Shazam Outage Map

Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

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Shazam Issues Reports

Latest outage, problems and issue reports in social media:

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  severe engineer (@severeengineer) reported 2 minutes ago

  @bryancsk once heard something playing at a low and muffled volume in a youtube vid thought it sounded up my alley, spent at least half an hour tracking it down after shazam got nothing, turns out it was a shining example of the "incelcore" music the kids are apparently making these days

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  Recovery Simp (@recovery_simp) reported 3 minutes ago

  This COSOMA debate made me realize something… A thread 1/ While everyone is arguing about royalty payouts, I’m seeing something different. I’m seeing a system problem. And software problems are meant to be solved. 2/ If artists don’t fully trust how royalties are calculated… If the public doesn’t understand the monitoring system… If people keep asking where the numbers come from… That’s a transparency problem. Transparency is exactly what technology can improve. 3/ Imagine a platform that monitors radio and TV broadcasts in real time. Not guesses. Not spreadsheets passed around. Actual digital monitoring with an auditable trail. 4/ Imagine every song played being automatically detected using audio fingerprinting—similar to how Shazam recognizes music. Every play gets recorded. Every record has a timestamp. Every calculation can be traced. 5/ Now imagine every artist having their own dashboard. “My song played 287 times this month.” “These are the stations.” “These are the broadcasts.” “This is exactly how my royalty was calculated.” No mystery. Just data. 6/ The platform could also allow broadcasters to upload playlists digitally instead of relying only on manual submissions. Everything becomes faster. Everything becomes easier to audit. Everything becomes more transparent. 7/ And why stop there? Churches… Event organizers… Festivals… DJs… Could also submit licensed digital setlists. The more legitimate usage we capture, the fairer the royalty system becomes. 8/ This isn’t just a COSOMA solution. It’s a solution for every collective management organization across Africa that struggles with monitoring, reporting and royalty distribution. That’s a regional software market. 9/ This is the type of software Malawi can build. We don’t always have to import technology. Sometimes we should build the infrastructure ourselves. 10/ That’s why I’m putting this idea out there. I’m looking for partners who believe Malawi can build world-class technology. Investors. Government. COSOMA. Broadcasters. Let’s build it together. 11/ Imagine Malawi becoming the country that develops one of Africa’s most transparent copyright royalty systems. Not because we complained. Because we built the solution. 12/ Sometimes the biggest opportunities don’t come from asking, Why is the system like this? They come from asking, What if I built something better?

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  Double A (@N1GHTFADE) reported 3 minutes ago

  @pjjacung @TochukwuAgba @grok Grok got it wrong. This isnt Ai, its Shazam: Fury of the God's. Its alright. I think the first Shazam was better, but its not absolutely terrible for a sequel either.

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  Pipis🪩🕺🏻💋 (@NIALLownsmeee) reported 7 minutes ago

  @inthehalwayrry i was in the nosebleeds in amsterdam and everybody was sitting down and didn’t even sing for most of the time😭even saw someone use shazam

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  trey (@tgold29) reported 8 minutes ago

  @SamB_46 Underrated refuge moment that I actually have functioning cell service to Shazam tracks

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  Tyme machine 420 (@TymeM10638) reported 11 minutes ago

  @PghPublicSafety The city of coincidence. Lets look to our past. They wanted a new stadium to replace 3 rivers. Coincidentally, a wall mysteriously falls during a game. Fake prez Joe Biden came in to town to talk about decaying bridges...Shazam.. Frick park bridge comes down same day. Now 🤔

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  Hyu0325 🩶 𝕭𝖔𝖚𝖓𝖈𝖊𝕭𝖆𝖈𝕶 𝕸𝖆𝖓𝖎𝖈 (@thisishyuA) reported 13 minutes ago

  @DivineHannie @Shazam @Shazam I have reported this issue via the application reporting system multiple times

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  Meimei🍦🍧 (@Billy_batshed) reported 15 minutes ago

  @the_xueyutanhua We should all agree that that Shazam run never existed, never happened, was never written. Not only did it do absolute **** for jon and Damian, but also it's main characters throughout every issue 😭

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  BANG CHAN 방찬 GLOBAL 🍋🩵 (@BangChanGlobal) reported 15 minutes ago

  📣 | UPDATE: After numerous templates and emails since 2025, it seems as though Bang Chan’s Spotify profile has now been fixed, with the fake songs removed. HOWEVER! Issues still persist across YouTube/YouTube Music, Apple Music, Shazam, Amazon Music, Tidal and Deezer. We will provide an updated template once we have finished reviewing each platform in depth.

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  yapmonster ash 𐙚 SEEING BANGTWICE!!!!!!!!!!!!!!!! (@biebtanbrainrot) reported 16 minutes ago

  they did release it… my Shazam was not working omg

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  Officialdevindavis (@Officialdevind1) reported 17 minutes ago

  @MemeOfSteel_ Shazam=Classic Age Flash=Middle Age Harley Quinn=Modern Age Nightwing=Based on amount of issues

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  Recovery Simp (@recovery_simp) reported 21 minutes ago

  COSOMA’s Blank Media Levy A THREAD 1/ Everybody is arguing about COSOMA payouts, but most people don’t even know what the Blank Media Levy actually is. Some think it’s government tax. Some think it’s Spotify money. Some think COSOMA just wakes up and chooses who to pay. None of that is true. So let’s break it down. 2/ Imagine you make a song. Thousands of people save it on their phones, laptops, memory cards and flash drives. Even if they don’t sell your music, they’re still making copies of it. Now imagine trying to ask every single person to pay you. Impossible, right? 3/ That’s why copyright law created the Blank Media Levy. Instead of chasing millions of people who copy music for personal use, a small levy is collected whenever devices that can store copyrighted content are imported into Malawi. That money goes into one big pool for creators. 4/ The devices include: • Phones • Laptops • Tablets • Flash drives • Hard drives • Memory cards • CDs & DVDs Basically, anything people use to store music, movies or books. 5/ So who collects this money? MRA. Think of MRA as the cashier. When importers bring these products into Malawi, MRA collects the Blank Media Levy together with other applicable charges. It then remits the money to COSOMA. MRA doesn’t decide who gets paid. 6/ Now COSOMA has one big pot of money. Thousands of musicians, filmmakers, writers and other creators are waiting for a share. So… How does COSOMA decide who gets what? 7/ Most people think it’s based on popularity. It isn’t. COSOMA isn’t supposed to ask: “Who’s the biggest artist?” It’s supposed to ask: “Whose copyrighted work was used the most according to the data available?” 8/ Think of two students. One is the most popular kid in school. The other has perfect attendance. Those aren’t always the same person. Royalties work the same way. Popularity and measured usage are not always the same thing. 9/ So how does COSOMA measure usage? Through a monitoring system. Think of it like a football referee. The referee doesn’t guess who scored. He keeps score throughout the game. 10/ Radio stations and TV stations keep playlists and broadcast logs showing every song they play. COSOMA collects that information and uses it to estimate how often songs were broadcast. The more qualifying plays your music gets, the bigger your potential share. 11/ Many copyright societies around the world also use music recognition technology (similar to Shazam) to automatically identify songs played on radio and TV. COSOMA has said it uses monitoring and broadcast data, although it hasn’t publicly explained every technical detail of its system. 12/ Imagine the monitoring results look like this: Artist A — 1,000 plays Artist B — 700 plays Artist C — 300 plays If royalties are shared using that data, Artist A gets a bigger slice than Artist C. Simple. 13/ Now here’s where the debate begins. People ask: “What about churches?” “What about weddings?” “What about crusades?” “What about minibuses blasting gospel all day?” If those uses aren’t captured in the monitoring data, they may not significantly affect the payout. 14/ People ask the same questions about: • YouTube • Spotify • TikTok • Facebook Those don’t automatically count towards Blank Media Levy distributions because they involve different rights and different royalty systems. 15/ This is why an artist can have millions of views… Fill stadiums… Trend every week… …and still receive a royalty payment that surprises everyone. Because popularity isn’t automatically the same as documented copyright use. 16/ So why do some artists receive millions while others receive much less? Generally because of: • More qualifying radio & TV airplay • More licensed public performances • Proper registration of their works • Their ownership share of the copyright Not simply because they’re more famous.

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  emperor elevator 🆙 (@lv8r777) reported 21 minutes ago

  distrokid stays robbing me 99¢ per track. In the past I only added the shazam discovery to my tracks and ever since apple music bought shazam and make it essentially free to have your songs on shazam if they’re on apple music so to keep that charge valid they have it register with nielsen sounds can and all that ****, which is now called Luminate long story short they by it no right to collect money for a service they don’t provide anymore. i didn’t ask to have my **** on neilson soundscan/luminate, i added the discovery for shazam when that was the only service offered in the discovery pack. @DistroKid you should automatically stop charging for any 99¢/track discovery pack bought before apple bought shazam. or at the very least notify people that shazam is free but they can either continue the discovery w neilson or opt tracks out of that discovery system. ESPECIALLY when i never gave you the rights to have my data on soundscan for those old songs when soundscan registration wasn’t in the discovery pack. you have no right at all that’s like if you had a meal prep delivery company deciding to start sending you **** that’s NOT good and keeping your subscription alive in bad faith because it’s just the same company deluging SOME service

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  Count Napier 2: La secuela (@JHQ409259) reported 22 minutes ago

  @TheBatspecter It really was the DCEU itself, Lego DC was at its best at that time (add to that the success of Lego Batman Movie)Lego DC really went down the drain when the movies didn't seem to have direction (you know, Shazam, Joker, TSS, SnyderCut) The only one that had a set was WW84.

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  Kamen 7 (@ApasserbyFan) reported 22 minutes ago

  @Sukiihiro @FitMarshmellow Genuinely Bendis may have set Jon back by a thousand years but Taylor doubled down and set him back even further Throw in Sina Grace too for good measure just for the way he wrote Damian in that Shazam issue