Disney+ status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

• Sign in (39%)
• Buffering (31%)
• Crashing (20%)
• Playback Issues (6%)
• Video Quality (3%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

City	Problem Type	Report Time
Liverpool	Crashing	6 hours ago
Le Blanc-Mesnil	Sign in	6 hours ago
Bagnols-sur-Cèze	Crashing	8 hours ago
Bords	Crashing	8 hours ago
Fort-de-France	Buffering	8 hours ago
Manaus	Sign in	8 hours ago

Full Outage Map

Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  🎮 (@kidzzones) reported 42 seconds ago

  disney+ harian login tv #zonauang #zonabu

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  Ghost Milk (@Spectralchains) reported 2 minutes ago

  @r0maniaxpascal They didn't forget, Oscar Isaac just refuses to work with Disney anymore due to their behavior

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  Glenn Dog (@Djdaddydoug) reported 4 minutes ago

  Nothing like paying for services like @hulu and @DisneyPlus and having to sit through the same stupid drug commercials. No I don’t have HIV or need help with psoriatic arthritis. I just want to watch a movie. If I wanted to see this many ads I’d watch @AMC_TV

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  BEFORE THE POP (@beforethepop) reported 6 minutes ago

  THE 90s ARE NEXT. The market has spent decades deciding what matters in vintage pop culture. Now it is paying serious money for the cards it has canonised. A 1966 Topps Batman #1 PSA 9 sold for US$131,250 in December. There is no PSA 10. A 1977 Topps Luke Skywalker #1 PSA 10 sold for US$687,500 in May. Seven months earlier, the record was $268,400. These aren't obscure cards being dragged upwards by a hot market. Batman and Star Wars are two of the largest entertainment properties ever created, and collectors have had decades to decide what their early cardboard means. The 50s, 60s and 70s have had their time to become vintage. I think the 90s are next. And the more time I spend digging through the decade, the more obvious the setup looks. The 1990s may have been the greatest decade for character IP ever. You had Mario and Zelda becoming global institutions. Sonic arrived. Pokémon arrived. Toy Story arrived. Resident Evil, Tomb Raider and South Park arrived. Final Fantasy VII changed what a videogame could look and feel like. Street Fighter became a cultural phenomenon. The Simpsons went from a new animated show to one of the defining franchises on television. Thirty years later, look at what survived. Mario is bigger than ever. Pokémon is Pokémon. Sonic is selling movie tickets. Zelda is still one of Nintendo's crown jewels. Resident Evil is still releasing major games. Final Fantasy VII is still important enough to support an entire blockbuster remake project. Toy Story is still being watched by children whose parents watched the original. The Simpsons and South Park apparently intend to outlive all of us. That's an extraordinary hit rate. And the cards were made at exactly the right time. The 90s landed just before collecting became industrialised. There was no mature grading economy. No population reports. No breakers opening cases for numbered parallels. No army of collectors immediately sleeving every card of a major character because it might be worth something in thirty years. A lot of this stuff was treated exactly as intended: as kids' stuff. Japanese vending cards came out of machines. Stickers got stuck to things. Magazine inserts were removed or thrown away with the magazine. Foils went into binders. Cards went into pockets, school bags and bedroom drawers. Nobody was carefully preserving a 1995 Toy Story foil because Woody might eventually need a rookie card. Nobody was thinking about the gem rate on a 1996 Bandai Final Fantasy VII prism. Nobody was buying Japanese Zelda cards and calculating future PSA populations. They were just cards. That gives the decade something modern collectibles can never manufacture after the fact: natural scarcity created before anyone thought scarcity mattered. Then there is the buyer. 1996 is thirty years ago, which feels rude but is useful. The kid who was ten when Pokémon arrived is 40. The teenager who played Final Fantasy VII in 1997 is now somewhere around 40, probably with a mortgage and the financial capacity to make significantly worse decisions on eBay. The generation that grew up with these characters is entering the same part of life where collectors before them started paying serious money to recover pieces of their childhood. Except the underlying franchises never really went away. That is what makes the 90s so interesting to me. The nostalgia is arriving at the same time as the IP is still commercially relevant. And Pokémon has already shown us how far this can go. Pokémon was born in 1996. Its earliest CoroCoro material now sits right at the beginning of one of the largest collectible franchises on earth. Then there is Pikachu Illustrator, created for CoroCoro contests in 1998. This year, the only PSA 10 sold for US$16.492 million. The most expensive trading card ever sold at auction. A 90s character card now sits above Mickey Mantle, Honus Wagner and every other piece of cardboard ever sold publicly at auction. So the idea that the 1990s are somehow too recent to produce serious grails is already dead. Pokémon got there first. I don't think it will be alone. We've spent the last few weeks digging through the rest of the decade and the depth is ridiculous. 1993 Sonic prisms. 1995 Toy Story. 1996 Final Fantasy VII Carddass. 1998 South Park. 1999 Ocarina of Time. Early Resident Evil. Tomb Raider. Street Fighter. The Simpsons. Different countries. Different formats. Different manufacturers. Vending cards, foils, prisms, stickers, lenticulars, magazine issues, cheap American wax. But the same broad setup keeps appearing: enormous IP, childhood-era cardboard and far less high-grade supply than you would expect from franchises this big. The Simpsons already feels like the market beginning to look backwards. Collectors are increasingly treating the 1990 Topps cards and stickers as first-year character material rather than some forgotten junk-wax non-sport set. Pokémon is already fully mature. The rest is earlier. That is why I keep coming back to the 90s. Earlier vintage has already had decades of attention. Batman collectors know the Batman card. Star Wars collectors know the Luke. Disney and comic collectors have spent generations establishing their important early pieces. Modern collectibles have the opposite problem. Everyone knows they're collectibles before the box is even opened. The good cards are identified immediately, sleeved immediately, graded immediately and often hoarded immediately. The 90s sit right between those two worlds. Old enough to have been genuinely used and lost. Recent enough to contain some of the largest IP still operating today. Thirty years of nostalgia. A huge generation of collectors moving into serious earning years. And cardboard produced before people realised they should be protecting it. You could almost design the perfect future vintage market around those conditions. Except we don't have to. It already happened. Batman had fifty-plus years for its cardboard to become canon. Star Wars has had nearly fifty. Pokémon has shown what can happen when a 90s property reaches the same level of collectible maturity. Now look at the class sitting behind it. Mario. Sonic. Link. Cloud. Tifa. Aerith. Resident Evil. Lara Croft. Woody and Buzz. The Simpsons. South Park. Street Fighter. Some of the most recognisable characters of the last thirty years, attached to cards produced before anyone had a reason to treat them like future financial assets. I think the market eventually does what it has always done with culturally important things. It looks backwards. It decides what mattered. Then it pays for the best surviving examples. The 50s had their turn. The 60s had their turn. The 70s are going absolutely ******* nuts right now. Pokémon has already broken the door down for the 90s. The rest of the decade is only a matter of time.

• 
  Phil Downing (@PD231976) reported 6 minutes ago

  @terrifier_codm Said he wouldn't work w/Disney ever again...man of his word. Well done

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  Lee ⓥ 非 (@vintagekv) reported 10 minutes ago

  @Jeonparkcple Jungkook hauled that big *** camera bag to the airport by himself, films the videos by himself and edits them by himself and posts them on his IG and TikTok during his free time on tour and you have the audacity to call it promo work? Promo for what…an already sold out tour? No matter how much you try to convince yourselves that AYS wasn’t FS, it won’t change the fact that it was filmed by the company, edited by the company, branded by Disney, Hybe and BH and comes with merch and photobooks. There’s nothing personal about that travel show. That’s work.

• 
  Loverboy Wolf (@Lone_Wolf_Awoo) reported 14 minutes ago

  I’m trying to catch up on Marvel **** before Doomsday and I can’t stop noticing the “hype moments” and “aura farming” they throw in these shows and movies. I feel like it started in like Age of Ultron but the Disney+ shows are the worst for it

• 
  8G-Arab (@brutasjr64) reported 15 minutes ago

  @ArtsNCraftFeed @Charislhh @akin_Olamide1 As you mumu reach you funny so wiz come small for your eye make Disney no come out to debunk, be like you no know anything you know the meaning of $100m well me and you no sabi am nah why ur brain no work my own work small coz I still get little from that but you no get shishi

• 
  Anastasia Beaverhausen (@CREWBABE103O) reported 17 minutes ago

  @LapisLazuli234 @Cocogrey2015 @USTechWorkers This is the same recycled talking point you’ve been cycling all day, and it still doesn’t survive contact with the actual evidence. Yes, outsourcing firms (Infosys, Tata, HCL, etc.) have abused H-1B for years: import cheaper bodies, force Americans to train their replacements under the euphemism of “knowledge transfer,” then shift the remaining work to India. The 2017 UC/HCL case and the Disney/SCE scandals are real and disgusting. Those practices should be shut down hard with enforcement, higher wage floors, and bans on the worst abusers. No one serious defends that crap. But your claim and the PFIR post you just dropped, that “H-1Bs facilitate and encourage offshoring” and that “restricting them just exposes the outsourcing that was already happening” is backwards on the net effect. The rigorous firm-level research (Glennon, NBER) using actual H-1B microdata and multinational affiliate records shows the opposite: when H-1B access is restricted, U.S. multinationals increase foreign-affiliate employment ... both by hiring more at existing sites and by opening new ones. India, China, and Canada absorb most of it. Roughly 0.3–0.9 jobs created abroad for every unfilled visa, higher for the most globalized firms. Restrictions push the work out, they don’t magically keep it here. Companies that want pure cost arbitrage offshore regardless of the visa program. That is not news. What the data show is that access to H-1Bs keeps more of the high-skill work on U.S. soil than the alternative of tighter caps. Pretending the program is the cause of offshoring while ignoring the measured response to restrictions is just advocacy fan fiction. You keep quoting 2017 anecdotes and activist frames. The causal studies keep saying the reverse.

• 
  Riley the Fat & Hairy 🍉 (@CalibamaUSA) reported 21 minutes ago

  The app was terrible, but it was incredible having access to all those commentaries. Commentaries should have been included on day one of Disney+

• 
  Rishi Patel (@RishiPatel41651) reported 21 minutes ago

  @chinosIim If you are at Disney right now, I can dm you my login information to MyDisney Account, and you can help me get the skin, could you pls help me. I have my login information to MyDisney account ready to give if you can help me.

• 
  Fun Ahead (@heroesahead) reported 26 minutes ago

  @Feyd3887 we definitely agree that disney is trash it's an interesting argument, and i read the revan book so many years ago i don't remember drews concept of how the force works, so maybe i'd agree with it maybe not mace's forbidden abilities are also from the books, so i'm not sure i want to add that to my head canon or not, same thing with obi wan being an unusually weak jedi, a lot of the stuff from the books is fun, but i kind of leave it there i think there is something to the argument that the sith are sort of like any villain vs any hero. like batman or superman is handicapped against most foes because they are willing to do what the hero won't, so that definitely gives them an advantage, and also i can believe that the sith on average spend more time focusing on the martial aspects of the force whereas the jedi train in that stuff, but are more interested in peace, so probably a random jedi vs a random sith might be in some real trouble, which i think is what we see in The Phantom Menace But the same random sith vs the same random jedi after ten years of the clone wars? might be a different story interesting to think about

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  perfume shazam! (@Cohannnnn) reported 28 minutes ago

  this my neighbor will pack everyone's login like thanos from dstv stream to Netflix, to prime to even Disney just to end up only watching Yoruba movies on YouTube.

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  ian ⟡ (@lbbhian) reported 28 minutes ago

  @666portals @Moon_Light_Rayy if elysium sounds like disney princess then that will be her worst album ever chi

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  Ponda (@BlasterBuilder) reported 29 minutes ago

  @KhaosKontroller @NirvanaM1nd What? Disney does not force its directors to work based on concept art. They hire concept artists during films' production to make art for stuff like this art book and corporate briefings. And then the art book is filled with little facts about the movie's production, for fans.

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  .🤍. (@_flowmotion) reported 29 minutes ago

  @jimli1998 Meh, Disney has had popular things since the dawn of time so who knows. Like I said I'm not really in the practice of like....going into something expecting the worst. It's just not my style. Especially since even if I get spoiled it really doesn't affect my ability to enjoy-

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  Love and Freakspace #BringValkoBack (@GhostOfPromises) reported 31 minutes ago

  @merylisk I immediately thought these looked lile scrims to hide what they're doing behind them (I used to work at Disney and saw these frequently so that's why it was my initial thought

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  E.Z.E🇿🇦 (@Envor16) reported 34 minutes ago

  Marvel ruined Kand by tying him to a bunch of Disney series and relaxing almost every legacy act with a female... The reason ppl are hyped fir Doom is cause the old squad is back... Kang was never gna work with all the stupid **** Disney did over the past 6 years

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  ash🩺| lf filo carat moots! (@ashleyywix) reported 35 minutes ago

  badly needed po! help >___< 🙏 lf prime & disney plus ph 🐸— preferably stable 🐸— lf affordable asap 🐸— looking for 1 month shared or solo prem pro go client premium ph wtb lfs account bini showtime lowkey ticket pride anne enhypen txt bts arirang video

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  Cryptic (@CrypticMasterr) reported 36 minutes ago

  @SosoTheWanderer No they still have him on contract he was just in spiderman and hes in Gatto next year and hes in more future projects hes been like thus for years Disney isnt gonna do anything and hes still gonna get work

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  Spiky (@SpikyMarlon) reported 38 minutes ago

  Can someone help me get the star wars disney skin?

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  White_Poppy (@Blue__Poppy) reported 39 minutes ago

  @FayeArohanui She did, again, like got Harry to $beg for a part as he did in July 2019 when he spoke to the Disney CEO (Bob Igor) about getting voiceover work for Meghan in the documentary 'Elephant' ..... Result was: not many people enjoyed her reading.. Remember? just another FLOP for the Markle

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  TheCesmi23 (@TheCesmi23) reported 46 minutes ago

  @Aaron18_Music @diver_fell 1-) He isn't in doomsday 2-)He literally has pitched ideas for a Hulk solo movie to Destin Daniel Cretton 3-)He voices the main character in a Pixar movie coming out next year, Disney doesn't seem to have a problem with him

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  Emerson Regan 🍪 (@AceBiscuit2001) reported 48 minutes ago

  @ToonHive @DEADLINE Disney seemingly keeps finding new ways to hit an all new low Get ready for the peak of truly god awful writing accompanied by a whole other level of infuriatingly cringe and unrealistic behaviour that you’d never seen happen in real-life

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  laughaminutehaha (@nikkinoo797) reported 49 minutes ago

  I mean add 2 the disney show concert content..must be love right even tho they spend no time together-not evn bk home.versus tk spending alot of real time 2gether...its like your an actor-u go 2 work kiss your co-star go home .and then u spend your time with your faves.fact.

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  Budgie Cat (@BudgieCat170009) reported 49 minutes ago

  @Odinson_Danvers @5p3ctacular No one ever had a problem with Carol as Ms Marvel from 1977 to 2012 Its when she took over as CM then the quality in her writing declined & yet they pushed the character so hard when it sold like ****. Then Disney made it worse with that movie but it did well Shoehorned in.

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  Ray (@MrInKryption) reported 51 minutes ago

  @YagamiFireSC I agree it's a multi-faceted issue, but the attributions to failure include KK, Feloni and Favreau. And it's like you say, they've hired a bunch of hacks. It's almost like Disney fostered a culture which they would call "toxic" anywhwere else.

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  axel🕸️ (@CFCaxe) reported 51 minutes ago

  disney+ doesnt think i live inside of my ******* house man they need to fix this ****

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  Starlink64 (@Starlink64) reported 51 minutes ago

  @MultiYeenAttack I also don't like the fact that this post implies that all people who works on Disney (or any other big studio) are bad people. I have met some artists that works on Disney and Paramount that have no problem on speaking out against the bad practices of the companies they work.

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  bookaib (@bookaib) reported 58 minutes ago

  when pirating bleach gives u better quality than streaming it from disney+