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Shazam

Shazam Outage Map

The map below depicts the most recent cities worldwide where Shazam users have reported problems and outages. If you are having an issue with Shazam, make sure to submit a report below

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The heatmap above shows where the most recent user-submitted and social media reports are geographically clustered. The density of these reports is depicted by the color scale as shown below.

Shazam users affected:

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Shazam is a service available for personal computers and smartphones that can identify music, movies, advertising, and television shows, based on a short sample played and using the microphone on the device.

Most Affected Locations

Outage reports and issues in the past 15 days originated from:

Location Reports
Narbonne, Occitanie 1
Poplar, England 1
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Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

Beware of "support numbers" or "recovery" accounts that might be posted below. Make sure to report and downvote those comments. Avoid posting your personal information.

Shazam Issues Reports

Latest outage, problems and issue reports in social media:

  • PossessionComic
    Possession Comics (@PossessionComic) reported

    @RandyS0725 @fentyheffa Roy Thomas was going to tie him into the Shazam continuity. I wonder if there are rights issues? Although I know he's appeared in some animated stuff since then.

  • Justrelaxabitt
    RickSeal (@Justrelaxabitt) reported

    @donovanmartin5 At this point I dont believe snyder will be back. Sure I preferred his style and tone. But that doesnt mean i can pretend this DCU stuff is interesting. Superman was entertaining but it still felt very cookie cutter and safe to appease all the old complaints. All these suit designs are just awful too. Supergirls box office is also telling that the dcus problems are abit more larger than a vocal minority. I dont know what the answer is for DC but I do know judging by everything since Birds of prey, shazam 2, ww84 that they need to ditch the action comedy feel good "family" stuff. Avatar is a great example of what the tone should be. Families watch avatar. They dont need to make everything "light hearted" for a family to watch it.

  • _elitemedi6gs
    EMC👾 (@_elitemedi6gs) reported

    @bekeestitches Shazam can never be the problem

  • RichyWarbucks
    Richy (@RichyWarbucks) reported

    @_JTheChef I Shazam that **** so mfs ain’t gotta turn the music down

  • Dgrace75
    Danny Grace (@Dgrace75) reported

    @liamgallagher We should all down load that one to our phones you think …let me know if need to Shazam that one

  • hangable
    Kieran (@hangable) reported

    @xstinamendez Am I going crazy or is that Mall Grab tune pitched down or something? I thought it was a remix but Shazam picked it up as the original.

  • LongLiveNaseer
    NASIR 👑 (@LongLiveNaseer) reported

    @bekeestitches Everyone blamed Shazam, but the real problem was deeper. Misunderstanding, manipulation, and misplaced blame all along.

  • recovery_simp
    Recovery Simp (@recovery_simp) reported

    This COSOMA debate made me realize something… A thread 1/ While everyone is arguing about royalty payouts, I’m seeing something different. I’m seeing a system problem. And software problems are meant to be solved. 2/ If artists don’t fully trust how royalties are calculated… If the public doesn’t understand the monitoring system… If people keep asking where the numbers come from… That’s a transparency problem. Transparency is exactly what technology can improve. 3/ Imagine a platform that monitors radio and TV broadcasts in real time. Not guesses. Not spreadsheets passed around. Actual digital monitoring with an auditable trail. 4/ Imagine every song played being automatically detected using audio fingerprinting—similar to how Shazam recognizes music. Every play gets recorded. Every record has a timestamp. Every calculation can be traced. 5/ Now imagine every artist having their own dashboard. “My song played 287 times this month.” “These are the stations.” “These are the broadcasts.” “This is exactly how my royalty was calculated.” No mystery. Just data. 6/ The platform could also allow broadcasters to upload playlists digitally instead of relying only on manual submissions. Everything becomes faster. Everything becomes easier to audit. Everything becomes more transparent. 7/ And why stop there? Churches… Event organizers… Festivals… DJs… Could also submit licensed digital setlists. The more legitimate usage we capture, the fairer the royalty system becomes. 8/ This isn’t just a COSOMA solution. It’s a solution for every collective management organization across Africa that struggles with monitoring, reporting and royalty distribution. That’s a regional software market. 9/ This is the type of software Malawi can build. We don’t always have to import technology. Sometimes we should build the infrastructure ourselves. 10/ That’s why I’m putting this idea out there. I’m looking for partners who believe Malawi can build world-class technology. Investors. Government. COSOMA. Broadcasters. Let’s build it together. 11/ Imagine Malawi becoming the country that develops one of Africa’s most transparent copyright royalty systems. Not because we complained. Because we built the solution. 12/ Sometimes the biggest opportunities don’t come from asking, Why is the system like this? They come from asking, What if I built something better?

  • cosmicfellstar
    𒀭 𝑳𝒆𝒕 𝑴𝒆 𝑰𝒏 ✫彡 (@cosmicfellstar) reported

    Dabs her up, gives them a cute little hand shake. “I hope we get to work together soon. I haven’t been on any missions at all, so I’m so hyped up to get stuff down. Miss Shazam.”

  • PesantHank
    Hank: The Pleasant Pesant (@PesantHank) reported

    Black Adam is a terrible movie that condenses and warps Adam's character to skip to him being an anti-hero, jams a quarter of the JSA in there for some reason, excludes Shazam, and has the Rock but I liked the costumes.

  • SteveGr16838876
    ThatDeadHead (@SteveGr16838876) reported

    @OtunbaSebotimo The problem with the movie the kid actor acted nothing like the Shazam version, he was way too serious and didn't have the same charm

  • LENO_BOSS1
    @iamLenoBoss (@LENO_BOSS1) reported

    Everyone blamed Shazam, when the real problem was the writing and how the character was handled. 😭🔥 The potential was always there.

  • _Ramifications_
    Zack Straw 🇹🇩 (@_Ramifications_) reported

    accidentally added my entire Shazam history to my Apple Music library. this was a critical error

  • mjarbo
    Matt Jarbo (@mjarbo) reported

    SUPERGIRL is tracking around $125 million worldwide, below BLUE BEETLE, SHAZAM! FURY OF THE GODS, and 2015’s FANTASTIC FOUR. Audiences clearly rejected it. Which is odd, because it’s not bad. Milly Alcock works, it moves fast, and it’s a decent watch. So what went wrong? The release date hurt, sandwiched between TOY STORY 5 and MINIONS & MONSTERS, but that’s not the whole story. SUPERMAN was huge last year, and her cameo landed fine, yet it didn’t translate into interest. The real issue: people had no reason to care. Maybe MAN OF TOMORROW should’ve come first, build her alongside Superman before a solo film. Instead, DC gave her one cameo and hoped that was enough. It wasn’t. This might be what superhero fatigue actually is, not the genre, but characters audiences were never given a reason to invest in.

  • ankleknuckle
    ankle (@ankleknuckle) reported

    @DIRTBAGCLOWN @EXCELSIORSPEAKS really the titans are the bigger issue imo. unnecessary to have damian as a second robin, and having ALL of starfire, cyborg, raven, and zatanna is indulgent in a roster without like, the flash or shazam or supergirl

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