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Shazam

Shazam Outage Map

The map below depicts the most recent cities worldwide where Shazam users have reported problems and outages. If you are having an issue with Shazam, make sure to submit a report below

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The heatmap above shows where the most recent user-submitted and social media reports are geographically clustered. The density of these reports is depicted by the color scale as shown below.

Shazam users affected:

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Shazam is a service available for personal computers and smartphones that can identify music, movies, advertising, and television shows, based on a short sample played and using the microphone on the device.

Most Affected Locations

Outage reports and issues in the past 15 days originated from:

Location Reports
Narbonne, Occitanie 1
Poplar, England 1
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Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

Beware of "support numbers" or "recovery" accounts that might be posted below. Make sure to report and downvote those comments. Avoid posting your personal information.

Shazam Issues Reports

Latest outage, problems and issue reports in social media:

  • Mimicinabox
    Mimicinabox (@Mimicinabox) reported

    @Black_D_Gamer1 If we applied their logic, shouldn’t Shueisha or the respective authors of the earlier titles (Dragon Ball, JJK, Chainsaw Man, MHA) have issues with the later ones (Toriko, SBtMWY, Call of the Night) because of their very similar designs? But as far as I know, they’re not doing that, right? From what I’ve learned through Googling and from Grok, companies tend to go after designs that clearly infringe their trademarks rather than ones that are merely inspired by them. This applies to both U.S. and Japanese companies. The only case with enough evidence to successfully sue and win was DC v. Fawcett, regarding the similarity between Superman and Captain Marvel (later renamed Shazam after DC acquired the character). It wasn’t just the design; Fawcett’s team had deliberately studied other aspects of Superman (personality, characterization, etc.) to create their own version of “Superman,” only under a different name.

  • JQuinteros63
    Jason Quinteros (@JQuinteros63) reported

    @BrownBastard90 @sonyabladesbf Comics & games & DCTV was doing fine at the time. Most DCEU movies post-Aquaman 1 were doing terrible and that’s on BVS? What about Shazam or Birds of Prey?

  • moviesbydika
    Dika_Clips 🎬🍿 (@moviesbydika) reported

    @bekeestitches Yeah the writing was the real issue. Shazam himself was never the problem.

  • Returnofthebruh
    Bruh (@Returnofthebruh) reported

    @junglekxng3 @ReconNarwhal He's always had a huge ego, it was just at an all time high at the time (and even now) he really believed a Shazam villain could fix an already broken universe

  • recovery_simp
    Recovery Simp (@recovery_simp) reported

    This COSOMA debate made me realize something… A thread 1/ While everyone is arguing about royalty payouts, I’m seeing something different. I’m seeing a system problem. And software problems are meant to be solved. 2/ If artists don’t fully trust how royalties are calculated… If the public doesn’t understand the monitoring system… If people keep asking where the numbers come from… That’s a transparency problem. Transparency is exactly what technology can improve. 3/ Imagine a platform that monitors radio and TV broadcasts in real time. Not guesses. Not spreadsheets passed around. Actual digital monitoring with an auditable trail. 4/ Imagine every song played being automatically detected using audio fingerprinting—similar to how Shazam recognizes music. Every play gets recorded. Every record has a timestamp. Every calculation can be traced. 5/ Now imagine every artist having their own dashboard. “My song played 287 times this month.” “These are the stations.” “These are the broadcasts.” “This is exactly how my royalty was calculated.” No mystery. Just data. 6/ The platform could also allow broadcasters to upload playlists digitally instead of relying only on manual submissions. Everything becomes faster. Everything becomes easier to audit. Everything becomes more transparent. 7/ And why stop there? Churches… Event organizers… Festivals… DJs… Could also submit licensed digital setlists. The more legitimate usage we capture, the fairer the royalty system becomes. 8/ This isn’t just a COSOMA solution. It’s a solution for every collective management organization across Africa that struggles with monitoring, reporting and royalty distribution. That’s a regional software market. 9/ This is the type of software Malawi can build. We don’t always have to import technology. Sometimes we should build the infrastructure ourselves. 10/ That’s why I’m putting this idea out there. I’m looking for partners who believe Malawi can build world-class technology. Investors. Government. COSOMA. Broadcasters. Let’s build it together. 11/ Imagine Malawi becoming the country that develops one of Africa’s most transparent copyright royalty systems. Not because we complained. Because we built the solution. 12/ Sometimes the biggest opportunities don’t come from asking, Why is the system like this? They come from asking, What if I built something better?

  • richbateman87
    Rich Bateman (@richbateman87) reported

    realistically who or what are we blaming for dcs problems right now? why has supergirl underperformed as bad as blue beetle, shazam 2 and the flash? because this needs addressing

  • SteveGr16838876
    ThatDeadHead (@SteveGr16838876) reported

    @OtunbaSebotimo The problem with the movie the kid actor acted nothing like the Shazam version, he was way too serious and didn't have the same charm

  • mount4life
    Mason mount (@mount4life) reported

    @Exchronos @Steveroger3277 Shazam 2 had a weak plot and terrible acting

  • MegaONE1127279
    Mallu Junction (@MegaONE1127279) reported

    @morvinedward When its not able reach nearer Lokah its became Mixed review, Except Shazam everyone else given excellent review , Why mohanlal sleeper cell is not working properly

  • ScottTrevo36308
    ScottTrevor10 (@ScottTrevo36308) reported

    @DGen_Media I mean, it really wasn't. The problem is it came out too late after being announced and it didn't have Shazam involved.

  • Yolophonik
    Yolophonik (@Yolophonik) reported

    Shazam letting me down yet again. Nice.

  • JustinMKowalski
    JUSTIN (@JustinMKowalski) reported

    @NickZednik If this is the math we are trying to math with, Levi is only one worth bringing back going by Shazam 1 performance. Anyone, burn it all down.

  • _Ramifications_
    Zack Straw 🇹🇩 (@_Ramifications_) reported

    just accidentally added my entire Shazam search history to my Apple Music library, critical error

  • OfficialJBTells
    JB (@OfficialJBTells) reported

    @bekeestitches Shazam was never the problem. The problem was DC not knowing how to support something lighthearted and fun while everything else was trying so hard to be dark and gritty.

  • MoPride_
    I.J KLMNOP (@MoPride_) reported

    Sometimes, I wonder if Shazam has ear problems.

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