Disney+ status: streaming issues and outage reports
Some problems detected
Users are reporting problems related to: sign in, buffering and crashing.
Full Outage Map
Disney+ is an American subscription video on-demand streaming service owned and operated by the Direct-to-Consumer & International division of The Walt Disney Company.
Problems in the last 24 hours
The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.
July 9: Problems at Disney+
Disney+ is having issues since 09:20 PM EST. Are you also affected? Leave a message in the comments section!
Most Reported Problems
The following are the most recent problems reported by Disney+ users through our website.
- Sign in (37%)
- Buffering (33%)
- Crashing (20%)
- Playback Issues (7%)
- Video Quality (3%)
Live Outage Map
The most recent Disney+ outage reports came from the following cities:
| City | Problem Type | Report Time |
|---|---|---|
 Mazatlán
|
Sign in | 3 hours ago |
 Trowbridge
|
Sign in | 4 hours ago |
|
Bristol
|
Sign in | 9 hours ago |
 Saint-Cyr-sur-Loire
|
Sign in | 11 hours ago |
|
Laval-en-Brie
|
Buffering | 12 hours ago |
|
London
|
Sign in | 13 hours ago |
Full Outage Map
Community Discussion
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Disney+ Issues Reports
Latest outage, problems and issue reports in social media:
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Tailored Spliff MADISON (@eThaRealist) reported@KevinBobby She was likely blacklisted the way they do any former Disney affiliate who does ADULT work and that ‘spectacular’ music video was just that
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Gil Peña (@gillionaire05) reportedYes. Not a problem. Stock up on beer, bourbon, pizza, and steaks. I got an 80" tv with netflix, hbo, disney plus, etc. Plus, I got a Super Nintendo, N64, Gamecube, Xbox 360, and Switch already hooked up... My hot wife is there too but she may be over my bullshit by day 4. #thrive
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Cassidy Knight (@Kick_Assidy) reported@OCaolho72041 This is all just such crazy wishful thinking when Disney wouldn't even give Season 2 a 10th episode. You have Bob Iger saying that we need Quality not Quantity, and a bunch of stuff moving much much slower.
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PG-13 (@pgumshoe13) reported@WonderAmericana sorry that is nonsense. unless Disney forced Stanton at gunpoint to write that awful bastardization of one of the greatest and most adaptable books of all time it's all on him and his co-writers and producers.
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Volodymyr Pavlenko (@mindinpanic) reported@DiscussingFilm Disney keeps grinding out live action remakes that strip everything that worked and Moana looks like the worst case yet
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Disaffected Scientist (@DisaffectedSci) reported@Tomasbmz5 @LauraRbnsn You’re projecting something onto me that I did not say. I in fact have for months said it will clear 800M. Nolan simps will absolutely see it no matter what. But gueas what? Popularity doesn’t make something good. Lots of popular movies are terrible. Disney Star Wars for example.
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***** bastardly / ******** chad ™️ (@teaandstrumpet) reportedanyway, I did what any good kid in my position would have done and reminded her she is special, smart, and nothing has changed. If anything, she'll understabd herself better. There should be a help book on this though, Disney movies about generational trauma only do so much 💀
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Tim Nichols (@tpnichols) reportedTangentially related to random numbers, load tests will produce synchronization points across the life of the test. Asking your system under test to handle harmonically aligned requests will result in poor SUT behaviors and higher response times than would likely occur in the wild. Again, I do LoadRunner, so this is the one pony I know how to ride. Really well. Or so I thought. Basically, if you bring up the Transaction Response Times Under Load graph, you might find spikes in the graph(s). These synchronization issues appear when timing alignment becomes strong enough that many VUsers hit the same code path at the same time. This is caused by VUser density hitting a synchronized path. It seems this is a result of 3 things aligning during a load test comprised of a significant number of virtual users. 1) Many VUsers follow the same sequence (that describes just about any LoadRunner program lacking in sophistication). 2) The code path includes fixed delays or predictable cycles (see my discussion on random number generators). 3) The pacing pattern causes periodic alignment. When all three are true, VUsers "clump in time and form waves. Backend latency can result from this LR driving the system under test (SUT) in unnatural ways. This is likely to occur when VUsers_per_minute are hitting the same step compounded by the timing repeatability (lr_think_time() is hardcoded). When those two variables are greater than the backend jitter, the test is causing undue stress and strain to the SUT - again, making it try to do unnatural things which the designers had not intended. BTW, backend jitter is a fancy term to describe variation/fluctuation in response/processing times. This phenomena does not begin to appear until testing with thousands of users. Unless sophisticated coding techniques are implemented, programs are going to, by definition, set up cyclical patterns. Keep this in mind, LR Brothers and Sisters - any script with: - fixed think times - identical workflow per VUser - repeated loops - sequential multi-call blocks - error handling (retry loops) without any injected jitter - looping within the primary Action section - time-based pacing - predictable data access patterns ...will eventually synchronize as VUser count climbs. Interestingly, there have been videos (or the same video posted by multiple accounts...) showing metronomes starting out in different phases due to the guy lighting them off sequentially, but by the end of the video, all the devices were click-clacking in unison. In load testing terms, when your test program is set to run for an extended period of time across a large number of instances and there is scant difference between the iteration execution time, there will eventually be synchronization points. Remember - it's not the number of lemmings which cause this, it's the number of lemmings all doing the same thing at the same time. *yeah, I know the fable of the lemmings was a Disney construct.
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DC (@Deicide0201) reported@robertliefeld Rob they are but they always cut off key stories to push their TV show comic and readers ain't interested. I mean it's cool to read back issues but the current gen are trying new stuff but get cut off by Disney demanding marvel make books based on the newest movie or tv show release readers are tired of it
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Anish Moonka (@anishmoonka) reportedThat 31% score sits on top of a movie that cost over $200 million to make and needs roughly half a billion dollars just to break even. Its own animated sequel already made double that, 19 months earlier, from the same audience. Disney greenlit the live-action Moana in 2023, betting on the decade-old gap the 2016 original would have left by the time it reached theaters. That gap never opened. A planned Moana streaming series got upgraded into a full theatrical sequel instead, and Moana 2 landed in November 2024, pulling in $1.059 billion worldwide on a 61% critic score of its own. The franchise answered its own question about whether audiences still wanted more Moana, then answered it again less than two years later with a much more expensive movie asking the same thing. Tracking data from The Quorum shows exactly where that leaves the live-action version. It has 80% audience awareness, the highest of any film tracked, but only 49% of that audience says it is interested in seeing it, the weakest awareness-to-interest gap on the chart. Opening-weekend projections have fallen with it, from an early $85 million estimate down to a $45 million to $72 million range across major trackers, well below The Little Mermaid's $95.5 million opening and Lilo and Stitch's $146 million one. The 31% lands on top of a demand problem that existed before a single review went up. It is the lowest score in Moana's own franchise history, under Moana 2's 61% and the original's 95%, and lower than the debut score carried by Snow White in 2025, the remake that went on to lose Disney somewhere between $115 million and $170 million against its budget. Eight days before Moana opened, Dwayne Johnson told a press conference in Rio de Janeiro that Moana 3 is already in development. The next one was already in motion before this one's half a billion dollar question was answered.
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🐱ri-Warui (@oleivarrudi) reportedYo @DisneyPlus has been broken for over 24 hours on ps4 in Norway, if it doesn't get fixed soon i'm expecting some reasonable form of compensation
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Cab 🌋 (@Cabanimation) reportedAs a creator, HEEBOO is there to empower creative people and their fans, especially early superfans. There’s a huge growing creator economy. And I know from the world around me, Disney animators, Story artists, show creators, brand builders … they don't feel empowered. And there's a lot of questions about where the storytelling industry goes when studios don't have a chokehold on distribution. Sure, you can put your stuff online, but that’s just the start. How do you exist in an oversaturated content market? What's your edge? How do you hold leverage if you pitch to a studio? And even if you want to do most of it outside of the system, you need an engine of fans and ways to monetize. We're talking about Indie animators with millions of followers on YouTube. Or creators trying to sell their own show. They can't get access to Studios. They can't even touch their audience. The only monetization loops they have is selling t-shirts, because you need billions and billions of views to make barely any money on YouTube. And even then, you’re trading one middleman for another. HEEBOO solves for that, and I can tell you firsthand, because that's what we've done with Claynosaurz, with the ethos that creatives become stronger when both they and fans have more agency. This was and is our edge. A lot of creators feel ******; we want to unfuck them. Fans support the creator economy, but they often boil down to stats. We want to fix that. Showing up, participating, and backing what you believe in should actually mean something. Provenance within the community. For a fan and supporter of a new brand, don’t you want to say “I was there, I can prove it, and I matter?” “I am a tastemaker.” And a creator that needs a fighting chance wants the ambassadors, support and the ability to say “you do, for real.” That synergy is the unlock. And it is a massive opportunity.
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Punished Henry (@punishedhenryjr) reported@LeMortedAbby @DiscussingFilm The problem is that there actually isnt talent at disney anymore
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Prodigy04 (@GeasyTwo_Times) reported@DisneyPlus can you please fix the skip intro button there should be no reason why it doesn’t work after an update. Y’all got too many coders and not be able to do this bullshit.
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lol (@expnandbanana) reportedevery live-action disney remake can be reviewed as "this is the worst thing I have ever willingly paid money to subject myself to, and I strongly believe it to be a direct insult to the original work itself. I can't wait for it to gross $800,000,000 at the box office."
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Laura (@999GGGhost1) reported@wdwmagic One of the worst ideas Disney management has ever had. After replacing Happily Ever After with that garbage. After the movie Wish. After relaxing CM standards. After adding the DEI pillar and hiring according to it. After getting rid of Splash Mountain. After… you know what, I take it back. Many, MANY worse decisions, sadly.
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Texas Dude 🌵 (@DudeT10101) reported@CFBKnights CFU sits in Orlando, with some of the biggest entertainment companies in the world. They could solve a lot of your NIL issues, but Disney is too busy replacing Americans with Indians via H1-B. Go get mad at them.
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Rizdale Pell (@TanhauserGulfir) reported@BadFilmTakes1 Who cares? Unless you work for Disney or warners, the box office returns will have no effect on your life.
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Act 4 (@thewavymane) reportedI used to work at cosmic rays at Disney and every single song that ******* animatronic sings is burned into my memory
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Privatebarb 🦄 (@theprivatebarb) reported@MaterialBarb @DisneyPlus stanning a black woman, but trying to denounce that there is an issue with all the girls being pale white skinned girls instead of providing melanin is WEIRD!
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Zack (@Zack_ROo) reported@Cubsfan_87 @BrutalBagpipes @DiscussingFilm I agree with you, You cannot really compare them to these Disney awful remakes other than Cinderella How To Train Your Dragon was a good remake even though it didn't live up to the original This narrative of downplaying it from the minority needs to end, It died months ago...
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Brer Oswald (@BrerOswald) reported@BlankSamuel @arttavana It’s not much different from other Disney films of that era. Some gold in a sea of mediocrity. The problems lie with throwing the baby out of the bath water. We have lost genuinely fantastic things that came out of the movie merely due to “guilty by association”…
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200MP 🎧😤 (@EVOParker) reported@marvel_updat3s Maybe Microsoft need to purchase marvel from Disney (or both) and have Whip of Asha put them to proper work.
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Hariman (@NevixAstari) reported@BellaLoveNote @DiscussingFilm Yeah... you see bias in white people when the fans of classic Disney Movies just want to stop seeing their childhood favorites turned into awful movies. That is out of control.
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Austin Ash Shroyer (@ShroyerAustin) reported@epicberserker @creativeburne I think he says pass on the Star Wars part because he doesn't want to work for Disney considering they have no clue what they are doing anymore.
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eppy (@epppyyy) reportedAfter watching the Frozen 2 documentary, I don't think Disney understands that it's movies succeeds because the animators and writers are trying everything they can to make the films work. The execs ignore all of that, casually looking at the success and then announce sequels and Live Actions.
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chi-pers creepers 🪞 (@tenderpinklife) reportedignoring the disney-shaped elephant in the room, i've never thought an eah reboot could work. both mh reboots have their flaws, but they're easy to digest because of the nonlinearity of mh's storytelling. on the flipside, eah was bound to one huge (unfinished!) arc
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Chuck Wagon (@chuck1233) reported@nbcwashington Disney 2.0. They will just get it zoned for 1,000s of homes and all the issue that come with Virginia’s history of poor planning
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Luis (@MothWolf90) reported@DiscussingFilm Unfortunately there's still the issue with people going out to see it regardless. I'm worried this will make over a billion at the box office, and in the end, that's probably all Disney will care about. They'll continue making crappy live-action remakes if they make lots of money
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Angry Bob Ross (@angryBobRoss) reported@arliyyo Not just Disney. Not just misunderstood. Hollywood straight up lionizes evil characters now. The movie 'Send Help' for example.