Disney+ status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

• Sign in (37%)
• Buffering (33%)
• Crashing (20%)
• Playback Issues (7%)
• Video Quality (4%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

City	Problem Type	Report Time
Strasbourg	Sign in	10 hours ago
Sydney	Sign in	22 hours ago
Culiacán	Sign in	1 day ago
Saint-Médard-en-Jalles	Buffering	1 day ago
Culiacán	Sign in	1 day ago
Mazatlán	Sign in	2 days ago

Full Outage Map

Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  The Intersectional Anansesem (@ElderTrinadad) reported 1 minute ago

  Learning that a slew of fired Disney animators and writers were brought on to make this film suddenly makes the high quality of this movie make sense lol

• 
  E (@E65267665) reported 4 minutes ago

  @TheLoneNoobTV @Galidrum @JoinSquad They can't sue them since there is no money being made. The worst case scenario is they just ask them to shut it down. Mods usually run low under the radar so unless this makes a lot of noise and it's being streamed big numbers. Disney won't care.

• 
  ✨ DISCO DAZZLER ✨ (@DISC0_DAZZLER) reported 5 minutes ago

  @jk_tidwell I think it would work. People act like Disney wouldn’t force him into a crazy gym routine

• 
  IMPERIUS REX 🔱 King Namor 🔱 #NamorNation (@ImperiusWrecked) reported 6 minutes ago

  Im not gonna defend the new EiC bc you will not catch me bootlicking marvel on any day, but the fact that he did work in tv and comics are a serialized form of storytelling might help. or it might make it worse. i know disney/marvel is trying to mcu-ify the comics even more

• 
  Nova Wolf (@NovaWolf2021) reported 6 minutes ago

  tbh I might have to find someone else to make nova's upgrade 🤔 the person who was working on her she also works for Disney making all their mascots and she just doesn't have time to work on nova's upgrade

• 
  Sarah 💜 (@SarahDarklight) reported 7 minutes ago

  @zhedious @OrwellNGoode This actually happened unfortunately. A woman was fed something she was deathly allergic to at one of their parks and the epipen didn’t work for some reason and Disney did nothing to help them get to the ambulance fast enough. I think someone posted a link above

• 
  Pipeline Comics (Augie De Blieck Jr.) 🇧🇪 🇫🇷 (@pipelinecomics) reported 9 minutes ago

  @ComicList You may remember that time during Chapek's reign of terror when he tried moving everything Disney to Florida. It didn't work. Still, FL would be MUCH cheaper than CA. But it's all a Hollywood thing, comics be damned.

• 
  lelê (@letiwciah_) reported 10 minutes ago

  @gitlli Suitable for work tem na Disney+

• 
  noel shaw (@bedfordblue968) reported 14 minutes ago

  Is @DisneyPlusUK the worst customer service? You take our money, but treat us like mushrooms. Why has NCIS Season 23 been delayed? Is it Disney or CBS delaying?

• 
  Richard Jackson 🎨🏴‍☠️🇷🇺🇮🇪🇩🇪🇬🇧🇭🇺🇮🇷 (@3DGraphixxx) reported 18 minutes ago

  @creation247 A very large part of the problem is libtard white women and some black women getting jobs in the movie, game, comic book, and TV industries. The other part of the problem is jews who control a lot of corporations such as disney and they have an anti-white agenda.

• 
  K.O. (@_KO_panda) reported 20 minutes ago

  @TheCinesthetic It’s fine that he didn’t accept the offer but I think it’s in poor taste to air his grievances publicly - if he wants to continue to work with Disney this could sour the relationship.

• 
  Garth Hughes ガース・ヒューズ 🇺🇸🇯🇵 (@RealGarthHughes) reported 23 minutes ago

  @TheEbonyMaw I could believe Disney making one of them misunderstood, but both? Don't make me laugh. Nothing but the worst from Netflix.

• 
  ziggy (@theli0nsr0ar) reported 23 minutes ago

  @MarvvVal Genuinely want Disney to crash and burn. They don’t deserve the rights to these characters

• 
  Raye (@arayyye) reported 25 minutes ago

  On $NFLX: $NFLX remains a cautious bull for me. The underlying business is still financially strong: Q2 revenue grew 13.4% year over year to $12.56 billion, operating margin reached 33.4%, and management still expects roughly $3 billion in advertising revenue this year. Netflix also expects operating income to grow more than 20% in 2026. The company is not broken, but the growth profile is clearly maturing, with Q3 revenue growth projected to slow to 11.7%. Netflix may now be entering a phase where it can continue growing revenue and profit even with slower customer growth. Price increases, advertising, paid sharing and improved monetization can raise revenue per member, while content amortization grows more slowly in the second half. That could preserve high margins even if some price-sensitive customers leave. The danger is that this strategy gradually transforms Netflix from a growth platform into a mature media company dependent on pricing and cost discipline. Competition makes that transition more difficult. Disney has globally recognized franchises, theatrical distribution, sports and physical experiences that reinforce its streaming platform. Prime Video is supported by the broader Prime bundle and Amazon’s commerce-driven advertising system, while Apple continues building a smaller but increasingly credible catalogue of premium originals and live sports. Amazon says its ad-supported entertainment ecosystem now reaches more than 300 million US consumers, while Prime Video’s ad-supported customers are watching 17% more hours than a year ago. These companies do not need to replace Netflix completely. They only need to take a larger share of household attention and reduce how much pricing power Netflix can exercise. My concern as an actual Netflix user is more qualitative. Netflix does not necessarily lack content; it increasingly feels like it has too much content designed as inventory. Many ideas that could have worked as focused two-hour films are stretched into six- or eight-episode series. It feels like pure product-management thinking: more episodes, longer runtimes and more opportunities to keep the user inside the application. That approach can maximize measurable engagement while reducing creative density. Management correctly argues that not every viewing hour has equal value and that quality, variety and quantity all matter. Yet my experience still feels optimized for quantity. I can scroll through hundreds of titles without finding something genuinely unique, while competitors increasingly offer fewer but more recognizable franchises or prestige productions. A platform can generate more total viewing hours while producing fewer titles that audiences remember several years later. Netflix reported that viewing hours increased only 2% during the first half of 2026 despite continued membership, pricing and advertising growth. The company will also reduce its detailed viewing-hours report from twice annually to once annually beginning in 2027. This does not prove that engagement is deteriorating, but it makes engagement quality increasingly important to watch as financial growth becomes more dependent on monetization. The market reacted cautiously to the latest outlook, sending the shares down around 8% after earnings. I would therefore remain bullish, but I would not chase the stock. A lower share price could create an attractive accumulation opportunity because Netflix still owns the strongest global streaming distribution network, a powerful recommendation system and a proven ability to monetize audiences. However, a cheaper stock does not automatically solve the product problem. The long-term bull case requires Netflix to create something bigger than another large content slate: a major franchise ecosystem, a genuinely differentiated live-entertainment business, a successful creator platform, or another habitual entertainment format. That is possible, but it will be difficult. Netflix is already expanding into live sports, video podcasts, creators, advertising and cloud games, yet every one of those categories contains deeply entrenched competitors. Until one of those initiatives becomes a meaningful new growth engine, I see $NFLX as a strong business facing a harder stock setup: high margins and solid cash generation, but slowing growth, rising competition and a content experience that increasingly feels optimized rather than inspired.

• 
  Joey Monasky (They/Them) (@joeymonasky) reported 29 minutes ago

  @haterhunter450 @TripleZ_87 Trust me, you're going to get yourself into a TON of trouble bullying Disney into reopening its 2D hand drawn animation division.

• 
  thatstarwarsgirl (@thatstarwarsgrl) reported 35 minutes ago

  🚨New Video!🚨 Christopher Nolan’s Odyssey is absolute TRASH! I haven’t been this infuriated about a movie in years! It’s Disney Star Wars levels bad. What Nolan did to Odysseus is what Rian Johnson did to Luke Skywalker! He clearly didn’t read the book or know anything about the source material/mythology. It’s AWFUL DONT WASTE YOUR MONEY!!!

• 
  Overflow (@MoonLotion) reported 36 minutes ago

  @ABC Co-conspirators to CENSOR the truth and work with Communist China. May @Disney @ABC executives enjoy prison. TREASON!

• 
  DarkXessZ (@DarkXessZ) reported 37 minutes ago

  @AltKek420 @MadamSavvy @ALegendaryDrops I dont get why people have a problem with this when we had this forever, even in comic books to pokemon to Disney to cartoons. Border on softcore porn still doesnt make it porn. It's called biological admiration of someone's beauty.

• 
  notdoctorq 🩹🍰☁️🎀🦊🍶🔜@Offkai (@notdoctorq) reported 39 minutes ago

  @Nowova_ It seems to be a trend with Disney that you pay more and just don’t get the same quality experience. Disney to me was always very much a higher standard

• 
  Arjuwan Lakkdawala (@Spellrainia) reported 42 minutes ago

  However, those relatives who are in India, uk, uae, thailand, decided to cause trouble for me to steal my books. Because it was expected I would get millions of dollars from Walt Disney for Spellrainia.

• 
  Aakash Gupta (@aakashgupta) reported 42 minutes ago

  The NBA's $76 billion TV deal is currently on hold because one 41-year-old won't say where he wants to work. Adam Silver, the commissioner, admitted it today: the league cannot finish the 2026-27 schedule until LeBron James picks a team. Teams are calling. Networks are calling. The answer to all of them is "we're waiting on LeBron." The story gets wilder when you know the context. LeBron is the oldest player in the NBA, entering season 24. He's also still one of its best: he just dragged the Lakers to the playoffs, then announced he was leaving. Three franchises are reportedly in the running. Here's why one player freezes a $76 billion machine. The NBA is one season into an 11-year deal with Disney, NBC, and Amazon. Those partners split a fixed pool of premium inventory: opening night, Christmas Day, the big national windows. LeBron has played on Christmas a record 20 times, the last 19 seasons straight. Wherever he signs instantly becomes a Christmas team, an opening week team, and a 25-game national TV team. Until he signs, none of those slots can be assigned. The whole calendar is downstream of one man's group chat. Run the math on what's waiting. $76 billion over 11 years is roughly $7 billion a year in media money, and the schedule that deal was priced on can't be built. So the commissioner of a $7-billion-a-year league is doing interviews politely asking an employee of one of his 30 teams to please make up his mind. No other league works this way. The NFL schedules around teams. The NBA schedules around a person.

• 
  Kirby's Last Snack (@KirbysLastSnack) reported 46 minutes ago

  So how would that work with say Disney and Netflix? I assume one would need to build the native streaming app. Would both also offer it as a package deal with their primary streaming service (or services in the case of Disney)?

• 
  Andrew Tyler Scott (@andrew_scott17) reported 47 minutes ago

  @Mando3Updates @IGN All this work just to keep disappointing fans. There has not been and never will be a worse steward for an IP than @Disney They learn the wrong lessons from failure Starfigher is next ladies and gentlemen 😚

• 
  wherryj (@TVMADoc) reported 50 minutes ago

  @WallStreetApes Hollywood's argument is pure BS. They argue it would lead to lower quality. That's not possible. Disney has already achieved the lowest possible quality.

• 
  Charley Estave III (@EstaveIii85877) reported 50 minutes ago

  @FreakyBob544108 I don't hate glitch but what they did is very hurtful but I don't hate them. Look glitch isn't perfect but that ok. Nobody's perfect and that's okay I don't hate Kevin but I do think what he did was wrong. And he's need to put out an apology. And plus Disney is way worse than-

• 
  Mattlegostar (@Mattlegostar2) reported 52 minutes ago

  The New Space Mountain has a real problem on it's hands when it comes to ADA compliance. How are you going to update the queue in such a manner that makes it less long for guests, and more streamlined and navigable for ECVs and wheelchairs? The queue HAS to go underground no matter what to avoid the train. I imagine if Disney rips out the entire queue we could potentially also see the closure of the Walt Disney World Railroad (again).

• 
  Michael Murphy (@ogstarwars) reported 54 minutes ago

  @BrerOswald @SlyChimera This one you are wrong about. BTM wasn't a bad fix. The story is fine and there really isn't a conflict at all. In fact, I would say it has more story than any non dark ride at Disney. Single track Space Mountain is a disaster. Splash is embarrassing. BTMRR is good, still.

• 
  NiveusLuna (@niveusluna) reported 55 minutes ago

  @makro_art Like I said, I have heard of it happening. Keep in mind, IANAL. The case I heard of was: A bakery obtains an exclusive license from Disney Lucasfilm to make Galactic Empire themed cupcakes using the relevant likenesses. Another bakery sees the first one doing it and decides to make their own, minus the licensing step. The licensed bakery sues and is granted standing. The legal analyses I read from attorneys not involved in the case said that the courts granting standing to the exclusive licensee in such cases was common (at least, in the relevant jurisdiction, which might not have even been in the USA, I can't remember) because of the reasoning in my previous post. I can't remember the exact phrasing used, so I can't tell you whether it was merely common or the accepted norm. I will say that these analyses did acknowledge that the right to sue cannot be licensed in the relevant jurisdiction, but also pointed out that the law would not be enforced without the courts acting as if that right 1) could and 2) had been, because the licensors would spend more on the case than they themselves would get out of it and had already made their money anyway. This is the only case I've heard of. The analysts implied there were others. I can't remember where this was, but I definitely remember that it was in either the USA, Canada, or the UK. If it helps, this was shortly after Disney had purchased Lucasfilm. I asked Grok to help me narrow it down or even give me the name of the case. It couldn't find anything *at all* with the details I was able to provide, let alone any specific cases, but it did note that 1) it is indeed established legal principle in all three countries I named, 2) that specific case might have been too small to be worth archiving publicly, be it by the court or the news organization in question. (Note the word "publicly." The court will still have the records SOMEWHERE, such things simply do not get destroyed, but they might not be accessible without some form of authentication.)

• 
  The One Nerd (@The_One_Nerd) reported 56 minutes ago

  @OliverJia1014 Such a weird time before Disney Plus when Marvel wanted actual TV Shows to compete with DC CW Now this and Agents of Shield makes sense, but I can't believe they thought Inhumans would work. I still remember I watched the Pilot at my local theater

• 
  sr7olsniper (@sr7olsniper) reported 57 minutes ago

  @drew010807 @movieswithv @TheCinesthetic They game to him for it. That shows there is interest and at the very least Disney thought it was profitable enough to warrant a second season. Also a scaled back second season wouldn't equate to more work as he put it. Again, the math aint mathing.