@WriterMcG @j_rod_delrey And how will that look? Distribution and the biggest screens and sounds are everything. When you watch movies and shows on streaming you expect free viewing supported by ads or sponsorship like TUBI or YouTube with optional donations, unless you're paying for SVOD like Netflix, Amazon Prime or Disney Plus. In which you expect high-quality entertainment with production values and star names. EVERY creator wants to scale up but studios, networks and streamers have the systems, structures and access to finance creators need.
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Enigma Bunny (@Enigma_Bunny) reported@mrfebriananda Unlike you, I don't like Disney these days. The success of Glitch is actually due to the philosophy of making animation that Disney doesn't make. Someone needs to tell them they need to do better. That can't be solved with praise alone.
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annabelle (@stargirlm0chi) reported@twosloveletters disney has the worst same face syndrome i’ve seen in a while
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RosettaStone 🖌️🎉 ('*•.¸♡PNGTuber♡¸.•*') (@RosettaStone2D) reported@princessstherap I think the reason no one talks about it, is because it's the most made for kids disney movie. The main characters are cows and I've watched it because it is fully animated and I will have to say it is a fun cute film and I like. I love watching certain parts but for me I have no urge to watch the whole thing. Now if I had kids, then sure. It's mostly because it doesn't have enough draw for Adults. Look at The Frog Princess, that movie is no where near as child directed, familys, kids, and just adults can watch it over an over together. There is also the issue that Roseanne Barr is a voice of one of the cows.
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beep is (@beepening) reportedThe organization plays a similar role in the worlds that they played in KH2, messing with the Disney characters and telling Sora about some of their cryptic backup plans that don't amount to anything. My problem is that the plots of the worlds themselves aren't compelling.
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Seven (@7316) reported@Maximus_0812 The “establish one flagship first” argument doesn’t work imo. Building compelling products by playing to your strengths is what matters. That’s exactly what Azuki is doing, while also being deliberate about capital allocation. Let’s look at the examples you cited. Disney and Marvel took decades to become mainstream success. They failed a lot. Pivoted a lot. Pokemon is the only outlier. They started slow too but gained that initial momentum through literally word of mouth. If you look at their roadmap. Azuki is taking a lot of cues from it. Game in ‘96 (slow start), anime and TCG came right after that. The anime wasn’t created after they had already become a global empire. Anime and TCG was launched while pokemon was still building momentum on the game. Thats how their lil flywheel started. Anime drove game sales. Games drove TCG sales. TCG drove anime viewership. Merchandise amplified everything. The world building was just epic. Rest is history. Azuki is at a point right now where they are building foundations for ‘flagships’ on their strengths ie art, character design and storytelling. They got a veteran TCG team in there too. Lots of new and legacy industry merit on both fronts. Read up on their teams. Not saying they’ll make it but theyre an extremely talented bunch of individuals. They got a real shot at doing well in verticals. Whichever one hits. Feeds the other. Some flywheel ****. Haha.
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Iyok Prasetyo (@iyokp97) reported@el_yorch00 @ShowtneCockatoo Pretty glad to know that since today disney work is notorious for being disappointing
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Chillin in the Basement (@hetch75) reportedSony will never sell Spider-Man. They get 75% of the box office from Marvel for doing nothing more than sitting back & watching Kevin work. Just like Disney will never sell Star Wars. Even at its worst, Star Wars still prints money at the parks & with licensed merch.
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againstvapes (@againstvapes) reportedSaw trailer for live action Moana and it’s crazy that the Disney logo is basically synonymous with low quality. Just miss after miss for years
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Dan Maloney (@OrangeHat2185) reportedThis one post alone destroys many Disney fans arguments. Trying to force her to do something won't work kiddo
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Dalek Sex (@TheVoiceOfSex) reported@Rob1n1Out @AprilTurtle_ My favourite quote from this week on YouTube: Russell is a man with terrible taste who occasionally makes amazing television. Disney drives a truck full of money up to his house. What are you going to do with it, Russell? "I'm going to remake Baby Geniuses!"
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JGspideyfan (@JGspideyfan) reported@ToonHive they charge us every month ofc and still have issues. Its loading is slow, and the ads are annoying. But it's good to have u back disney+
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Brer Oswald (@BrerOswald) reportedThere’s a problem industry wide where the entertainment industry just doesn’t respect children whatsoever. It’s not just Disney or Universal (though they’re major players particularly in the theme park industry). It really is on us to stand up to it, whatever little ways we can.