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Shazam

Shazam Outage Map

The map below depicts the most recent cities worldwide where Shazam users have reported problems and outages. If you are having an issue with Shazam, make sure to submit a report below

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The heatmap above shows where the most recent user-submitted and social media reports are geographically clustered. The density of these reports is depicted by the color scale as shown below.

Shazam users affected:

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Shazam is a service available for personal computers and smartphones that can identify music, movies, advertising, and television shows, based on a short sample played and using the microphone on the device.

Most Affected Locations

Outage reports and issues in the past 15 days originated from:

Location Reports
Narbonne, Occitanie 1
Poplar, England 1
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Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

Beware of "support numbers" or "recovery" accounts that might be posted below. Make sure to report and downvote those comments. Avoid posting your personal information.

Shazam Issues Reports

Latest outage, problems and issue reports in social media:

  • Reefmetax
    Reef (@Reefmetax) reported

    @barkmeta If anyone knows what that second to last song was, let me know. I was turning it down before I could hit Shazam

  • GarfeldoAlfredo
    Garfman (@GarfeldoAlfredo) reported

    @raingod09790030 Shazam was during the broken DCEU, not the DCU that has been solid. Go cry about it.

  • Jobrin93
    Joshua Knight (@Jobrin93) reported

    @WkndatBurnies @MikeWill_0 That’s the problem you really can’t have Black Adam story without Shazam unfortunately

  • DreamsUnchartd
    Dreams Uncharted Comix (@DreamsUnchartd) reported

    @CTPhipps1980 Well they did. They renamed him to Shazam a while back to avoid problems with Marvel I think.

  • Zrbialk
    Ron Bialkowski (@Zrbialk) reported

    @FakeNightskin I am having trouble getting into this title because it's being written for younger readers. I when DC did the time jump and I liked Campbell's writing less on Shazam! less. So I really cannot have an opinion. Just don't trivialize Peter David's Linda Danvers.

  • pengasys
    pengasys (@pengasys) reported

    @p3aced3fender2 @doubtfully_xD you cant shazam the song, not because its in arabic, but probably because its taken down from youtube and spotify.

  • recovery_simp
    Recovery Simp (@recovery_simp) reported

    This COSOMA debate made me realize something… A thread 1/ While everyone is arguing about royalty payouts, I’m seeing something different. I’m seeing a system problem. And software problems are meant to be solved. 2/ If artists don’t fully trust how royalties are calculated… If the public doesn’t understand the monitoring system… If people keep asking where the numbers come from… That’s a transparency problem. Transparency is exactly what technology can improve. 3/ Imagine a platform that monitors radio and TV broadcasts in real time. Not guesses. Not spreadsheets passed around. Actual digital monitoring with an auditable trail. 4/ Imagine every song played being automatically detected using audio fingerprinting—similar to how Shazam recognizes music. Every play gets recorded. Every record has a timestamp. Every calculation can be traced. 5/ Now imagine every artist having their own dashboard. “My song played 287 times this month.” “These are the stations.” “These are the broadcasts.” “This is exactly how my royalty was calculated.” No mystery. Just data. 6/ The platform could also allow broadcasters to upload playlists digitally instead of relying only on manual submissions. Everything becomes faster. Everything becomes easier to audit. Everything becomes more transparent. 7/ And why stop there? Churches… Event organizers… Festivals… DJs… Could also submit licensed digital setlists. The more legitimate usage we capture, the fairer the royalty system becomes. 8/ This isn’t just a COSOMA solution. It’s a solution for every collective management organization across Africa that struggles with monitoring, reporting and royalty distribution. That’s a regional software market. 9/ This is the type of software Malawi can build. We don’t always have to import technology. Sometimes we should build the infrastructure ourselves. 10/ That’s why I’m putting this idea out there. I’m looking for partners who believe Malawi can build world-class technology. Investors. Government. COSOMA. Broadcasters. Let’s build it together. 11/ Imagine Malawi becoming the country that develops one of Africa’s most transparent copyright royalty systems. Not because we complained. Because we built the solution. 12/ Sometimes the biggest opportunities don’t come from asking, Why is the system like this? They come from asking, What if I built something better?

  • residentpimp
    jose vega (@residentpimp) reported

    @mjarbo The VFX were another issue. If they would have removed that whole bus outer space segment that could have dropped the budget probably 30 - 50 million. These movies don't have to be effects heavy. Beetle and Shazam 2 were shot for 59 million less

  • crackcroww
    Starlight 🦀 (@crackcroww) reported

    @haxcicle IVE BEEN TRYING TO SHAZAM IT FOR LIKE FIVE MONTHS i dont know and its not working nooooooooooo 😭

  • YULITTL
    Eat_My_Shorts (@YULITTL) reported

    @Blu_lulululu @iansmith06 @benardonhard Brother the same people handling the dcu rn have been in DC since 2021 making all those terrible movies like flash, aquaman 2, birds of prey, Shazam 2. James Gunn, Peter Saran, Christina, Andy mushetti. All these people made trash dceu movies before the reboot and stayed after.

  • Mimicinabox
    Mimicinabox (@Mimicinabox) reported

    @Black_D_Gamer1 If we applied their logic, shouldn’t Shueisha or the respective authors of the earlier titles (Dragon Ball, JJK, Chainsaw Man, MHA) have issues with the later ones (Toriko, SBtMWY, Call of the Night) because of their very similar designs? But as far as I know, they’re not doing that, right? From what I’ve learned through Googling and from Grok, companies tend to go after designs that clearly infringe their trademarks rather than ones that are merely inspired by them. This applies to both U.S. and Japanese companies. The only case with enough evidence to successfully sue and win was DC v. Fawcett, regarding the similarity between Superman and Captain Marvel (later renamed Shazam after DC acquired the character). It wasn’t just the design; Fawcett’s team had deliberately studied other aspects of Superman (personality, characterization, etc.) to create their own version of “Superman,” only under a different name.

  • NIALLownsmeee
    Pipis🪩🕺🏻💋 (@NIALLownsmeee) reported

    @inthehalwayrry i was in the nosebleeds in amsterdam and everybody was sitting down and didn’t even sing for most of the time😭even saw someone use shazam

  • malonpeach
    get borged 🍑 (@malonpeach) reported

    god i ******* hate that kiki song… my (terrible) date played it like 25 times while we were hanging out. like ******* Please I’m Gonna Kill Us Both For Real. wouldn’t even play a DIFFERENT terrible drake song. AND THEN HE TOOK ME TO SEE SHAZAM worst date imaginable…

  • synnrg_
    SYNNRG (@synnrg_) reported

    @GunntArchive Shazam had a terrible script and writing tho, this film series relied upon Zachary Levi"s acting way too much

  • LardCathleen
    Cathleen Lard (@LardCathleen) reported

    @Barron47voicese It's a real serious problem how we got here! Shazam

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