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Shazam

Shazam Outage Map

The map below depicts the most recent cities worldwide where Shazam users have reported problems and outages. If you are having an issue with Shazam, make sure to submit a report below

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The heatmap above shows where the most recent user-submitted and social media reports are geographically clustered. The density of these reports is depicted by the color scale as shown below.

Shazam users affected:

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Shazam is a service available for personal computers and smartphones that can identify music, movies, advertising, and television shows, based on a short sample played and using the microphone on the device.

Most Affected Locations

Outage reports and issues in the past 15 days originated from:

Location Reports
Catania, Sicily 1
Narbonne, Occitanie 1
Poplar, England 1
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Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

Beware of "support numbers" or "recovery" accounts that might be posted below. Make sure to report and downvote those comments. Avoid posting your personal information.

Shazam Issues Reports

Latest outage, problems and issue reports in social media:

  • Yash48902641
    Yash solankee (@Yash48902641) reported

    this is currently not supported due to Android/Nothing OS limitations, rather than a Shazam permission issue. It worked on my older Poco C3, so this feels like a step backward.

  • Joubinparsapour
    Joubin (@Joubinparsapour) reported

    @NadrGo2 @BistThunder @drewmacwwe23 *Justice League* was not profitable; it was a financial loss. However, the studio pressed on because other films were highly profitable—*Shazam!* is a prime example: while its gross revenue appeared low, its profit margin was acceptable. Unfortunately, management issues arose,

  • PesantHank
    Hank: The Pleasant Pesant (@PesantHank) reported

    Black Adam is a terrible movie that condenses and warps Adam's character to skip to him being an anti-hero, jams a quarter of the JSA in there for some reason, excludes Shazam, and has the Rock but I liked the costumes.

  • _Ramifications_
    Zack Straw 🇹🇩 (@_Ramifications_) reported

    accidentally added my entire Shazam history to my Apple Music library, critical error

  • agapanthuslily
    will you marry me cinderelly (@agapanthuslily) reported

    old navy’s indie selection has genuinely been integral to my musical identity for most of my life like there was nothing like trying to write down lyrics in the fitting room so i could search them up later because i didn’t have shazam

  • redrummarts
    ******** and Seven Inches Ago (@redrummarts) reported

    Going through a box of old comics and seeing a bunch of random Superman and Shazam issues I never read before and it turns out my dad used to get them Huh

  • mjarbo
    Matt Jarbo (@mjarbo) reported

    SUPERGIRL is tracking around $125 million worldwide, below BLUE BEETLE, SHAZAM! FURY OF THE GODS, and 2015’s FANTASTIC FOUR. Audiences clearly rejected it. Which is odd, because it’s not bad. Milly Alcock works, it moves fast, and it’s a decent watch. So what went wrong? The release date hurt, sandwiched between TOY STORY 5 and MINIONS & MONSTERS, but that’s not the whole story. SUPERMAN was huge last year, and her cameo landed fine, yet it didn’t translate into interest. The real issue: people had no reason to care. Maybe MAN OF TOMORROW should’ve come first, build her alongside Superman before a solo film. Instead, DC gave her one cameo and hoped that was enough. It wasn’t. This might be what superhero fatigue actually is, not the genre, but characters audiences were never given a reason to invest in.

  • _Ramifications_
    Zack Straw 🇹🇩 (@_Ramifications_) reported

    just accidentally added my entire Shazam search history to my Apple Music library, critical error

  • kevhulk73
    The Problematic Kevhulk73 🇺🇸🐉💀 (@kevhulk73) reported

    @tuvya68 @Hollywood_Solo That was even the problem with the modern Shazam movies ..that fans complained because Shazam acted exactly like Billy.

  • Yolophonik
    Yolophonik (@Yolophonik) reported

    Shazam letting me down yet again. Nice.

  • stayxbreezy
    CB ⛈ BROWN ALBUM OUT NOW! (@stayxbreezy) reported

    I heard a Chris brown song I never heard in my life from someone’s car and I chased them down to Shazam it and it was called leanin with juicy j and quavo?!! Where was I when this dropped?

  • recovery_simp
    Recovery Simp (@recovery_simp) reported

    This COSOMA debate made me realize something… A thread 1/ While everyone is arguing about royalty payouts, I’m seeing something different. I’m seeing a system problem. And software problems are meant to be solved. 2/ If artists don’t fully trust how royalties are calculated… If the public doesn’t understand the monitoring system… If people keep asking where the numbers come from… That’s a transparency problem. Transparency is exactly what technology can improve. 3/ Imagine a platform that monitors radio and TV broadcasts in real time. Not guesses. Not spreadsheets passed around. Actual digital monitoring with an auditable trail. 4/ Imagine every song played being automatically detected using audio fingerprinting—similar to how Shazam recognizes music. Every play gets recorded. Every record has a timestamp. Every calculation can be traced. 5/ Now imagine every artist having their own dashboard. “My song played 287 times this month.” “These are the stations.” “These are the broadcasts.” “This is exactly how my royalty was calculated.” No mystery. Just data. 6/ The platform could also allow broadcasters to upload playlists digitally instead of relying only on manual submissions. Everything becomes faster. Everything becomes easier to audit. Everything becomes more transparent. 7/ And why stop there? Churches… Event organizers… Festivals… DJs… Could also submit licensed digital setlists. The more legitimate usage we capture, the fairer the royalty system becomes. 8/ This isn’t just a COSOMA solution. It’s a solution for every collective management organization across Africa that struggles with monitoring, reporting and royalty distribution. That’s a regional software market. 9/ This is the type of software Malawi can build. We don’t always have to import technology. Sometimes we should build the infrastructure ourselves. 10/ That’s why I’m putting this idea out there. I’m looking for partners who believe Malawi can build world-class technology. Investors. Government. COSOMA. Broadcasters. Let’s build it together. 11/ Imagine Malawi becoming the country that develops one of Africa’s most transparent copyright royalty systems. Not because we complained. Because we built the solution. 12/ Sometimes the biggest opportunities don’t come from asking, Why is the system like this? They come from asking, What if I built something better?

  • Renier72951774
    Renier (@Renier72951774) reported

    @CityPowerJhb I would say turn on the lights maybe you will find the problem on block 11 and the 20 units thats off... Shazam us now come uncle. My dog is dont like the darkness..

  • OutlawLinc
    Outlaw Linc (@OutlawLinc) reported

    @Itssan17 DC biggest issue is that they have never had a real plan for their superheros. They tried to copy and paste what Marvel did but Marvel evolved and found ways to appeal to the comic book fan and the casual fan and also make a good movie. DC hasn't been able to do that since The Dark Knight. The had a few hits like, Wonder Woman, Aquaman and Shazam but allt hose films blew it with their audience by the sequel.

  • MarcoAlmeidaPT
    Marco Almeida (@MarcoAlmeidaPT) reported

    Car stereo playing a song on the radio. iPhone connected via CarPlay. Opening Shazam or Apple’s own “recognize music” tool immediately shuts down the radio. I know taking over the car stereo audio when the microphone is activated is the standard behavior, but it’s kind of stupid in this scenario, right?

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