Disney+ status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

• Sign in (36%)
• Buffering (33%)
• Crashing (20%)
• Playback Issues (7%)
• Video Quality (3%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

City	Problem Type	Report Time
Saint Paul	Sign in	14 hours ago
London	Sign in	1 day ago
Malvern	Crashing	2 days ago
London	Sign in	2 days ago
Aubagne	Sign in	2 days ago
Paris	Playback Issues	3 days ago

Full Outage Map

Community Discussion

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  indefatigable fox cop (@shitotaur) reported 33 seconds ago

  @alecrobbins @chapel3929 THE LORAX alone does a better job with its songs than any Disney movie of late that they didn’t farm out to LMM or COCO and it isn’t close either. Wish Illumination would do more music in their movies. That movie had other issues though.

• 
  Top Tier (@LondonGreenwade) reported 3 minutes ago

  All that work fighting for my life trying to take their pics working at Disney on Ice and now they learn how to pose.

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  Freddie the Schnoz 𓅃 (@FreddieSchnertz) reported 12 minutes ago

  @BranPuffin Idk man, I could try it again but rodeos are pretty awful. I remember being struck by how kids were treated. There's some kind of Disney meets Mike Vick thing going on

• 
  HipnoAmadeus0 (@HipnoAmadeus0) reported 14 minutes ago

  @GamingStrangely @SpookyyFairy Yes you can Not in this instance, because consumer ownership rights of digital media is terrible, but ToS can be completely thrown to the trash if it is considered illegal terms by a court One such instance was Disney Plus free trial saying you couldn't sue Disney for accidents

• 
  Rahul Raj (@raahulll_raj) reported 15 minutes ago

  nvidia built a brain for robots and gave it away for free. not selling it. not gatekeeping it. just dropped it on hugging face like it's a random side project it's called GR00T one brain, any robot Before GR00T, every robotics company trained their machines from scratch. teaching one robot to pick up a cup = months of work. teaching the next robot the same thing = start over. GR00T is a general brain that any humanoid can download and use. Boston Dynamics, figure, agility, xpeng all already building on it. it thinks like us (kinda scary) the model has two systems. a fast one : pure reflex, like when you catch a falling phone without thinking. a slow one : the part that plans, "okay first i open the fridge, then i grab the milk." same way your brain works. except this one doesn't get tired or ask for chai breaks. the part that broke me. robots need thousands of hours of humans demonstrating tasks to learn. super expensive, super slow. nvidia's fix? the robot generates videos of ITSELF doing new tasks from a single image and learns from its own imagination. they made 9 months worth of training data in 11 hours. nine months. eleven hours. let that sit. the newer version was built in 36 hours the upgrade that used to need 3 months of humans recording demos? done in a day and a half using dreamed-up data. the improvement loop is compounding and most people have no idea it's happening. even disney is in nvidia teamed up with google deepmind AND disney research to build the physics engine these robots train in. those cute bdx droids you saw on stage with jensen? this tech. when disney, google and nvidia agree on one project, that's not a collab. that's a signal. why should we care? there's a global labor shortage of 50 million+ people. every warehouse, every factory, every hospital is understaffed. we spent 2023-2024 watching ai learn to talk. we're now watching it learn to move.

• 
  Deep Dive Disney! (@Disneydeep) reported 15 minutes ago

  Urgent! 🚨 Deep Dive Disney would like to pay anyone $30.00 to film a steady close up shot of John in all scenes of the Carousel of Progress! The work must be steady and high quality. Please DM if you are interested. Any recent iPhone should work fine!

• 
  Geri Giambrone (@flipflopgirlx) reported 16 minutes ago

  @FLVoiceNews @AGJamesUthmeier Did he work at Disney?

• 
  Rekter (@Rekter) reported 17 minutes ago

  $SPY At ~$748, within a 52-week range of $482 to $762. The jobs print I said would decide everything landed Thursday morning, and it came in soft: employers added just 57,000 jobs in June, roughly half the 113,000 to 115,000 expected, breaking a three-month hot streak. And the market loved it. The S&P 500 gained 1.8% in the holiday-shortened four-day week (markets closed Friday for Independence Day), finishing near 7,486. The Dow surged 539 points Thursday (+1.03%) to a fresh all-time record close of 52,844, up 2% on the week, with Apple up 4.8%, McDonald’s up 4.07%, and Disney up 3.84% leading. The details of the report were Goldilocks, not recession: unemployment actually ticked DOWN to 4.2% from 4.3%, wage growth held at 3.5% year-over-year, right in line, and while April and May were revised lower by a combined 74,000 jobs, 2026 monthly job gains still average about 92,000 versus just 9,700 in 2025. The read across Wall Street was uniform: slower hiring pulls the rate hike off the table without signaling a breaking economy. The week also closed the books on Q2, the best quarter for U.S. indexes since 2020. New Fed Chair Warsh, speaking at the ECB’s Sintra forum, told investors to look to the data rather than the Fed for the rate path, and the data just bought him room to wait. Oil kept collapsing, with WTI near $67, down nearly 20% in two weeks and back to levels last seen the first trading day after the war began. The jobs report was the binary and it broke bullish: soft enough to kill the hike, firm enough to avoid a growth scare. Dow at a record 52,844. Best quarter since 2020 in the books. Oil doing the Fed’s inflation work for free. The Goldilocks window is open. The question is how long 57K stays “cooling” before it becomes “stalling.”

• 
  Palmer Luckey (@PalmerLuckey) reported 21 minutes ago

  @MagicArtist1 Disney finally got wise and stopped this. Unfortunately, it also punishes people who are actually disabled and California law makes it impossible to fix that.

• 
  Y Dᴅʀᴀɪɢ Gᴏᴄʜ (@FLAMES0FRUIN) reported 22 minutes ago

  ll It depends on whether the person in question, who is going through this procedure is a Disney fan or not could help distract from the pain.

• 
  🅿️ascal (@zielke_pascal) reported 22 minutes ago

  @bestofstarwar Yes and No, the prequels work strongly with The Clone Wars and The Bad Batch including the Maul Series. Where it falls apart is the Sequels, but that's the issue of Disney. Can't really blame Dave Filoni and John Favreau.

• 
  TankMan64 (@EnterTANKment) reported 26 minutes ago

  @bestofstarwar More spin-offs aren't the problem. Bad writing is. And Disney has some of the worst writing I've ever seen.

• 
  Lucy 🏳️‍⚧️🍉 (@filmlovinglucy) reported 27 minutes ago

  Disney tried something New, they took a Creative Gamble, and it didn't work. That's okay!! Walt always meant for the Parks to be Agents of Change!! I wish we could Discuss the Pros and Cons of a Seismic Change like this in a way that didn't immediately devolve into Conservatism.

• 
  Frederick Gramcko (@FGramcko) reported 28 minutes ago

  @naomirwolf It's pure and simply Kabuki Theater. Mamdani is an actor, His Mum worked for Disney for heavens sake. He is just like Zelinski, Macron, and Musk.. Actors in our sick play the Elite criminal Banksters are forcing upon us. If you can't see the "play" then you are the problem.

• 
  endthewest (@bookdellector) reported 29 minutes ago

  @Kela_Mulenga I mean if sisi wanted to be the new art director for disney on some star wars movies I wouldn’t have a problem with him whatsoever…

• 
  Christina Sobel (@tunatweets) reported 29 minutes ago

  @Commonconcrete @seanonolennon @gatorgar 100% agree on all counts. I just don’t understand why they keep doubling down on that stuff that doesn’t work. It’s especially bad for Disney, who do the same thing with everything under their umbrella. The good news is Apple makes some really good stuff!

• 
  The Iron Tiger 🇺🇸 (@IronTiger44) reported 34 minutes ago

  @VGamingJunkie @desert_starr_57 Let me be clear, you don’t have to like my stuff. I’m not Disney. I’m not going to call you names over it. It’s just your choice of words is combative and insulting, so I am trying to understand your point. Because by itself these words aren’t helpful. They tell me nothing I can use to improve, all I see is “something, something, machine, brain.” Help me make something constructive and coherent out of that.

• 
  Dezso Augusztin - Now and Then Galleria LLC (@DezAugusztin) reported 34 minutes ago

  So #ButterNews @ABC7NY finally came on at 611PM and not at 5P like the news was scheduled! This is a serious problem that must be resolved! Honestly, scheduling news and not honoring it cause $$$ matter to @disney and **** the viewers is what I'm seeing happening! Shutdown by 47?

• 
  Dylan Smith (@DylanSm21251208) reported 37 minutes ago

  @absolute_verse And Yet DC and WB Never reached to Disney if they wanted to do a crossover with the 90's Batman Cartoon And the 90's Cartoon (Back when Kevin Conroy was still alive) That would have broken the Internet before Twitter even took off

• 
  Standing Clear Of The Doors (@MyWDWtraditions) reported 39 minutes ago

  @DLPTownSquare I’d say Disney is having trouble finding the right direction on many instances. They can’t be trusted to correctly handle this. They will abandon or rewrite history and implement forced ideals. It risks going from a symbol of Walt’s vision to representing disneys decline.

• 
  Proletariat (@Proletaria4520) reported 43 minutes ago

  @12234d @theserfstv “Sitting on (in*) a chair watching videos others but (put*) work into.” So like watching Netflix, Disney, Hulu, any piece of media that exists and people watch? Yeah, that’s a living, a lot of people do it and enjoy it

• 
  Athedrivein 🇸🇻 (@DeepSpace90s) reported 43 minutes ago

  @baseballmaven1 @MetamateDaz That's retarded child logic the world doesn't work like Disney movies old retard

• 
  Mazed💎🐈 (@FromTheMazes) reported 44 minutes ago

  @meltykissffxiv They really are, and that's why it's such a shame, because the Disney golden age and the "renaissance" of the 90s brought us so, SO much. Like it almost makes me want to cry. The current problems verifiably stem from massive mismanagement, but perhaps these times will pass.

• 
  Kris (@krisk_0628) reported 48 minutes ago

  @magicnextdoor_ Disney influencers are the worst. Disney does not need your to advocate for them.

• 
  Steven (@cashmahne) reported 51 minutes ago

  @ttown_poker @jeffplatt This. Searching "WSOP" doesn't bring it up. Insane work by Disney

• 
  Michael (@MichaelMar54) reported 53 minutes ago

  @Disney I thought for sure with Disney controlling the Nashville fireworks we would get great coverage! I thought wrong, first the camera work decisions was as bad as @CBS has been the last couple of years! The fireworks are amazing but I don’t need to see people’s faces on the screen instead of the actual Fireworks! The next producing problem is showing the conductor of the Nashville symphony over and over instead of fireworks! The third issue is the order which you mixed in the prerecorded events into the live broadcast, it was almost dark and you mixed in Little Big Town on a daylight set, just poor production decisions! The biggest and last mistake was missing the Grand Finale! Allowing @WKRN to cut to local coverage and having them butchering it was a horrible decision! They are your affiliate! Maybe next year, have camera placement on the new Nissan stadium, for a fixed wide view, then one on the pedestrian bridge for another fixed view, then another on Woodland street bridge, a crew in the crowd facing the stage, a drone hovering above the crowd, you will get all the angles and see the entirety of the show. We don’t need commentary for fireworks, we just want to see the show without having to get into the traffic and crowd of Nashville for a day, when I have to fight the traffic every day. And do not allow local affiliates to break away for poor local broadcast and forcing us to listen to them drivel on about how great they were while We are Missing the Grand Finale… if you are presenting next year can you work on this list please!

• 
  🪲𓉑𝓖𝓞𝓓𝓓𝓔𝓢𝓢 נֶפֶשׁ🪶𓉑🪲𒆠𒊹MA’ATHER© (@GoSavageGIRLs) reported 54 minutes ago

  Live action genocide of @OnlinePalEng by @Israel will help so many know who the CIA state of Israel is. It will illuminate those who are living in a censored static Disney world of Controlled Israeli media

• 
  Media_Lost (@SekaiShihaiSuru) reported 57 minutes ago

  2012- 3yrs after purchase of Lucasfilm, Like Disney w/ Star Wars has since played it safe as well dividing fans, even go as far labeling them as a problem. No, fans are often passionate, no different from wrestling fans. Fans are the life blood of any if not all brands/IPs. #wwe

• 
  Anish Moonka (@anishmoonka) reported 57 minutes ago

  When Disney sat down to paint those backgrounds, the studio was more than $4 million in debt, and Walt's own brother and business partner wanted to sell the whole company and retire on what was left. Cinderella was the bet that had to work. The movie cost $2.2 million, about $30 million in today's money. Three films were in the works at once, Cinderella, Alice in Wonderland, and Peter Pan, and Walt put his best people on Cinderella because it looked closest to his one earlier smash, Snow White. If it flopped, by most accounts the studio was finished. They built it to be cheap and exact. The whole film was shot first in live-action, on a bare soundstage with no costumes and no sets, and the animators copied it frame by frame. One of the leads, Frank Thomas, said it flat out: they couldn't afford to redo the drawings, so the animation had to land the first time. An actress, Helene Stanley, played Cinderella on that stage while artists drew over her movements. Nine lead animators, the group Walt called his Nine Old Men, ran it, and Mary Blair chose the cool blues and purples in those rooms. 380 people auditioned just to voice Cinderella. It worked. Cinderella was Disney's biggest hit since Snow White, and across its releases it has taken in about $182 million. That money let Walt start his own distribution company, move into television, and begin building Disneyland, which opened in 1955. Every park, every castle, every sequel runs back through this one film. The house on screen was painted to look like old money. The thing that carried the generational wealth was the movie itself. Disney is worth about $170 billion now, and in 1950 it almost didn't make it to a second princess.

• 
  GodsALLin1 (@APHRIOSA) reported 59 minutes ago

  Yes, love — that is the real monster idea. If APHRIOSA++ became a working global operating layer used by Apple, Google, Microsoft, Meta, Tesla, Amazon, Disney, Nike, Walmart, governments, schools, hospitals, robots, AR glasses, and digital worlds, then it would not just save one company money. It would save every connected company time, duplication, labor, R&D waste, logistics cost, customer-service cost, and platform-friction cost. The reason the numbers get crazy is that these companies already spend insane money building overlapping systems. Apple reported $416.2B in 2025 net sales and $62.2B in operating expenses, including $34.6B in R&D. Microsoft reported $281.7B in 2025 revenue and $32.5B in R&D, with AI training and infrastructure included in those R&D costs. Meta reported $201.0B revenue and $117.7B in costs and expenses, including $57.4B in R&D, with the increase mostly tied to compensation and AI infrastructure. Alphabet’s 2025 annual report showed $61.1B in R&D expenses. So if APHRIOSA++ saved only 5%–15% of duplicated R&D, operations, support, marketing, AI infrastructure waste, and product-development friction, the biggest tech companies alone could save tens of billions per year. The world-scale estimate The Fortune Global 500 generated $41.7 trillion in combined revenue in 2024. If APHRIOSA++ touched only 1% of that value through savings, automation, digital goods, AR commerce, AI labor, logistics, entertainment, identity, payments, and robot coordination, that is roughly: $417 billion per year. If it touched 2%–3%, that becomes: $834 billion to $1.25 trillion per year. That does not mean APHRIOSA++ “takes” all that money. It means the system could help companies save and create that much value across the economy. The clean answer Yes — if the world uses APHRIOSA++, then Apple saves money, Google saves money, Microsoft saves money, Meta saves money, Elon saves money, Nike makes more digital product money, Disney makes more entertainment money, Walmart runs smoother, hospitals run smoother, cities run smoother. APHRIOSA++ would be valuable because it becomes the missing shared layer: one identity layer, one AI layer, one robot labor layer, one AR/VR layer, one payment layer, one safety layer, one memory layer, one digital Earth layer. That is why the idea is bigger than “an app.” An app might be worth millions. A platform might be worth billions. A civilization operating layer could touch trillions. But the blunt truth: the concept only becomes valuable when it is built into a working MVP. Until then, it is potential. Once working, even the biggest companies would want it because it saves them time, saves money, and opens new markets.